so directly opposing Mark Hamil who was on set and told us that George always had a vision of where he wanted to go which is different from these current films? And the fact that Lucas then penned 3 trilogy’s, the OT focusing on Luke developing into a Jedi knight is all hogwash?Yeah, except George didn't have an idea of where things were going. And if he did they went out the window with ESB. Star Wars completely changed from ANH to ESB. Star Wars was originally supposed to be loosely connected series of films not unlike the James Bond franchise, that would focus on the the adventure of Luke Skywalker. But George changed everything when he made Darth Vader Luke's father. Changed the Emperor from a corrupt powerless politician (undoubtedly that was recycles into Chancellor Valourm) into the dark Force using master of Vader. Anyways....
There's a very big difference between Kevin Feige and Kathleen Kennedy. And that's simply one is self proclaimed fanboy of the franchise that they are in charge of. Kevin is a huge Marvel fan. Kathleen, while I'm sure she loves Star Wars. She doesn't know it inside and out like Kevin does Marvel. So of course she's not THE voice in the room. Why do think she's turned to huge Star Wars fans to make the new content? Whether that be the any of the films, Sequels and spin offs, or the shows. I mean the first thing she did was create the Lucasfilm Story Group. And the vice-president Kiri Hart created the Lucasfilm 'Intellectual Property Development Group.' Kathy has constantly looked to people that know Star Wars. She's said they don't do a thing without running stuff past Dave Filoni. These people, from every corner of Lucasfilm decide on the story.
This is Lucasfilm IPDG's plan for epsidoes 8 and 9.
Furthermore. Think about this. If there truly WASN'T a plan, why did they part ways with Trevorrow? If there was no plan then it wouldn't have mattered what happened in episode 9. They could have done anything.
I never said you did say that. I don't think you are intentionally doing it, but your reply makes my point of them being in a rush to get films out, far stronger, rather than disproving it. But as I said, make of it what you will.I didn't say filming though.... I said development. Episode 7 started development the day after the sale to Disney. Technically it started earlier, when Michael Arndt was hired. From mid to late 2012(depending on when Michael started writing) to December 2015 is just over two years.
Surely you realize that it's 99% completely different than what ended up as TROS? I mean Colin Trevorrow's only tentpole movie to thqt date was Jurassic World which was a totally safe JP reboot, essentially the TFA of Jurassic Park. Are we to assume he just went rogue and wrote 100% whatever he wanted when there was a plan all along? Sure he got fired so I'm sure there were creative differences. It's only my guess but I could imagine KK or whomever disagreeing over not having a redemption arc for Kylo or something like that but the script and plot is so wildly different to the final TROS one that it does give the impression that the story was not mapped out and they just disliked what CT came up with.Parts of it. And watched a couple videos where they went through the plot.
so directly opposing Mark Hamil who was on set and told us that George always had a vision of where he wanted to go which is different from these current films? And the fact that Lucas then penned 3 trilogy’s, the OT focusing on Luke developing into a Jedi knight is all hogwash?
yes there is a difference between Feige and Kennedy and the results show it. Feige and Lucas were both fanboys with a vision. They wanted to do something new with cinema and this had a goal they wanted to develop. Kennedy honestly sounds like she has little interest in Star Wars as a franchise and thus producing it was just another job for her. It’s clear that the passion comes through with the MCU, OT, or even the PT but the ST is just a cash grab. Thanks pointing that out.
It’s not like we haven’t seen the impact passion and vision have for films. Peter Jackson was dying to create Lord of the Rings so his iteration put to film is one of the best novel adaptations and cinematic masterpieces in recent times. The Hobbit trilogy that he was forced to direct after being burned out is garbage.
And if you call that one page a plan, lol. All they are saying is that female power is hot right now, let’s use that as a central theme with Leia as a Jedi/mentor character. Good concept but the question is why does Leia need to come back into the fold as a mentor? Why is Luke not the mentor? What is the pressing threat that the original OT cast can’t tackle and why can’t they tackle it. What makes the new cast capable for the mission that the more experienced cast cannot?
