EP VII Millennium Falcon

Rivet counters again. What gets me as people don't talk about the differences and inconsistancies between the falcon in the original films (they get built in immunity), but attack the new ones.
Of course these images are cool on the first view... but:

I am a SW fan since I was a kid (born 1977). I am loving the movies and the myths about the original sets only known from the old pics and books and what it all meant to create this fantastic stuff from vision (these days and today). And of course I was dreaming of walking through the old sets. And I guess it must be crazy awesome to stand in front of such a ship to feel the impression of having s.th. that unreal in front of yourself in reality.

But with sucking up all those infos about the falcon since years you can see again that only we nerds are about these details... Even the filming guys are interpretating this ship by new in detail - knowing that there are thousands of enthusiasts knowing all details - again and again. It seems as if it would be too expensive, to build the ship as it is known from thousand images / SS models... I know that there are different versions /evolutions of the falcon due to OT creation process. But why couldn´t for example the 5 Footer been taking as areference for all upcoming displaying purposes? It is a piece of art and still existing! Everything should be possible with the budget of a Star Wars block buster production.

I am not sure if it would have been better to use CGI 5footer model with the correct dimensions instead a constructed 'wrong' 2/3 wooden monster (e.g. watch the Quad lasers, how they are constructed and put on the hull in comparison to all the models). Apart from that it seems as if it still only 2/3 of full size. As last time.

A 'full scale 1:1 falcon with all internals'-attraction for Disney world would be cool!
 
https://www.fxguide.com/featured/the-force-returns/

The Millennium Falcon. It’s one of the most iconic spaceships in the Star Wars universe, and perhaps in all science fiction. That’s why the revered craft, brought to life in the Original Trilogy via full-size builds and miniatures, was treated with the utmost respect by the visual effects crew. In the new film it plays a key role in Rey, Finn and BB-8’s escape from Jakku before being reunited with its true owner Han Solo, who then later pilots the ship to infiltrate Starkiller base.
With such a large presence in The Force Awakens and in other forms of entertainment (see below), and given its expedited status in Star Wars-lore, ILM spent significant time crafting a digital Millennium Falcon. “We started almost two and a half years ago and one of the first things we started building was the Falcon, which we knew would be in the picture, even before the script was finalized,” outlines asset build supervisor Dave Fogler. “One of the things about is that we think we know it so well. But if you really sit people down in a room and talk about what it looks like it’s really a collective hive mind. There’s a five foot model fromEpisode IV, a three foot model from Episode V. There was a full scale build for all three original movies and our Episode VII. So when it’s your job to build a representation of that vehicle, there isn’t actually 'a' Falcon.”


“It led to lots of conversations you wouldn’t believe,” adds Fogler. “What should the gray value be of the Falcon? What we’re talking about is miniatures of the Falcon shot on stages. So even if you look at the miniature of the Falcon and the white paint that has a certain value, well, on stage it was lit differently shot to shot. So we would start doing test renders of our Falcon and you show people, and they would say ‘Welllll, it looks too white’. Or ‘it’s too gray’. Dialing in that collective opinion of what it should look like took two years, really, of fiddling.”
ILM decided that its ‘bible’ Falcon would be the five foot model from Episode IV after being able to view and photograph and scan the model at the Lucasfilm archives. “This model is one of the most beautiful things you’ve ever seen,” says Fogler. “It’s a real high point in effects industrial design. It’s really dynamite. We wanted our Falcon to look like that. We scanned it. We photographed it. And then you take that data. Our needs were, not only did we need it to look like that, but we get really close to it in the film. We also acknowledged that in a VR experience, someone might walk up to and look at a bolt on a door. So there was a lot of talk about how far we detailed it. We went pretty far - it’s a remarkably detailed model, our Falcon.”
 
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Ok Steve, just saw this brilliant 1950s version of the falcon on your blog.

Can't help noticing the shape of the dish. Did you have any Idea about the new dish shape coming back in 2013? Coincidence?

View attachment 642840


Well I'll be.... you know I completely forgot that I had done the dish on my 50s Falcon that way... I henceforth take full credit for the new TFA dish!
 
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