The way Holdo dress can be best summed up as: this is the Resistance, an underground group of freedom fighters that are currently in a mad dash to escape their base. She's most likely a politician and could've been hobnobbing before being pressed into duty.
Why wasn't she telling Poe more? Poe was just demoted by one of Holdo's closest friends and allies. He's a pilot and the plans are a need to know thing... the "paranoia" that this may have caused was necessary to create the mutiny.
The mutiny was necessary to give us some storyline for Poe as he would have little else to do in this movie.
Sorry, I may not have been clear. I think they could have established a sense of paranoia about "How are they tracking us?! Is someone feeding them information? Is there a traitor?!" better, which would then explain why Holdo wouldn't tell anyone the plans. I think this was hinted at sort of, but I don't recall it being addressed. I did get up to go to the bathroom at one point, so it's possible I missed that part if they did address it explicitly.
I'll disagree here. I don't think JJ made it important - I think the fanbase made it important. I'm not convinced that it became important until the fanbase made important and the only reason we got the reveal we did in TLJ is because of this. Unfortunately for many, these movies aren't a wish fulfillment service.
I rewatched TFA the night before I went to see TLJ, and it seems to me like Rey's abilities and parentage -- as a big question mark -- were set up that way on purpose. We don't see her parents in person -- just their ship leaving. We see Rey screaming for them to come back. Maz asks "Who is she?" and just as Han is about to tell her his thoughts, they're interrupted. There's a bunch of stuff that just raises the question of "Who is she? Why is she this way?"
It's also central to her character that she questions her own origin, and it's one of the reasons she goes to Luke in the first place: she wants him to provide her with answers. That's part of her character arc in this film, where she ultimately determines that she doesn't need answers from Luke; she'll find them herself, and then comes to realize that the answers are ultimately beside the point: she is who she is, her past does not determine her future, and it's instead her choices that ultimately shape her future. As a result, she lets go of the questions and the sense of doubt she has, and is much more certain in herself going forward.
This is very true. Makes you wonder why the panic about the Resistance flagship running out of fuel. All they should have done is rev up their engines to full and switch them off to save fuel, momentum would have propelled them in space. One of my favourite scenes in the original Alien is when the Nostromo lands on the planetoid and does exactly that. I get that Star Wars is not a real scifi (sound in space, etc) but fuel was never ever an issue or even mentioned previously. Also doesn’t explain how Leia got back inside the actual ship, she didn’t fly to an airlock just a wrecked room with a door even if it’s nitpicky. I wish flying Leia was my biggest issue anyway.
To be fair, Star Wars has never bothered with Newtonian physics in space. It's a lot more like aerial dogfighting and big naval ships.
So, watched this for the second time the other day, and now I think I can give my opinion on it. Overall? I believe it is a good movie. it has some problems, but a bad movie it is not.
The good:
Acting. I felt that everybody did a terrific job. Oscar Issac was great in the last one, and he is in this one. John Boyega as well. Daisy seems far more comfortable this go around and I didn't see a single hiccup in her performance. Laura Dern was quite good. Carrie was fantastic, minus leia poppins, but that was more a problem of visuals more than anything. Mark did great playing a annoyed old man who just wanted to be left alone to die. The girl who played Rose was... fine in the role, but I have my problems with her character.
Visuals: This movie is beautiful. plain and simple. This movie is beautiful in everything from VFX to shot composition. CGI just keeps getting better and it is getting annoying :lol
Music: Felt like old school John Williams
On this one point, I have to disagree (re: the music). Well, not disagree. The music
felt like John Williams, but as with the PT, I just haven't "bonded" with the music. It's not so ingrained in my brain that whenever I hear a piece, I instantly know what part of the movie it shows up in. some of that may be because I haven't watched these movies over and over and over again, and some may be because I don't own the soundtracks, but the music has felt far more like "background music" rather than a character unto itself the way it seemed to in Williams' older scores.
Small things that I liked because they were awesome?
B17s in space, as a WWII buff I thought that was bloody awesome.
I LOVED that part, although I've seen a lot of people complain about it. "Why are they flying so close? That's such a dumb formation!" Pick up a history book, people. Flying fortresses flew in tight formations like that to provide overlapping gun coverage from their multiple turret and side- and tail-gun positions. That sequence was basically "The Mighty Eighth Goes to Space."
That’s true, although they didn’t have a hyperdrive there but point taken, they did mention it. Luke’s X-wing bothered me more, he was just flying around in a fighter plane from Hoth to Dagobah then Bespin, how big was the tank of that thing...but again apart from what you mentioned there was never any other mention of fuel so I was like okay it’s not an issue until it’s a plot device.
Yeah, fuel and travel speed have always been treated in these films "as the plot demands." Luke can fly all over the back end of space in his fighter, but Han has to worry about how far it is to Bespin. The Rebel fleet can mass and then jump to attack the Death Star, but the Resistance flagship is going to run out of gas in 18 hours, which, coincidentally, is the exact amount of time it'll take Rey to get trained in 3 days (wait, what?) and for Finn and Rose to travel to another planet, meet a dude who can slice stuff, come back, fly to the Star Destroyer and shut it down. Or something.
Putting in the 18 hour "ticking clock" notion was, I think, a mistake, but the films have never been good about this and marking the passage of time.