Tips for new sculptors

metalgreyfox, i'm totally in the same boat as far as money which is why i suggested the chavant test pack (i got mine for free, dunno if they always do that but couldn't hurt to ask)
in any event, as to the silicone, I BELIEVE rebound 25 is platinum so your correct as to using NSP (No Sulphur Plasticine) and I'd suggest a Medium firmness, holds detail but isn't as much of a pain as their hard. You CAN apply the rubber directly to it but I'd suggest hitting your finished sculpture with a little Crystal Clear simply to help seal it.

There's then two ways to mold with the silicone, a brush up mold, and a matrix mold. I can go into detail on either of these for you if you like but it will depend on what you want to do and what the piece is.

A brush up simply consists of brushing on several layers of rubber letting the previous dry before doing the second. You brush a layer on as a "beauty coat" to get your detail and then build up layers of thickened silicone to gain a little mass. Then you take a rigid material (i.e. ultracal/fiberglass/plasti-paste/plaster bandage) and make what's called a mother mold.

A matrix mold is a little more complicated but useful for something your going to be doing many pulls from. Basically you cover your sculpture in a cling wrap and then apply wet clay in the thickness that you want your rubber and add your key shapes in clay as well. Build the mother mold over this with a small piece of pipe or such to keep a hole open in the mother mold. Open the mother mold and clean out the wet clay then put it back together around the sculpture. You now have a negative space between the sculpt and mother mold that gets filled with the silicone through the pour whole you left open.

Depending on the piece you could also just do a silicone block mold by building a wall out of something like foam core around the sculpted piece and pouring the silicone rubber in.

I can go deeper into any of these methods if you know which one you'd like to attempt. Also, what piece are you trying to make?

how's it goin man, i'm curious on what you say about the matrix mold.
i am new to the sculpting/molding/casting world so bare with me.
i am familiar with a mother mold though, but if you do it as you say, wouldn't the sculpt be locked in silicone mold?
see i figured thats how this mold was made but then i thought about what i just asked.
i also thought maybe he did a silicone block then cut the silicone down but you can see holes from the mother on the silicone, so i'm just lost as to how it was made.
i'm thinking maybe did the brush technique but again that would mean the mother was applied immediately because of the holes.
basically i'm lookin for the way to use the least amount of material when it comes to molding, especially with somethin big like that.
i hope i was clear enough on this, Thanks.
 
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Wow, I've been at this for ... eh.. lets just say longer than I like to mention around teenagers for fear they realize I have sculpting tools older then they are. ;D Anyhow, I've been at this a while, and I'm still learning plenty here. Great thread!

What can I add? I've always felt pretty strongly that material choice for sculpting medium should be influenced by the nature of the object being made. If you're sculpting something organic with rounded edges and smooth transitions, clay is most appropriate. If making something mechanical looking with hard edges, it may be best to carve your master from wood or build it up with rough clay sculpt then mold and cast it in a hard material for final finishing. There are exceptions to the rule of course, and this certainly is just one approach.

There are a number of books that have helped me over the years with sculpting and mold-making instruction. I'll just list a few here. I had "Grand Illusions" by Tom Savini when I was in my early teens and the experience of reading and trying many of the things I saw in that book was invaluable. It teaches by example sculpting and in easy language the techniques of mold-making, casting, material choices, prosthetics, life-casting, denture-making, and many other practical techniques I still draw on today.

Another excellent sculpting instruction book that helped me greatly very early on was Modeling the Figure in Clay by Bruno Lucchesi. It's an amazing step by step guide to sculpting anatomy. Through the book he sculpts a uncannily realistic figure bone by bone, muscle by muscle until he ends up with a female nude so lifelike it looks like it could step off the pedestal. The he sculpts it stepping off the pedestal for realz. O.O It's tremendous.

Another great resource I didn't find until much later in my career is The Prop Builder's Molding and Casting Handbook by Thurston James. This is one of those 'I wish I had found this book 10 years ago' books. Much of the technique is review personally, but only because i didn't find it earlier and it still has plenty to teach me. It is an older book, written in the 80's and the examples are a bit simplified, but the step by step technique, illustration, and range of subjects makes it a fantastic resource. It covers mold-making, casting, and vacuum forming for theater props and small sculpture. I had already been vacuum forming for a few years before I came across this and it still answered many of my questions.

