Your definition of a plot hole and everyone elses is vastly different, quoting Wikipedia...
"
A plot hole, or plothole, is a gap or inconsistency in a storyline that goes against the flow of logic established by the story's plot, or constitutes a blatant omission of relevant information regarding the plot. These include such things as unlikely behaviour or actions of characters, illogical or impossible events, events happening for no apparent reason, or statements/events that contradict earlier events in the storyline.
While many stories have unanswered questions, unlikely events or chance occurrences, a plot hole is one that is essential to the story's outcome."
Here are a few from some sites
"Why was Weyland being on the ship kept a secret? It would have changed nothing if he just led the expedition himself from the start.
When Shaw is 'pregnant' with the squid - How did she manage to hide the foot-long, 6 inch wide piece of metal she bludgeoned the medics with? Then she was allowed to run around the ship to get to the Auto-doc, and in scenes directly following that no one seems to care that she just assaulted two of the other crew members. Then, once she removes her squidbaby, alien goo splashes everywhere, including into her open wound. That's not all. She then leaves to find Weyland sitting in his wheelchair, but none of the people hanging out with him seem to think that Shaw is a contamination risk to the aging man everyone set out to save. Additionally, that incision in Shaw's belly cuts core muscles which would leave you unable to walk for at least a couple of weeks, staples or not
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Then, there's the fact that the squidbaby was left unattended in the Auto-doc room for what I can only guess was a couple of days (Christmas when they arrive, new years day when Shaw leaves) without anyone noticing, including Vickers, whose private quarters were attached to the room. If it wasn't a couple of days, how did the creature gain so much mass without eating anything?
How does the member of the team tasked with mapping the location get lost? Why didn't they just call the ship and say hey we are lost?
Why did the two who got creeped out by the decapitated engineer return to that room to sleep and then want to play with a alien cobra?
How did Shaw run out of air when the other two were expected to stay out overnight?
How did the Engineer make it to the Prometheus shuttle without a helmet?
Why didn't he just go to another ship if he was hell bent to wipe out earth instead of going after shaw?
Why did the captain of the ship go "there's a life reading... oh well"?!
Why commit suicide by ramming the ship when all they did was put it in autopliot anyway, no handed?
Why didn't the ship itself have any weapons, the crew had them?
How would ancient earth cultures get a star map to a biological weapons planet?
I don't think the Aliens as we know it were a "species" they encountered - I took from the film they created this "black goo DNA extractor" as some sort of bio-weapon? life generator? And it backfired on them. Or something like that. But the Alien creature grew out of this creation. Sort of like if we created nanobots that turned into grey goo and just got out of control, except the Engineer's version is bio-mechanical.
Just got back.
What we have here.. is failure to maintain one's expectations. Those of you who didn't like it (and I am NOT one of you) obviously wanted this movie to be something very very different, be it another Blade Runner or another Alien, or another anything for that matter.
That's the problem.. it was never going to be "another" anything. It was something new.
What you ended up with was something very different from your expectations, and so you do the only thing you know how.. lash out at how much of a hack Ridley Scott and Damon Lindelhof are.
I loved it. It was exactly what I was hoping it would be. I wanted this film to explore the mythology behind Alien, and by God, that's what it did. Yeah, there's a lot of unanswered questions, as well there should be. How can you go on and on about how great the "mystery" and unanswered questions are in the original film, and then complain that this one was too much of a mystery and left too many unanswered questions? Make up your mind.. do you want the answers, or don't you?
Yeah, a lot of my initial predictions and theories were wrong, but what we got was just as good. I loved it, start to finish.
So I have to ask, to those "disappointed" souls. What was it you wanted the film to be? And don't use the word "another" when answering.
Ok, then how do you explain the mural? Did you see what looked like an Alien in it?
Ok, then how do you explain the mural? Did you see what looked like an Alien in it?
