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Excellent. :D

I'm big on continuity and consistency. It is, I feel, even more important for a fictional setting than a real one. The more internal consistency, the more a fictional universe follows its own internal logic and rules, the more real it will feel, and the more the audience can let themselves get invested.

I do not like the newer lightsaber props they've been using in the films and series. I'd much prefer they use fluorescent-painted steel rebar and composite the blade in in post. The OT 'sabers didn't light up a room, and the ones we got after that shouldn't either. That was one of the exotic properties of lightsabers that made them subconsciously interesting. They were intensely bright, but did not illuminate. Virtual photons or other short-lived exotic particles have been proposed that answer that. These more recent props with their fat, lit-up blades just look bad to my OT-trained eye. All the hundreds of times I watched those movies on VHS and laser disc conditioned me to how lightsabers "should" look and behave.

One of the things I like about Rebels is how slender the lightsaber blades are, albeit slightly exaggerated the other direction. It still felt more like watching Luke ignite his father's lightsaber in Ben Kenobi's hut for the first time than Rey igniting that same 'saber in TFA. At least an attempt to recreate the look of the narrow core and palely-colored nimbus surrounding it, and the erratic flicker caused by the spinning triangular pole with its two sides coated in movie-screen material.

I like the spaceships and want my own Millennium Falcon and the Force is something I've tried to use since I was small, but what viscerally pulls my attention and fascination like a moth to a porch light are lightsabers and blasters. Those, when done right, do more to sell me on something as Star Wars than most other trappings. And when they are done poorly, it just looks like a well-meaning but ultimately half-assed fan film.
I've expressed the same dislike for Disney era blades. For me, the lack of illumination of lightsaber blades is part of their otherworldly feel. A lot of fans like to point out that lightsaber blades had cast livht before Disney, notably in Anakin's duel with Dooku in AotC, but this is a misunderstanding of the scene. It's meant for metaphorical effect. The blue and red dancing around the faces of a fallen Jedi and a falling Jedi. It's highly symbolic and I don't get how people miss that. Lightsabers aren't meant to be glowsticks. They look awful when they're turned into one.
 
I've expressed the same dislike for Disney era blades. For me, the lack of illumination of lightsaber blades is part of their otherworldly feel. A lot of fans like to point out that lightsaber blades had cast livht before Disney, notably in Anakin's duel with Dooku in AotC, but this is a misunderstanding of the scene. It's meant for metaphorical effect. The blue and red dancing around the faces of a fallen Jedi and a falling Jedi. It's highly symbolic and I don't get how people miss that. Lightsabers aren't meant to be glowsticks. They look awful when they're turned into one.
Though video games have a long history of having the blades cast light. But it's weird it never stood out to me as being odd. Even in the SWTOR videos the lightsabers cast light, but don't look "off." But the lightsabers in the Obi-Wan show were positively horrid.
 
There are iconic shots in the OT that *would* not work if the lightsaber was lighting up its surroundings. Even when it was a practical effect in the first film, almost all the light was bouncing back into the camera, so these intensely reflective things were also very directionally reflective and the actors handling them got almost none of the light-bounce. This is appropriate if it were a laser sword, as the collimation of a laser beam also prevents light spill. Kinda what makes it a laser and not a flashlight.

So everything about what makes a lightsaber a lightsaber originally included being intensely bright while not illuminating its surroundings. This was in George's movie... Even if nowhere else, he could have asked for special attention to be paid to the shot where we first see one ignited, in Old Ben's hut. But the dimness of the cantina, the industrial gloom of the Death Star corridor -- no illumination from the 'sabers. This was in Kershner's movie. In Empire, Kersh got some nice darn shots that only work if the lightsabers aren't illuminating the shot. And then, when George came back on Jedi (yes, Marquand was directing, but George was very much on top of him), even with the much more saturated palette, the lightsabers still didn't light up their surroundings. Indeed, part of what makes the duel on the Death Star II as effective as it is is that starkness. And, as with the famous shot in Star Wars, George could have, again, asked for special attention to be paid to the scene in Jedi where Vader ignites Luke's 'saber to examine it. It's a pretty well-framed close-up.

Given all the other things George changed his mind about over the course of the films (both the ones he acknowledges and the ones he doesn't), I can see him deciding fifteen years later, when doing the Prequels, that the lightsabers should illuminate their surroundings. That it doesn't jibe with the OT is par for the course with other continuity issues. But even then, the blades still had narrow cores. The fat-core thing didn't really start creeping in until ROTS.
 
