If they reboot INDIANA JONES, who would you pick to play Indy?

Well why couldn't it still be a period piece? The assumption here is that Indy is going to get "updated" to the present just because of a reboot. But it doesn't have to be.

Also, Sherlock Holmes was supposed to be set in Victorian times, but the BBC managed to update it incredibly well in Sherlock.

CBS did the same with Elementary but the basic premise of Sherlock Holmes as a genius detective works in any era and nothing about the character is particularly reliant on him having to be in Victorian England. Indy, on the other hand, is rooted in the pupl heroes and films of the 30s and 40s and works best in that era because of the "largeness" of the world at the time. There's a certain romanticism about the 30s and 40s and it being a time of great exploration and adventure that gets lost as you move forward in time, esp. in this day and age of Twitter and Facebook the world has become a much smaller place and there's far less room the sorts of adventures we've seen in the Indy movies.
 
Look, I get the desire for "more," but sometimes it's best to just let things go. Or, hey, do a new story with a different, similar character. I hear the Uncharted series is supposed to be pretty good at capturing the kind of "jungle adventure exploration" thing that Indy had.

But Indiana Jones himself? That character:

A. Can only be played by Harrison Ford, and

B. Really only works for a period from about 1920-ish through WWII.




Now, you could do various things to the Indy franchise, but you'd violate one of the two abovementioned factors.



You could reboot the franchise and pretend the Ford films never happened. That would let you stay within the 1920s to 1930s timeframe, but it'd violate the "Only Harrison Ford" factor.

You could keep sticking Ford into films as he gets older and older, but that'd violate the timeframe issues because you'd have to push the stories into the 1960s or 1970s. And nobody wants to see Disco Indy.

Or you could violate both clauses and stick the Indy character in modern times, but that's basically just cashing in on the name and at that point, you might as well just tell a new ******* story about some other character because trying to claim it's Indiana Jones is pointless.



And yes, I know, there's the "James Bond" argument. But while Indy and Bond are loosely connected (due to Spielberg or Lucas saying they wanted to direct a Bond film, I think), Indy and Bond are very very different characters. Bond is a lot closer to, say, a comic book superhero. He's a creature OF his time, not of a bygone age. Bond movies are always set in the "present." It's just that the "present" has shifted. When Connery did Dr. No in 1962, the film was set in the present day. It wasn't set in "the 1960s" as if that were some past era. When Roger Moore did Moonraker, that was set in the present day in the 1970s. And so on and so forth. Bond is always a current character, not a character who exists in a past era.

As for the Sherlock comparison, that's a better argument, but I think there's another key difference in that updating Sherlock from the 1880s to the 2010s, and when the character has existed for 120 years. Indy has existed for a little over 30. There's a difference between taking a 30-year old character and fundamentally changing it, and doing the same with a 120 year old character. Sherlock had been done to death in the 1880s by the time the BBC and CBS series came out. A fresh take was warranted. With Indy, we've had three (ok, fine, four) movies, a short-lived TV series that wasn't really what the movies were about, a couple video games, and some comic books and maybe a novel or two. Indy hasn't been done to death in the 1930s (although arguably he was in the 1950s...).


Here's the thing, though. I don't think people want more "Indy." What they want is the feel of Indy. There's a LOT of ways you could get that without going back to Indy per se.
 
I always thought Josh Holloway would be good. He was great on Lost and is very animated. I don't just want some look alike. It needs someone with a personality and he certainly has it.
 
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After seeing Chris Pratt's promo image for Jurassic World, I thought he would make a great Nathan Drake, so it also makes perfect sense that he could make a great Indy, too.

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After seeing Chris Pratt's promo image for Jurassic World, I thought he would make a great Nathan Drake, so it also makes perfect sense that he could make a great Indy, too.

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good choice!

