The Nine Gates - NEW PHOTOS (page 12)

Re: The Nine Gates - In Progress

Aaaaaand... black.



There's some discoloration in a few areas, but I rather like it.

Now, I'm heating up some tools to do the borders and minor tooling on the spine to make the bands pop.



With the exception of the barrel polisher on the far left, all of these fillet wheels are antique and are on the order or 150-200 years old.

EDIT: Here's all the ingredients that went into the dye, the primary walnut stuff being in the large jar.

 
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Re: The Nine Gates - In Progress

Still loving this. I also envy your dyes. I'm stuck with the crap dyes Tandy sells here in California because we can't get oil based dyes here.
 
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@Clutch: I've had a bunch of time to practice ;)

@Risu: I didn't realize oil based dyes aren't allowed in some states. Weird.

I make my own dyes because I'm not satisfied with commercially available ones. The big jar above you see is filled with local black walnuts that have fermented for several months, the next biggest bottle being the strained solution. It takes a while to make but you just can't beat the color with something synthetic.

Cheers!
 
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"And there it is -- in perfect condition."



The gold is 22k leaf, and the leather looks quite nice after its final polishing treatment using an emulsion I make myself, the primary ingredient being carnauba wax.

I'm still not quite done. The endpapers need to be pasted down.

The color came out wonderfully. I know I was going on and on about it being black, but the temperature of the hot polishing iron made the dark browns come out, and it looks spot on with some of the movie props. I like it A LOT.



 
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Congrats! That is one beautiful book! What's it look like inside?
 
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It's not quite ready to be opened -- it needs to press out for a while. After I get the endsheets installed I'll break'er in then take more photos. (Opening a book for the first time is extremely important. I once did a restoration job for a client who immediately broke the binding by holding the pages open with his thumbs and "cracking" it open. I had to re-rebind it.)
 
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This is awesome work. Amazing insight into a fantastic world I knew nothing about. Thanks for that as well.
 
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flattery,
beautiful work. where to you learn bookbinding? it is always something I have wanted to learn.
 
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Flattery, not only is the final piece of work amazing, you've gone from an idea to a finished prop faster than most people can get their thoughts together!

Thank you for not only sharing this beautiful piece of work with us, but for taking us on the journey as you made it.

I've noticed in some other examples that people use a kind of wide lace rather than the hemp cords. For a first attempt where historical accuracy is perhaps less important than the learning curve, which would you say would be better for a novice?
 
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I am thankful for all the positive comments. It's been very enjoyable. :)

@Lint: I first started binding on my own when my personal journals would fill up and I couldn't find suitable replacements. I researched and poured over every bit of instructional material I could find and produced some good pieces, but nothing like what I'm doing now. I became more an more interested in historical binding, and quickly that obsession took hold, and it took years for me to even come close to the level of accuracy I saw in historical pieces.

To more directly answer, no one had really taught me. Most binders would scoff at the words "self taught," but in all seriousness, it's not THAT hard. These days, however, my mentor checks my work and gives me advice, and I'm getting ready to undergo an intensive years-long period of advanced conservation and historical binding with him. So, I'm mostly self-taught, but I've had a lot of help.

@Rogue: A great comment, thank you. What you're referring to is known within the binding world as tapes. These are usually linen or cotton, and are used for when very flexible binding is needed, such as for a ledger -- something that is meant to be open for a long time but won't stiffen into that shape.

As for which would be better, I think they're about the same in terms of sewing technique and level of effort. I am leaning towards tapes, though, because covering a book with raised bands can be a real pain if you haven't done it and you don't have some key tools, like band nippers.

The tapes, though would be concealed by adhering a strip of paper or muslin to the spine, and would cover up the slight bump made by it.

Also, another good bet is recessed cords. This is where one would saw into the spine about a 16th of an inch and while sewing the cord gets sucked into the gap, resulting in a smooth spine (though not very flexible). Usually cords come in something like 6-ply. You can strip one or two out and use them, just recessed. So, tapes would be good for learning, but recessed cords are good too if you want to give that a test drive.

Cheers!
 
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Here's a neat shot I forgot to post of the leaf placed on the front cover.



I tooled the initial impressions, then coated them with glaire (or egg white, which is the adhesive) and laid on the gold. The temperature of the tools activates the glaire, and the gold sticks. But, the temperature must be just right -- not too hot or too cool, and the gold is a pain to mess with because it's 1/250,000 of an inch thick.
 
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So where do you go from that point? Is the excess simply trimmed off?

For some reason I can't imagine trusting eggwhite to hold it, but then again I've always been one to go overboard on the superglue :D
 
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...and you don't have some key tools, like band nippers...

Which almost invites the question about a basic toolset, but I really should avoid trying to be spoonfed information :behave

Several of the books I use regularly have a kind of braided tape for bookmarks integrated into the books. I've grown to love them (needing to keep track of severla locations in a big book on the fly is an occupational hazard!) and wonder if they would be easy to integrate into a binding?
 
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@Rogue: The excess just gets wiped off with an oily rag. If there's some left that wants to be tenacious, a cotton swab with a drop of lighter fluid takes it right off.

Those kinds of bookmarks can easily be sewn on as part of the endbands or with the pages. Some of them are merely glued onto the spine after sewing!
 
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@Too Much Garlic: I'm finding that we're a rare breed. There's tons of bookbinders in the world, but few that want to use the tried and true classical methods. Workshops and such just aren't enough.
 
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For the record, this is how endsheets should be left to dry.



Ever opened a book's cover and the first sheet on the right pops right up? That's because the sheet was pasted, and then the cover closed on it. Proper installation is to paste up the sheet, and stretch it over the board, working it well into the hinge area. This way the cover will open freely without dragging the rest of the spine with it, and provides the best hinging.
 
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@Too Much Garlic: I'm finding that we're a rare breed. There's tons of bookbinders in the world, but few that want to use the tried and true classical methods. Workshops and such just aren't enough.
Yeah, I just have some old Dumas musketeer books that needs some proper attention and restoration, but haven't been able to find anyone who could do it around here and would be too peeved to ship them anywhere.

Sorry for the off topic. Am really enjoying this project.
 
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