I am impressed with the very wide range of replica weathering, aging and customizing techniques that you have used in the thread so far. I bet you could make a decent wage producing museum knockoffs. Not kidding, you really run the full rainbow of finishing skills. I could see you working in the gift shop in the museum making all the bright white resin castings look just like the ancient relics they copied. You would also then get fired when people began to question the original.