I for one am also adamant that the stories be set in the 20's and 30's... primarily as prequels to Temple of Doom/ Raiders. Temple, being a prequel to Raiders, is set in 1935 so that still gives us a good solid 5 years of the 1930's to have a slightly younger Indy on great exotic adventures. Even mid to late 20's just to allow for an additional 5 years to work in.
While Harrison Ford's shoes are a real tough set to fill it can be done as shown with River Phoenix as 13 year old Indy in 1912. He was completely believable as Indy. Chris Pratt could potentially do the same with an older yet younger version of the character. Now, we would get to perhaps see his relationship with Abner Ravenwood and meeting a young and impressionable Marion. And to keep the same feel of the original films remember, the Nazi party was on the rise to power with Hitler in the late 20s and by 1933 the Gestapo, Nazi secret police were formed and the Nazis took over local governments... so we can still have this as a general background theme in some of the new indy films.

Indy's place in the world though is remote locations in jungles, deserts, hidden caves and long forgotten temples and pyramids. Its fascinating stuff and that is where the new indy films need to take place. exotic lands, unknown locations and discovering lost legends and treasure... fortune and glory! :D
 
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I don't know how they could get away with the Marion thing. The guy had sex with an under-aged girl, how do you get around that? I guess they could say she was 18, but that kinda defeats the point of his indescretion.
 
The young Marion thing would be tough to deal with. That part of Indy's backstory wasn't cool in 1981 and it's even less cool now. It's completely wrong and yet both Marion & Abner Ravenwood are completely central to the character. They can't ignore it if they deal with Indy in his 20s.

The character started out a whole notch darker than the guy we saw in the last couple of movies. They started off with Tom Selleck the graverobber. It developed into Harrison Ford the schoolteacher.

It does help that they developed the Indy/Marion relationship into a better form later. It leaves a much better taste in your mouth with the hindsight of KOTCS. Less statutory rapist and more like star-crossed soulmates.
 
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Of course, if you reboot the character, none of this is a problem, and that's what I'd expect them to do. There wouldn't be an attempt to shove (new Indy) into the established timeline, or if they did, it'd be left vague as to when this or that happened.

My bet, though? They'd just reboot and start a new continuity. It's cleaner for the writing process. It's easier to just say "Nah. Reboot" than to try to make sense of the continuity, and ultimately, if the character is strong enough and the stories are good enough, audiences don't care. Look at how the Bond franchise handled its reboot. That's what you'd get. Well, that's what you'd get at best. At worst, you'd get something like Man of Steel...
 
I'd rather they not, and find more of an unknown actor.
Maybe they are thinking well Quill is like a Han Solo an Ford was Han Solo so.....


I am glad they are thinking to recast and get back to the character in his prime though.
but can Disney deliver the edge that Indy had in Raiders? He had a darkness in Raiders as Belloq pointed out.
 
Indiana Jones is too sacred to me to recast and reboot. I'm starting to get a little ticked at Disney's apparent/rumored complete whoring of the LFL properties - with six Star Wars movies coming (apparently ignoring GL's storyline) and now this. I thought Disney would treat these properties a little more sacred as they tend to do with their properties.

But, it's hard to ignore Anthony Ingruber and his likeness to Harrison Ford. Chris Pratt's great and all...
 
I can put Indy in the same catagory as Bond.
I think the character has that kind of longevity to outlast actors and has so many more adventures yet to tell.
There were only four film adventures afterall.
I don't think it has to stop with Ford and sure don't want Crystal Skull to be the final word.

My view is to treat it just like they did with Bond and Casino Royale.
Get back to the roots.
No need to call it a reboot. Your not changing any lore.
Simply this is another adventure from the 1930's he had.
 
Eh, whatever. I like Chris Pratt. I think Indy should be left as a TRILOGY. I doubt that'll happen, of course, because the brand is just way too strong to let go, but if they recast/reboot/rewhatever the films...I guess I'm just largely at a point now where those kinds of changes just don't matter to me. As long as I have the originals, I can treat whatever comes after as a separate continuity.

I've gotten very good at creating my own "head canon."
 
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