As yes, you are right. Kennedy did create the story group and JJ apparently went as far as to create scripts for the entire trilogy. It’s too bad this happened.
Did Rian Johnson Throw Away Abrams' Story For 'The Last Jedi?'
One of the "Star Wars" stars discusses just how much of a disconnect existed between the creative teams of 'The Force Awakens' and 'The Last Jedi.'theplaylist.net
J. J. wrote ‘Episode VII,’ he also wrote drafts for ‘VIII’ & ‘IX.’ Then Rian arrived and re-wrote [‘The Last Jedi’] entirely.
It doesn’t matter how good of a plan/outline you set up if the plan is unilaterally thrown away. A discarded plan is the same as starting with no plan.
And if it were true that Kennedy was running to Filoni to confirm every script change, then it’s self-evident that Filoni should have been the one in charge of the trilogy, not Kennedy. He has the knowledge and the buck essentially stops with him then. These arnt people sitting around being able to leisurely discuss any change on a moments notice, these are busy people leading their own projects. If Kennedy was so uncertain of Star Wars lore, she shouldn’t be the head leading the ST.
This is pretty self-evident for any project. Would you feel comfortable building a car that is being project managed by a person who has no idea how cars worked and kept going to the chief engineer of another project to see if the changes are ok? Why not just put that chief engineer as the lead of the project then.
Yes Lucas put her in charge but he also probably thought she was going to be loyal to him and his vision (hence the shock when his sequel treatments were scrapped) and that she knew more about Star Wars than she actually does.
So why point out when filming started? What does that prove exactly?I never said you did say that. I don't think you are intentionally doing it, but your reply makes my point of them being in a rush to get films out, far stronger, rather than disproving it. But as I said, make of it what you will.
Yeah, the reason why Trevorrow was fired was for creative differences and adhering to his vision of how IX should go and apparently KK doesn’t that that s*** (articles words not mine).Surely you realize that it's 99% completely different than what ended up as TROS? I mean Colin Trevorrow's only tentpole movie to thqt date was Jurassic World which was a totally safe JP reboot, essentially the TFA of Jurassic Park. Are we to assume he just went rogue and wrote 100% whatever he wanted when there was a plan all along? Sure he got fired so I'm sure there were creative differences. It's only my guess but I could imagine KK or whomever disagreeing over not having a redemption arc for Kylo or something like that but the script and plot is so wildly different to the final TROS one that it does give the impression that the story was not mapped out and they just disliked what CT came up with.
You should go through The Secret History of Star Wars. George's "plan" was more like some vague, nebulous ever changing dream. Until the success of the first movie.
Your article very purposely leaves out the start of Daisy Ridley's quote. “Here’s what I think I know." And I'm pretty sure JJ has spoken about before. He's was never intended to write or direct 8 or 9. But that he and Lawrence Kasden wrote out some ideas of stuff of where the story might go, as an aid in writing episode 7.
Yes that's a plan. And it's not like they've given us the entirety of the whole meeting.....
Kathleen runs everything past Dave because of his knowledge. But also because Dave was working on Rebels. And they were wanting to add connections between the show and the films. (At one point the main planet for Rebels was going to be the planet they would introduce Rey on). Really when you hear Kathleen Kennedy talking about how they develop this stuff. You realize that it's just all the higher ups in Lucasfilm sitting and talking about what they want to see in Star Wars. John Knoll always wanted to see an ANH prequel based on the title crawl. We got Rogue One. Dave wanted to direct live action, so Kathleen would have him go and hang out on the sets of TFA and TLJ learning. Now he's doing The Mandalorian.
Wow your so very biased. But that's okay I'm very obviously biased myself lolOh come on....Rey's parents changed in 9 because JJ didn't like the nobody aspect because he set up 'somebody' in 7.
No one knew WTF a dyad in the force was because it was created for 9. If not, it would have come up somewhere along the long as foreshadowing. It didn't.
No one care about answering what the FO was because it was largely assumed right - the remnants of the empire not giving up. The only 'answer' was who was running the show.
Ben coming back wasn't anything needing answered after 8.
