**Update**
Sorry everyone... I've been so insanely busy these past couple of weeks, that I've just not been able to contribute to the discussions on my own threads!
So many separate conversations in my DMs regarding the run (which is now closed)... I'm still incredibly busy though, ordering parts and materials as well as various ongoing discussions which I now need to discuss here.
I'll just cover some of what's been discussed in my absence first...
As
Halliwax has said, the top left image on this collage is
NOT the V2. At the time of making the collage, I knew that the clamp was missing and that it was held together with gaffers tape (that's not paint from what I can see), and that the whole thing was kind of wonky, but I did think that it was the V2 at the time. Or at least parts of it were.
As
scarf man has pointed out though, the pommel is clearly different!
As for the paintwork, I only had one V2 kit available to me for paint/stencil testing and it was used to build the ROTJ version of the prop.
I
WILL be doing a test run of the paint scheme for the ANH version though. I'll be applying this to one of my spare Yuma bodies in the next couple of weeks.
As always, I'll be more than happy to share the Brands/Colours that I settle on once I'm fully satisfied
**Important!**
This week I began a conversation with someone
VERY closely connected with the original prop...
They have asked to remain safely anonymous, but I can assure you that this information comes on
VERY good authority...
It was my plan to begin ordering parts for the run on Monday, but this new information came to light and it looked as though design changes would be needed, so for that reason, I held off from ordering the CNC'd parts while the conversation was still ongoing.
It's my hope that everyone on the run will agree with me, that
it's better to have a short delay, than to have an inaccurate replica!
So.... What's new?...
The emitter as it is today is one, solid piece... This is something that I found very difficult to accept at first, but I believe I may have an explanation...
I was already aware that Brandon Alinger (the props current owner) had not been able to disassemble the emitter/nipple part, based on one of his quotes, but I had put this down to the screws being locked up, or that perhaps some sort of adhesive could possibly have been used to fix in the non-spinning blades that were used during practice (behind the scenes on Empire)?
Having had this detail confirmed via another source has helped to build up a picture of what might have happened.
This is all very speculative of course, but I wonder if the reason that there appears to be a smooth, unbroken shaft running through the middle is because any breaks or detail have been filled by adhesive?
For me, it just isn't possible that the emitter began life as one single piece. Here's why:
- I very much doubt that it would be possible to machine the gap in the emitter plate that is present around the nipple. If it were, I can see no reason for doing so? It could be that the plate itself is separate to the rest of the emitter, but with no evidence of how it could have been fixed in place, and no other visible breaks, I've steered away from this idea. I've also had it confirmed that this was not the case.
- There is no evidence of the nipple ever having been painted either, which just steers me a little further in the direction of it being a separate piece.
- The second set of set screws that cross that gap suggest to me that they could potentially have been holding the two parts together, or that that was at least their original purpose?
I believe that there was almost certainly a bearing housed within the emitter back in 1976. I believe this for a number of reasons:
- It would make sense from a design/engineering perspective
- The gap around the nipple (again) and the diameter across the opening (as well as the diameter of the rod) correspond to a very common ball bearing size. The gap implies that the size of the opening was more important than avoiding a gap. If that makes sense?
- The thing with my V2 run, is that the parts have to work as both the V2 as is is today, and the motorised stunt as it was back in 1976. Having experimented with different mechanisms, and spoken with a few others who have successfully built working motorised hilts, we've all experienced the same issues when any friction is introduced in to the system. Just holding the blade horizontally with only a single bearing locks up the mechanism. Whereas, with two bearings, the rod is prevented from coming in to contact with the walls of the hilt.
The fact that the emitter appears to be one solid piece today, does not necessarily require any design changes on it's own. As I've explained, it's my belief that the whole thing has been cemented together, sometime between the filming of Star Wars and ROTJ.
Current design.
Current design (Fused)
I have it on good authority that the second set of screws are now missing from the emitter. This is something of a revelation to me, as I was previously certain that they could be seen in the gap. If these screws failed at some point, perhaps this is the very reason why the emitter and nipple were cemented together?
Perhaps adhesive was necessary on account of these screws no longer working as they should?? What I thought were screws that could be seen in the gap around the nipple could well be the imprint of them in whatever adhesive was used? Perhaps the already failing screws were used to hold everything together whilst cementing?
Another detail that I was unaware of is that the second set of screws stopped AT the nipple, locking on to the side, rather than having a second set of threaded holes. This, again is on good authority and will require a slight change in the model. Literally a couple of clicks of the mouse to remove these, so nothing too time consuming.
One more thing... and this is a big one...
There is NO bushing at the neck join.
I really,
really want there to be, but again, I have it on very good authority, and from a reliable source, that there just isn't one there...
As I said earlier, holding the prop horizontally did put a strain on the mechanism, which is why I felt that the bushing was needed. On reflection though, It could explain Sir Alec Guinness's unusual grip on the prop during filming! I always suspected that he was preventing the emitter from spinning, but perhaps it had more to do with keeping everything in line and avoiding too much friction between the rod and the neck opening??
It kind of makes sense:
It's not ideal, but as we know, these things weren't always made in the best, most practical way, and were often made to tight deadlines, experimenting along the way. It's far more important that this replica is an accurate representation of the original prop. I suspect (
hope) that this is a view shared by those who have taken part in the run.
Better to have a perfect replica of an imperfect prop!
So, based on this new information, the updated design will look something like this:
And today, with everything cemented together, the Emitter looks something like this:
Please excuse these crude diagrams (*which are not drawn to scale). I really don't have the time to render new 3D cut-aways right now, as I need to get on with updating the models for the machine shop. I will get some nice new renders made soon though and update the original posts in the thread.
**Just a note for anyone who is on the run, and may be concerned about any delay, these changes are relatively easy to make to the existing models, and should be done TODAY.**
Thanks for your interest everyone, I hope you find these new revelations as interesting as I do! I really do feel that we're not only building up a picture of the actual prop, but of it's history and the changes that it's gone through over the past 45 years!
All the best,
Dave