A lot of folks seem to be missing many clues/explanations in the film.
by visigoth
1) The black goo is some sort of really aggressive retro-viral mutagen designed to turn whatever it encounters into extremely aggressive bio-weapon in the form of an organism with a parasitic life-cycle that ultimately destroys the host.
1a) The parasitic life-cycle is important because it allows for a bio-weapon that can be dropped on a target, forgotten, then safely retrieved after all fauna has been wiped out and the adult forms have died off.
1b) The big worm monsters are mutated versions of the tiny worms living under the pods in the temple.
1c) The squid baby is the result of one of Holloway's mutated sperm impregnating Shaw's egg (she says she can't have children, but that does not mean that she does not produce eggs). It's rapid growth is a bit odd, but in keeping with aspects of the other mutated critters seen elsewhere (the worms that mutate into the big worms are tiny things originally).
1d) The geologist was infected and began mutating after the acid blood from the big worm melted his helmet and he landed face down in the black goo.
1e) The engineer in the end is not infected. He is impregnated by the initial form of Shaw's infected fetus and what climbs out is the adult stage of that particular version of the parasitic bio-weapon.
2) If one accepts that the planet at the beginning is Earth then the mystery of why the engineer race wants to wipe us out seems apparent. The engineer that sacrifices himself at the beginning _is_ Prometheus. He uses a version of the mutagen and his own DNA to seed our world. For those that have read David Brin he is sort of uplifting an entire planet. The sacrificial element and use of his own DNA suggests that this is a quasi religious/ego motivated action not sanctioned by his peers.
3) The autodoc in Meredith's super ritzy lifeboat was programmed for a man because the lifeboat and everything in it isn't meant for her, it was meant for Wayland.
4) The engineer is pissed because the very things he was assigned to destroy have managed to make it all the way to their mutagen storage depot and sabotage his mission. A mission that already claimed the lives of his fellows (the film suggests through some sort of mishap with the mutagen contanimating members of the engineers directly).
5) We aren't told who hired most of the crew (Meredith only hired a few), but one can infer from Wayland's comments about why he funded the expedition and brought along Shaw and her partner that all his decisions regarding this trillion dollar mission were emotion and ego driven. So the fact that you've got some scientists who appear to unstable druggies and the like is not that shocking. Wayland is on a quasi-spiritual quest to turn himself into an immortal demi-god, he doesn't care about the rest of the crew too much, he just wants them not to interfere with him.
6) David is taking orders from the cryo-sleep Wayland. Wayland wants to meet an engineer if they are still alive, but also wants to know what their tech is capable of and considers the crew expendable. Thus the experiment on Holloway and the treatment of pregnant Shaw.
7) The movie has twin POVs. One is David. One is Shaw. Both are looking to pull back the curtain on the mystery of the creator.
David has already been disappointed by his, and wants to know about why his creators were created and if perhaps he might be a better being than them. And for all of his denials, I don't think for a minute that David is emotionless. There is a lot of rage and sorrow behind his placid slave facade.
Shaw wants to find out about humanity's creators in an effort to understand the face of god. Her belief in the mystical and spiritual allows her to face some of the scarier (philosophically speaking) revelations better than her Darwinist partner, Holloway.
8) Holloway's actions are frequently irrational because they are emotionally driven rather than logically driven. He cracked less at not finding living engineers in the first few hours of being planetside, but more because of all that they did find. The reality of being another races creation is worse to him than finding nothing would have been. It makes creationists right in ways disturbing to a strict evolutionist. As a scientist he should approach things more clinically, but scientists are human too, and in the face of the veritable proof that the foundation of your being is in error, some people can't handle it. And once he cracks, he goes and adds alcohol to the mix.
All that being said, it does feel like his character got the short shrift in this edit. I wonder how much more buildup and emotional weight his breakdown would be given in a longer edit.
Overall I enjoyed the film, though the last five minutes were a bit wobbly and the final reveal really didn't need to be there (maybe better post credits?). I suspect a "Kingdom of Heaven" style director's cut will fix what problems there are and that the film will be better thought of the more people have time to chew on it.