EP manipulating Ben again wasn't anything that needed answered. And it couldn't have been tipped sooner because they only invented it for 9.
And again, NONE of it had to be answered to finish anything off. None of them were questions anyone was anxious to know.
All I know is Michael Arndt turned in a 50ish page treatment in October 2012. "Pretty extensive and detailed treatment for what would be the next three movies; the trilogy." - Bob IgerYou really like painting Lucas as a guy who went in completely blind and just struck gold. Yes, Lucas didn’t pen the other trilogies until after writing ANH. Why you don’t mention was that ANH (or just Star Wars at the time) was such a huge risk that Lucas and many of the people around him thought it would flop to the fact it was a new idea and Sci-Fi didn’t do well (De Palma hated it and made his opinion known but he also hated Taxi Driver so he might just have bad taste). Lucas’ only staunch supporter was Spielberg and even he underestimated its success.
Nevermind that this was also an era where sequels were uncommon.
But Lucas had already though of ideas for 9 films, cut down from 12 back in 1981. Obviously he isn’t planning to give spoilers but he already had a vision for the prequel trilogy and for it to focus Obi Wan and Anakin.
And regarding Daisy’s comment, she isn’t stupid. She knows what she is saying can be taken in an inflammatory light so her saying “from what I know” which is obvious because why would she talk about things she knows nothing about, RJ took nothing from JJ’s proposed treatments.
This has been a constant sentiment expressed by the actors as we have seen already.
-Mark Hamil, who has experience working on both the OT and ST as of the major characters, stated the process was different because Lucas always had a vision at least while the ST is a “relay race”
-Daisy has expressed the same sentiment, both with the previous quote of RJ not taking anything and the fact that her character origin was still fluid even while filming the final movie
Finally, to add insult to injury, JJ himself essentially confirms that RJ veered from the plan, if there was one made.
J.J. Abrams Admits He Laughed at Rian Johnson’s Script for The Last Jedi | Geek Outpost
Rian Johnson can't seem to avoid criticisms for his choices in the Last Jedi. Now, Abrams admits he couldn't help but laugh when reading the script.geekoutpost.com
When I read his first draft, it made me laugh, because I saw that was his take and his voice. I got to watch cuts of the movie as he was working on it, as an audience member. And I appreciated the choices he made as a filmmaker that would probably be very different from the choices that I would have made...
“I a real sense with [Force Awakens co-screenwriter] Larry Kasdan about where things would go, potentially. And I think that, when I read Rian’s script, what I felt was that with everything that happens in that movie, and quite a lot does, nothing sort of obviated a sense of inevitability where I thought the story could go.”
So it sounds like JJ did have a plan and details of how the ST would go and Rian completely went another way given that “nothing” went the way it was planned. I really can’t think of what other evidence left there is that would further prove that the ST trilogy operated without a plan. Even if a plan was formed, if the story veers completely off course without sticking to the plan at all in the second of three movies, that’s pretty much the same as operating without a plan for the TRILOGY.
Edit: lol and Rian himself stated the ST had no plan.
Rian Johnson says there was no set plan for the Star Wars Sequel Trilogy, defends Last Jedi humour
While Star Wars: The Last Jedi received an overwhelmingly positive reaction from critics, fans have been a little more mixed on the second chapter of Disney's Star Wars Sequel Trilogy. One of the big complaints aimed towards the film is that it deviates from the seeds planted in Star Wars: The...www.flickeringmyth.com
I really don’t know which it is for the ST. They either had a plan that was discarded by the second movie or they never had a plan to begin with. Either way, the result is the same.
The problem I find is that many act like Marvel planned out every nitty gritty detail. Which isn't the case. I'm lacking some context in my comments. It's irks when people are all 'Star Wars should have been done like Marvel.' I'm just pointing out that Marvel isn't a good example of something with a grand detailed plan.Hang on, now the argument is that LFL had a plan that was, "again not to (sic) dissimilar to Marvel".
I thought we weren't supposed to use Marvel as an example of having a plan, because the mistakes in continuity they made, made it obvious that they didn't plan at all....
