I finally got round to seeing this. Kinda. Had it in my Netflix queue forever, then had it at home forever and just could never really justify sitting down for almost 2.5 hours to watch it.
I gotta say, I was...unimpressed. I actually didn't even get through the whole thing before I got bored and turned it off.
The first film in this rebooted series was...ok. It had potential, but Peter seemed a little overly angsty, and I thought The Lizard was a very weak villain. But hey, it had some potential and I liked that we were back to web shooters instead of bio-webs (not that one makes more sense than the other, of course).
With this one, though...the opening sequence was entertaining in a throwback kind of way. Spidey bein' Spidey and all. But the Rhino character was just...idiotic. Admittedly, I'm less familiar with the Rhino in the comics, aside from his appearance, but I never thought he was this loud, psychotic, ridiculous clown, and Paul Giamatti was wasted in the role (although I'll bet he had fun).
The real problem with the rest of the film (well, the rest that I saw, anyway) was that there was just too much crap going on, and not enough time to properly develop any of it. I'm not a fan of Electro, but the character could've been interesting. The whole "He's a total basket case who loves and then hates Spider-Man" might've been entertaining if it was given more time to develop. Like, show that Max seems like just a big fan at first, then gradually reveal more of his lunacy, and build his anger at the world, too, so that when he becomes Electro, he has a reason to act all tough-guy. Also, speaking of acting all tough-guy, the switch between dorky Max and nasty, quipping Electro was hard to buy. I get that the guy went even crazier after his accident. What I don't get is that he somehow had a personality transplant to become kind of a badass, apparently. Why wouldn't he be the same lonely dork, only powerful and more insane?
With the Goblin storyline, it didn't feel like they established Peter's relationship with Harry. Harry shows up, exchanges a few lines of quippy dialogue with Peter, and we're just supposed to accept that they were best buds in spite of having literally never heard about them. The film committed one of the worst movie sins by telling, not showing, and telling in a way that felt jarring, rather than natural. In the flashback about Peter's family leaving, they could've shown him hanging out with Harry and being frustrated, with both of them bonding over being angry at their dads, and maybe exchanging the quippy dialogue that we see repeated later. Then when Harry comes back, you could believe that they were buddies. Harry's character also just seems...I dunno...psychotic out of the blue. I mean, yeah, I get that he's got this debilitating disease that will kill him. But since I know literally nothing of his personality other than "He's rich, and pissed at daddy," I can't really see how he's falling from grace, or by contrast, how this actually is in line with his personality since he was always a bit unbalanced, because...well, because I've never seen the dude before and I don't know him. All that happens, then, is we get this weird, shifty guy who apparently was friends with Peter, who then loses his mind.
As for the relationship with Gwen, that was probably the best part of what I saw of the film, but even that felt very rushed. Peter's breakup with Gwen is preceded by two (2) moments where he hallucinates her dead father looking disapprovingly at him, and comes right when she's off having dim sum with her family (I guess so they could shoot the scene in Chinatown?). Why then? Why there? And why do they just end up back together 20 minutes later? Why break them up at all if you're going to bring them back together? You can show Peter's conflict in other ways. Have him confide his fears in Gwen or to someone else (albeit without revealing that he's Spider-Man). Hell, maybe use his fears about Gwen's safety to help establish his friendship with Harry more, to make the eventual betrayal that much more meaningful.
But instead, the film just skips from scene to scene to scene.
I think I got about 2/3 through the film before turning it off, and I have to say that it just felt like it was trying to do too much at once, and as a result, nothing was done particularly well. It wasn't bad, it just...wasn't all that interesting. It was like listening to a 5-year-old tell a story about how this happened, and then that happened, and then that happened, and then... So much happened that the film had no time to really let it sink in or reflect on it or make it feel...I dunno, anything other than very rushed. And at the same time, it felt like the film plodded. A very busy, but slow-moving film, if that makes sense. I guess because I don't really care about anything that's happening -- because I'm not emotionally invested -- the fact that lots of things are happening doesn't make it more interesting. Actually, it makes it less interesting because I have even less time to connect with anything that does happen.
All that aside, I'll say this. The actors were all pretty capable (although Jaime Foxx was miscast -- he's a fantastic actor in the wrong role), and the Oscorp storyline -- in broad strokes -- is an interesting and fresh (well, fresh to me) hook. But the execution...it just seems frenetic, unfocused, and suffering from similar issues to what happened in Sam Raimi's third entry: too much crap happening, leaving me not caring about any of it.