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There are iconic shots in the OT that *would* not work if the lightsaber was lighting up its surroundings. Even when it was a practical effect in the first film, almost all the light was bouncing back into the camera, so these intensely reflective things were also very directionally reflective and the actors handling them got almost none of the light-bounce. This is appropriate if it were a laser sword, as the collimation of a laser beam also prevents light spill. Kinda what makes it a laser and not a flashlight.

So everything about what makes a lightsaber a lightsaber originally included being intensely bright while not illuminating its surroundings. This was in George's movie... Even if nowhere else, he could have asked for special attention to be paid to the shot where we first see one ignited, in Old Ben's hut. But the dimness of the cantina, the industrial gloom of the Death Star corridor -- no illumination from the 'sabers. This was in Kershner's movie. In Empire, Kersh got some nice darn shots that only work if the lightsabers aren't illuminating the shot. And then, when George came back on Jedi (yes, Marquand was directing, but George was very much on top of him), even with the much more saturated palette, the lightsabers still didn't light up their surroundings. Indeed, part of what makes the duel on the Death Star II as effective as it is is that starkness. And, as with the famous shot in Star Wars, George could have, again, asked for special attention to be paid to the scene in Jedi where Vader ignites Luke's 'saber to examine it. It's a pretty well-framed close-up.

Given all the other things George changed his mind about over the course of the films (both the ones he acknowledges and the ones he doesn't), I can see him deciding fifteen years later, when doing the Prequels, that the lightsabers should illuminate their surroundings. That it doesn't jibe with the OT is par for the course with other continuity issues. But even then, the blades still had narrow cores. The fat-core thing didn't really start creeping in until ROTS.
And the Prequels are wildly inconsistent. With the exception of Anakin and Dooku. Only the CGI characters get light cast thefrom lightsaber. So Yoda, Grievous, and the clones, primarily. But even then the lighting is very subdued.

And the lightsaber cores vary all over the place in both the OT and PT. (It also depends which version of the OT you are watching.) But sometimes the core is thinner, particularly in close ups. Sometimes it's thicker. Though the trend is, from ATOC on, was slightly thicker cores.
6B900KAN-1-1567974984.jpg

But they never really looked that horribly out of place to me.

But with FX lightsabers they use today. They are probably using, im guessing, a 1 inch polycarbonate blades. So they are having to cover more up, then just a thin rod. That coupled with the fact the blades are straight now. (Whereas before, they very subtilty tapered) The other thing they've done is give the core a very distinct three dimensionality. Before, the core looked nearly 2D. But they color the core to give it three dimensions, which frankly, makes it look like a lit up tube.

Then they've really reduced the colored aura. Making it really faint, or making appear like it's an effect on the lense of the camera.
JTF-FF-002555.jpg

And for Obi-Wan Kenobi, it almost looks like they didn't bother to paint in the aura. And instead relied entirely on the props themselves, to create that effect.
 
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Happy Star Wars day! Using it to get the Hot Toys out of the attic and into the display cabinet before they bake up there, but having too much fun posing them...




I love how an incorrectly helmeted Zev Senseca made it onto that poster and is much larger than most of the main characters!
Yeah.... It's so weird. I don't know if this was an official poster or not. But aside from that, it's always been one my favorite saga encompassing pieces.
 
A little detail I just noticed today. When Mace fighting Jango. Right after Mace slices Jango's blaster. Jango tries to fire his jetpack. But it's gives a short burst of flame, failing to ignite. And then he looses his head.
 
Yep. He tried to get some distance between him and Mace, but the 'pack was damaged by his getting run over by the reek. We saw it sparking when he stood up. I still wish George had kept the slightly longer version of the shot, where Jango blocks a couple lightsaber swings with his gauntlets before Mace gets inside his guard. Altogether it makes Jango look a bit more competent -- just a victim of bad luck and being backed into a corner.
 
Yep. He tried to get some distance between him and Mace, but the 'pack was damaged by his getting run over by the reek. We saw it sparking when he stood up. I still wish George had kept the slightly longer version of the shot, where Jango blocks a couple lightsaber swings with his gauntlets before Mace gets inside his guard. Altogether it makes Jango look a bit more competent -- just a victim of bad luck and being backed into a corner.

I hadn't heard that there was an extended version. That would make more sense seeing that Mandos fought Jedi numerous times, so they would know not to use blasters like that.
 
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