And yet again I feel compelled to point out that nobody here stated that MCU had a "grand detailed plan", in fact we have been at pains to actually admit that they didn't, but point out that that they still had a clear over arching plan that the individual directors where beholden to, but with a large degree of creative freedom of how they got the characters to where they needed to be.The problem I find is that many act like Marvel planned out every nitty gritty detail. Which isn't the case. I'm lacking some context in my comments. It's irks when people are all 'Star Wars should have been done like Marvel.' I'm just pointing out that Marvel isn't a good example of something with a grand detailed plan.
I'm not saying Marvel doesn't have a plan. But it's not what people seem to think what it is.
I sound like crazy person... lol
All I know is Michael Arndt turned in a 50ish page treatment in October 2012. "Pretty extensive and detailed treatment for what would be the next three movies; the trilogy." - Bob Iger
Adam Driver said. "With Star Wars, I had one piece of information of where it was all going, and that's where it has been in my head for a long time, and things were building towards that. It feels very theatrical, if anything."
I'd guess that Lucasfilm defined how they wanted the story to begin and how they wanted it to end. But journey from point A to point B they left open for the individual filmmakers to do what they wanted. Again not again not to dissimilar to Marvel.
-On allowing directors and writers to work within Marvel's shared universe concept, Joe Russo said that Feige has "big pieces that he knows he wants to build towards, but the way that you get there is open to interpretation and improv a little bit".-
-The most simple way I could put it is Marvel doesn't come to the filmmakers and say, "Here's what the next movie is." They come to the filmmakers and say, "What is the next movie?" That's very much the process.
—Director Anthony Russo in April 2016-
Eh, they both have their inconsistencies. Not to diss on Marvel, I really do like them. But nothing lasts. With the exception of Loki and Thanos, all the villains are dealt with in the same they are introduced. And when big universe changing things occur, like the Sokovia Accords(or the Snap). The next film returns everything to the status quo.I don't really care who had a plan and who didn't... The MCU movies had a mostly coherent progression over a huge number of movies. The SW ST couldn't manage to do it over three. I don't need anyone to tell me who was on their game and who wasn't.
It always seems to come down to how people feel about TLJ. I don't feel that TLJ really threw anything out. It gave answers, just not the answers that people wanted.TFA left several key questions for the series to explore:
- what was Luke doing on the island?
- who is Rey and why is she so powerful?
- why did the saber call out to Rey?
- who is snoke? (Would also answer how the first order came to be, how he tricked Ben, etc)
I for one feel really uninterested in Marvel now. I was excited for the second Doctor Strange, but then Scott Derrickson left, and now I don't care. The only reason I want to see Black Widow is David Harbour.Regarding Marvel, the interconnected nature of the film arguably works because the overall narrative is not really dependent on all character films but the Avengers.
If we look at just the Avengers films, the 3/4 films tell a natural story that play off one another.
Avengers - heroes meet thanks to Loki’s machinations, create Avengers team fight off invading space force.
Age of Ultron - in response to the space threat, Ironman and Hulk build Ultron as a shield against future space threats. Ultron goes awol and the team need to put him down.
Infinity - Thanos works on completing the stones. Avengers try to stop him but with no defense (cause Ultron) and Thanos’ overwhelming power, they fail.
Endgame - reverse impact of Thanos using time travel but Thanos utilizes that technology to come to them. Big final battle between heroes and Thanos army to kill Thanos and save the day at the expense of the Avengers themselves (team essentially decimated)
You could argue that the Avengers movies themselves create an insular narrative on their own and the individual movies (Iron man, Captain America) are just there to fill in the space between those movies as well as really delve into character motivations and analysis.
I also do think that because Endgame essentially concluded the Avengers narrative and there is probably a high level of disinterest in super hero movies (since we basically had a decade of hero Marvel movies), the MCU could be in trouble unless they really hit a home run and interest is revived with the new cast. I wouldn’t be surprised if there is a big fall in interest post-endgame because we did go through 58 Marvel movies and the series really wrapped itself well with Endgame.
A big problem though is that there arnt any alternatives to Marvel right now. Sci-Fi could make a comeback with Dune though sparking a sci-fi craze.