fantomas
New Member
@fantomas: Recasting someone else's casting of an unaltered, purely found item shouldn't be a problem, as long as you take some effort to clean it up as much as possible to keep it faithful to the original. Remember multi-generational castings tend to amplify distortions and artifacts of the process, just like multi-generation photocopies or digital scans and printouts. One of the more noticeable problems we have to deal with (if you're looking for it, and have a good reference) is shrinkage. All silicones, urethanes, latex and other rubbery materials, and even most hard resins, exhibit measurable shrinkage when they cure. If you have a master pattern of reasonably large size (at least a few inches) and a casting from a mold pulled from that pattern, measure them both carefully with a micrometer or digital caliper and you'll see what I mean. Some materials expand when they cure (many plasters). Another issue is warping, which typically happens with all flexible molding materials but can be minimized by making the mold thick enough and/or supporting it with a rigid backing mold.
The big gripe that gets almost everyone upset, is recasting someone else's casting of their own sculpture -- even if that "own sculpture" is a reproduction of someone else's original sculpture that was the basis of a prop. Apparently, it's OK to make your own re-sculpted copy of original artwork (and castings from your new sculpture), but pulling a new mold off of a cast from another person's interpretation of that artwork and then re-casting from that mold without his permission or a legal right to use that mold isn't cricket. And beware that if your sculpting skills are so good that people can't tell that castings from your mold of your own sculpture are not castings from a mold pulled from their castings (or the original prop), you're still going to catch a lot of flak. I've met more than one person in the industry who also makes items for fans, but when he re-sculpts them he deliberately makes subtle changes or "tells" that differ from the original prop, so that if someone claims his mold was pulled from the prop or from their re-sculpted copy of the prop, he can point out his "tells" to demonstrate that the work is his own. If the person making the claim can't show that the new casting also has his tells, then he has no basis for argument.
I just don't want to be presumptuous and take someone else's casting and recast it to make it available for anyone that wants one and have someone flip their lid and be labeled as a recaster :lol
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