Four and a half years ago.You ever ask yourself why Han Solo and Leia Organa's kid is named "Ben"?
The only thing I can think of would have been if Lucas had remembered his own canon and had Obi-Wan Kenobi going by Ben "since before you were born". When Luke rescues her on the Death Star, Leia recognizes and reacts to what Luke calls him: "Ben Kenobi! Where is he?" We get the sense Old Ben has been watching over Luke for the last couple decades. Bail obviously knew him, but I don't think Leia had ever met him. Just had her father's stories. Her ending her message to him by calling him Obi-Wan was a deliberate thing.It'd make more sense to name him "Bail" or even "Luke" or, I dunno, after someone from either of Han or Leia's pasts who meant something to them. Instead, they name him "Ben," which is a name that means more to *Luke* and to the *audience* (referencing Obi-Wan) than to anyone else. But neither Leia nor Han really were that close to Obi-Wan. Luke was, but why is Luke naming Han and Leia's baby?
Can hear George's intentions in how ADF embellished it in the novelization when Ben gave Luke -- "Your father's lightsaber. At one time they were widely used. Still are, in certain galactic quarters." Echoed in McQuarrie's concept painting:
I feel the EXACT same way. At the end of the day it all comes back to those three wonderful movies. That's all that's ever mattered to me.Star Wars as a brand means nothing to me. Star Wars, The Empire Strikes Back, and Return of the Jedi as films are wonderful. Rarely there might be a cool piece of officially licensed merchandise but I often admire it from a distance. I own very few pieces sanctioned by the brand itself.
Everything else I love about those movies I make for myself in the form of props and costumes or I buy from other fans who make them better than I ever could.
There was a huge portion of my life where I lived and breathed this series but barring my love for the few things I've mentioned, it's been on a steady decline since 1999. I have fond memories of those things mostly tied to the friends I've made along the way, but the brand and all that comes with it was a vehicle to drive those experiences, not the end itself.
I was wondering myself and whilenit didn't particularly bother me I get your point. Similar to the scene in Star Trek Into the Wrath of Khan when Cumberbatch announces in his glass cage that his real name is Khan. Everybody gasps whereas they really just should have said "erm...ok dude". But since Khan was familiar to the audience it had to be the gasp moment in the movie too.A thought about how the JJ Star Wars films work, and why I don't respect JJ's style:
You ever ask yourself why Han Solo and Leia Organa's kid is named "Ben"? Most likely, you haven't. But it struck me the other day as I was thinking to myself that there really is zero reason to name him that, other than "I dunno. I just liked the name."
It'd make more sense to name him "Bail" or even "Luke" or, I dunno, after someone from either of Han or Leia's pasts who meant something to them. Instead, they name him "Ben," which is a name that means more to *Luke* and to the *audience* (referencing Obi-Wan) than to anyone else.
But neither Leia nor Han really were that close to Obi-Wan. Luke was, but why is Luke naming Han and Leia's baby? The whole thing just...doesn't make a ton of sense when you ponder it for more than 15 seconds.
And that's JJ's style. It's just another meta-narrative manipulation of the audience. It's meant to evoke pleasure and familiarity in the audience while not merely serving no purpose organic to the narrative, but actually making...not much sense narratively when probed even slightly. You aren't supposed to think about it, because if you do, you're gonna say "Hey, wait a minute..." Instead, you're just supposed to sit back and say "Ahh, I get the reference" and smile to yourself.
At the small scale, like character names, it doesn't make a huge difference. But there's other stuff in the films that JJ does that are meant to be either referential or that rely on the audience doing this same kind of mental gymnastics, and which serve as both a shortcut and in some cases a barrier to building narrative cohesion. None of it is organic to the story. Instead, it's organic to the audience, and it's meant to manipulate them into thinking they got a good story, when what they got was a bunch of stuff that reminds them of good stories.
I believe it's also why I, at least, find it difficult to remember many story specifics of the JJ films. I remember broad strokes, I remember certain moments. But the overall story? It's all pretty hazy in my mind, and I've seen TFA at least 3-4 times now. Granted, nowhere near as many times as the OT, but even the PT holds together better in my mind and I've probably seen it about the same number of times. Instead, it ends up feeling like "Uhhh...a bunch of stuff happened, and then here's a plot point. And then more stuff happens, and here's another plot point." But the why? How we got there? What propelled the story to this place? That's pretty thin, at best.
I was wondering myself and whilenit didn't particularly bother me I get your point. Similar to the scene in Star Trek Into the Wrath of Khan when Cumberbatch announces in his glass cage that his real name is Khan. Everybody gasps whereas they really just should have said "erm...ok dude". But since Khan was familiar to the audience it had to be the gasp moment in the movie too.
To be fair, Glamdring never glows blue in the LOTR movies, either. I suspect that it doesn't glow in either movie trilogies as Jackson wanted to prevent any noticeable similarity to lightsabers, whilst still keeping Sting unique in that respect. It always confused me because both Elrond in "An Unexpected Journey" and Bilbo in "Fellowship of the Ring" clearly state that Elvish blades glow blue in the presence of Orcs and Goblins, yet Sting is the only sword to do so.
Speaking of sword names and lightsabers, I always found it somewhat interesting that lightsabers never had "given names" in the Star Wars movies in spite of the heavy Japanese/Samurai influence on the movies and in spite of, at least in the case of the Skywalker lightsaber, the very direct treatment of Anakin's old lightsaber as an Excalibur analogue. The Samurai, themselves, were well known for giving their swords names and believed that their swords held their own spirit/soul. This was also shared by the Nordic/Viking peoples who also named their swords, which influenced Tolkien's work with the LotR universe.
Lego Lotr>>>>>the hobbit moviesGlamdring as I recall glows white. Though it does glow blue with the delight of killing the goblin king.
The funny thing is. LEGO The Lord of the Rings, the video game. Actually has Glamdring glow white.
No joke, it's honestly one of the best LotR games. Followed by, if not tied with The Battle for Middle-Earth.Lego Lotr>>>>>the hobbit movies