Lastly, I'd like to impart some advice. Don't underestimate the value of hands-on learning. All the Q & A and reading, and resource gathering is excellent place to start, but you have to train your hands as well as your head. There is a sensitivity and tactile sensory nature to this, and you have to develop 'the eye' for it. It can be facilitated by research, but has to be learned by doing. Sculpt as much as you can, one project at a time. Immerse yourself in it, and the skills aggregate much faster than if you just try it out every once in a long while.

Hope that helps. :)
 
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I am new to sculpting myself about a year and a half into it and I also learned by trial and error like many have said there is no right or wrong way I have used Water clays only to discover cracking and shrinkage then I discovered Super Sculpey and turned out some nice pieces , I want to try my hand at some Chavant clay.
 
EVILgreenranger, that mold LOOKS to me like a "matrix" mold. The thing is your looking at a two part matrix mold.

Theres a couple of ways to do this but I would suggest building up a clay wall around your model up to the half way line.

Now build a clay thickness that is the thickness you want the rubber to be and the keys.

Do half of your mother mold.

Flip the whole thing over and remove only the clay that you used as the dividing wall.

Build up clay over the second half of the model to mimic where the rubber will go.

Do the second half of the mother mold.

NOW, trim the edges of the mother mold and drill your holes for bolts or set up whatever closure system you want.

Take one half of the mother mold of and remove the clay from HALF of the model inside. Smooth over the clay between the half of the mother mold thats still on the piece, the part that's resting on your work table. You want to cut "keys" into this clay and create a system that allows the two rubber sections to line up.

Seal this with some crystal clear and re-attach the second half of the mother mold, making sure to keep both halves of the mother mold lined up (this is why you set up your securing system before the two halves where opened).

Pour your silicone into the empty half of the mold and let it cure.

Flip the mold and open the other side of the mother mold. Remove all the clay.

Release the exposed silicone with a thin coat of vaseline or something similar.

Attach the top part of the mother mold again and pour in your silicone.

Once it's set you can open up the mold and remove the model, you now have a full two part matrix mold and can cast your pieces.
 
EVILgreenranger, that mold LOOKS to me like a "matrix" mold. The thing is your looking at a two part matrix mold.

Theres a couple of ways to do this but I would suggest building up a clay wall around your model up to the half way line.

Now build a clay thickness that is the thickness you want the rubber to be and the keys.

Do half of your mother mold.

Flip the whole thing over and remove only the clay that you used as the dividing wall.

Build up clay over the second half of the model to mimic where the rubber will go.

Do the second half of the mother mold.

NOW, trim the edges of the mother mold and drill your holes for bolts or set up whatever closure system you want.

Take one half of the mother mold of and remove the clay from HALF of the model inside. Smooth over the clay between the half of the mother mold thats still on the piece, the part that's resting on your work table. You want to cut "keys" into this clay and create a system that allows the two rubber sections to line up.

Seal this with some crystal clear and re-attach the second half of the mother mold, making sure to keep both halves of the mother mold lined up (this is why you set up your securing system before the two halves where opened).

Pour your silicone into the empty half of the mold and let it cure.

Flip the mold and open the other side of the mother mold. Remove all the clay.

Release the exposed silicone with a thin coat of vaseline or something similar.

Attach the top part of the mother mold again and pour in your silicone.

Once it's set you can open up the mold and remove the model, you now have a full two part matrix mold and can cast your pieces.

B89, man i dont' know how i didn't think about that, it makes so much sense i just feel dumb for not seeing that.
i guess i wasn't thinking outside of the box.
like i said i figured it was a matrix mold but i just never thought about making it a 2 part matrix.
the matrix mold when you explained it intrigued me because you're able to mold something big without wasting so much material but makeing it a 2 part matrix just really opened my eyes more.
because when you explained it, i was like how do you get your sculpt out after you do that, well there comes the 2 part matrix.
i appreciate you responding sir, you've been very helpful & detailed in your advice here.
so Thank You sir for your help & advice.!!.

& Thank You to everyone else whos posted here with help & advice.
i was gonna make a thread like this if i wasn't able to find anything using the search function.
 
It will totally depend on what type of fabric, how heavy is it supposed to appear? How much is drapped up etc. The best thing you can do is to find all the reference you can of that type of fabric.

You can also roll your clay out flat and actually drape it as if it was fabric, bending, weaving, and folding it and laying it into the position you require.
 
If you are making a mold of your sculpture, you can also coat real fabric in monster mud or plaster, and shape it how you wish.
 
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