Go back and watch something like Super 8 and tell me Abrams wouldn't do this. The guy has never had an original idea in his life. All he can do is remix the things he likes, stripped of the context that made them meaningful in the first place.
And studios like LucasFilm want him to do it because it puts butts in seats. Hollywood is a machine, and artistic integrity and vision are way, way down on the list of things you need in order to succeed here.
This.
Ordinarily, I stick to discussing props in this forum, since that’s why we’re here. But I will make a rare exception to that in order to say that I saw this trainwreck coming on the day that the Disney buyout was announced in 2012. A classic case of “be careful what you wish for” for all those people who attacked Lucas for not meeting expectations with the prequels (a case of brilliant ideas and themes marred by problems in execution, whereas the Disney films consist of terrible ideas executed with a shiny veneer).
STAR WARS was a film made a a visionary (working with great collaborators). The sequels were made for commercial reasons (as all sequels are), but there was still plenty of heart and ideas in those films. The prequels were also both artistic and commercial, and I give them all the points in the world for trying new things and bringing some great ideas to the existing lore.
The Disney films are creatively bankrupt. Nostalgia-milking, soulless commercial products designed to—at best—trick fans into paying to see counterfeit sequels to the films they love. At worst, they’re glossy hackwork which puts social-justice propaganda and crass commercialism ahead of coherent stories, three-dimensional characters, and respect for the existing characters and lore. “Art” made by committee. Repaints and reboots and rehashes of older, better characters and ideas.
Everything Lucas was criticizing in his films—and also what his detractors accused him of being (creatively bankrupt, and just in it for the toys and merchandising)—is what these new films are. The irony is staggering. Disney/Lucasfilm have become the evil Empire that Lucas warned us against, since it has fought to crush all dissent, does not listen to the cries of the people for quality storytelling which also respects the past instead of exploiting it, and tries to tell people WHAT to think, instead of TO think. “If you don’t like it, then go away find something you do like”, is the attitude infecting too many beloved franchises these days, instead of striving for a better product which pleases a greater number of people. These “creators” all sound like Ian Faith, manager of Spinal Tap, handwaving diminishing returns by saying that the product’s “appeal has become more selective”.
These are the dark times, people. All of the great franchises are toppling like dominoes. They are in the hands of people who don’t understand them, don’t respect them, and will milk them for every last cent. The core fanbases are aging out and/or are alienated to the point of severing all ties. In a decade, people won’t care about STAR WARS or STAR TREK (or whatever) as an ongoing concern. These once-great properties will fall into the mists of history, along with things like FLASH GORDON and BUCK ROGERS. Unless someone comes along with some fresh new take which is completely unconnected to anything we know, instead of trying to exploit and twist what we know into something ugly and unrecognizable. Much as the Disney films have done to the beloved characters and stories of the original films, which have now been rendered moot. The good guys didn’t win, and they’ve all been disgraced and killed off, one by one, in favor of bland cyphers whom no one will care about in five years’ time.
It’s over. I’m just waiting for the body to stop twitching. But I still have the films I love, and they can never be tainted or taken away from me. I haven’t bought any of the new films on home video, and I stopped seeing them in the theater after ROGUE ONE. Because I predicted that THE LAST JEDI might turn out like it did, and I subsequently knew SOLO would bomb. PLAN IX FROM HYPERSPACE is a lost cause no matter what shiny nonsense that King of The Hacks Abrams pulls out of his precious mystery box. I’ve been waiting patiently for him to pay for what he did to STAR TREK, and now he’s finally gonna be caught holding the bag and remembered as part of the Axis of Ineptitude (along with Kennedy and Johnson) that killed STAR WARS.
The historical lesson of STAR WARS (aside from being taught in “How to kill an unkillable brand 101” in film schools) will be to appreciate what you had. More for the sake of more can end up destroying past, present, and future.
I don’t begrudge anyone for liking the new films (although I’ve been attacked for NOT liking them, which is a big symptom of what’s gone horribly wrong with the fandom and has caused it to completely melt down), but I’m done.
End of rant! Your mileage may vary, void where prohibited.
Anyway, the Graflex should never have been brought back to begin with. Its return (complete with a handwaved non-explanation for that return) is more nostalgia-milking. My favorite prop in movie history. Seeing it again made me warm and fuzzy, but it’s also a perfect symbol for this trilogy. A pointless rehash, followed by (literally) breaking the toys, and then a lackluster finale which attempts to put Humpty-Dumpty back together again. Nope. Sorry. Too late. Sometimes it’s better to leave these things alone. Of course, the problem is that it’s “show business” not “show art”, and so nothing is sacred or bulletproof.