Re: 12 starwars films, Kurtz says that was the plan.
Thousands of people would be totally confused. Everyone would want to know what happened to the other three movies."
Although the upcoming Empire Strikes Back was written by screenplay-writer-novelist Leigh Brackett before her death, Kurtz explains that the original idea was actually derived from the first Star Wars brainstorming session, a session....
which eventually produced the twelve tales which comprise the massive Adventures of Luke Skywalker set.
As it turns out, these almost mythical tales are not stories in the traditional sense of the word. "They exist in rough outline form," says Kurtz. "They were an outgrowth of the original screenplay concept. The first two or three drafts of Star Wars were very long and elaborate, covering a tremendous amount of time and story.
We found that we had to cut things in pieces and narrow everything down into story blocks.....
We wound up with one dozen adventures of Luke Skywalker as a result."
Despite his detailing the history of The Empire Strikes Back, Kurtz realizes that the sequel will be viewed by many as just another Star Wars spin-off. Kurtz feels that it's important to stress that fact that Empire will be unlike any sequel ever filmed. In fact, neither Kurtz nor Lucas view it as a sequel in the Hollywood sense of the word.
"We're approaching this movie as a separate entity unto itself," he emphasizes." It will be produced well, directed well, written well. The Godfather II was a film that was made with this goal in mind and it worked out very well. In fact, a lot of people felt that it was better than the first film.
Usually what happens with a sequel is that if you have a successful original movie the sequel is rushed out to capitalize on the success of the first. And all of the wrong elements from the first film are picked up. The elements that made the first film are ignored and the elements that everyone thinks made the first film, the most obvious ones, are emphasized.
You end up with a film, as in the case of Jaws II, where you're telling the same story over again and the audience is amazed that somehow the filmmakers couldn't come up with a slightly different story. I guess it was one of those occasions where the creative people didn't want to tamper with a successful formula."
Kurtz and Lucas feel that, thus far, they have been very successful in keeping The Empire Strikes Back light-years away from the standard sequel formula. As successful as their attempts have proven, however, they have still had their share of problems concerning the script ... problems of a totally unexpected nature.
The script, penned by Brackett, was carefully constructed to avoid all clichés and stereotypes.
Unfortunately, shortly after finishing her initial draft, the talented writer passed away. Already nearing pre-production time, Kurtz and Lucas picked up the script and ran with it.
"We now have two drafts that we're quite pleased with," says Kurtz. "We took Leigh Bracken's draft and looked at it. It was fine. George took it and made some minor modifications, fleshing it out a bit because, obviously, she didn't have the chance.
She was going to do two drafts and a polish but passed away just as she was about to start the second draft. The difference between her first draft and the second one completed by George is fairly minimal. George had to re-adjust the emphasis slightly. We may or may not hire another writer to do a minor dialogue polish. We'll be making that decision soon."
During the time when the first script was being edited, Kurtz and Lucas had to make other decisions concerning the film, including exactly what originator Lucas' involvement with the picture was going to be. "George will be acting as supervisor for the film," states Kurtz, "sort of an executive producer, I guess. He has worked on all the story elements and he wants to make sure that the movie progresses along the proper track.
It's his original story and he wants to make sure it goes smoothly.
He's working on some things right now that don't have anything to do with directing. He's staying out of filmmaking, concentrating on his writing. He's been available for consultation and has sat in on most of the planning meetings."
Replacing Lucas in the Star Wars director's chair will be Irvin Kershner, the director of The Eyes Of Laura Mars, The Flim-Flam Man and Raid On Entebbe. "We picked him for several reasons. Of all the directors we talked to he was one of the people who had worked with action before and had a good graphic sense. He's a visual director," Kurtz emphasizes. "Also, he hasn't gotten a chance to do science fiction before. He's very enthusiastic about it, which is important.
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