Obi-Wan's Revenge of the Sith lightsaber. How many variations are there?

Since this hilt was brought up and not wanting to de-rail BRRogers' thread. Do you think the display prop was seen at least in this shot in the film?


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Exhibit hilt appearances:
Jedi Council meeting
IMG_2422.jpeg

Private conversation with Yoda:
IMG_2424.jpeg

Mustafar Duel:
IMG_0679.jpeg

Grevious’ Elevator:
IMG_2455.jpeg


Theory disclaimer: this is a theory
Going through-
ILM, Gillard, and Belt Touring.
All feature neutral brown-tone necks and windvanes.
The only instance I see matching this on film are the force pull gag sequences (Gillard) and the digital model sequences with General Grevious. (ILM) I cant pick out the costume touring hilt.

The Red and Gold windvane and neck combo is consistent with the stunt hilts, belt hanger (373), and closeup shots (Exhibit).

Personally, Im theorizing they began shooting with their artist proof hilt and made the beauty (exhibit) hilt for closeup. The rest of their color scheme for the stunts was based on these, castings were derived from them.

The digital assets and warmer browns could be late production after color grade (off the blue/ green screens) was established and they wanted the digital reference, pickups, and touring hilts to match up with the post-color grading.

Could anyone with the Rinzler book confirm if this is plausible? He usually formats the book by film order no?
 
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Here is the touring hilt, it had a chrome pommel and I think sold at a propstore auction? I also believe the star wars identities tour is the only one to ever have his saber on his display. I guess a wild conspiracy could be it is an MR? I've lost my eye for the EP3 saber
31391046044_1485f93375_o.jpg
 
We really need some catchy names for the different hilts to keep them all straight. Just when I think I'm working it out, I get confused again. Lol
 
Here is the touring hilt, it had a chrome pommel and I think sold at a propstore auction? I also believe the star wars identities tour is the only one to ever have his saber on his display. I guess a wild conspiracy could be it is an MR? I've lost my eye for the EP3 saber
View attachment 1905860

Out of the 3 auctioned hilts, this is the one that has the chromed pommel, control box and emitter right?

I hope to see a replica of the "Exhibit" Hilt in the future, that's my favorite version so far.
 
IMG_2482.jpeg

Some color modding here but primarily to highlight the notable differences between the hilts and their coloring. Propstore not helping with the way they light and crop things-
Also trying to keep the hilt angle relatively the same to poibt out differences in length features.
Rymo’s thread with photos of the exhibit hilt has muuuch better photos: just not the angle I need for the side by sides.

IMG_1444.jpeg


*edited the list above, thanks for the guidance Teecrooz.

Adjusted for being re informed
Worth noting we don't officially know which hilt would be the ILM digital model reference, the MR reference being the current assumption.
 
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Exhibit hilt appearances:
Jedi Council meeting
View attachment 1905804
Private conversation with Yoda:
View attachment 1905816
Mustafar Duel:
View attachment 1905829
Grevious’ Elevator:
View attachment 1905910

Theory disclaimer: this is a theory
Going through-
ILM, Gillard, and Belt Touring.
All feature neutral brown-tone necks and windvanes.
The only instance I see matching this on film are the force pull gag sequences (Gillard) and the digital model sequences with General Grevious. (ILM) I cant pick out the costume touring hilt.

The Red and Gold windvane and neck combo is consistent with the stunt hilts, belt hanger (373), and closeup shots (Exhibit).

Personally, Im theorizing they began shooting with their artist proof hilt and made the beauty (exhibit) hilt for closeup. The rest of their color scheme for the stunts was based on these, castings were derived from them.

The digital assets and warmer browns could be late production after color grade (off the blue/ green screens) was established and they wanted the digital reference, pickups, and touring hilts to match up with the post-color grading.

Could anyone with the Rinzler book confirm if this is plausible? He usually formats the book by film order no?

As an aside, I always read the Force-pull version seen in the Mustafar conference room as the digital model, not a physical prop. I haven't frame-by-framed that shot in quite a while, though.
 
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