Hmmmmm….but does Ingruber have mastery of the school of acting referred to as “The Pointing With Purpose Method”??
If not, Harrison Ford’s pointer finger may need to be Deep Faked.

I was going to make a joke combining “Deep Fake” and “finger” but decided against it.Hmmmmm….but does Ingruber have mastery of the school of acting referred to as “The Pointing With Purpose Method”??
If not, Harrison Ford’s pointer finger may need to be Deep Faked.
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You know, the notion that "one person in the film business issued a denial that was later revealed to be a lie, so that means or at least implies that any future denials by other people in that same field are therefore also probably lies" does not logically follow. It strikes me as being like the people who never miss an opportunity to say, "Yeah, but the trailer for The Phantom Menace looked good too" -- or conspiracy theorists who, when shown there is no evidence for a particular conspiracy, will reply, "Exactly! The evidence has been covered up! The lack of any evidence that I'm right is actually evidence that I'm right!"People are sounding like they can’t trust movie makers anymore.
Why, I’m old enough to remember when all the fans were saying that Star Trek Into Darkness would feature the infamous Khan as the baddie.
Well, I remember that JJ Abrams, himself, had to deny this over and over again in the press, and set the fans straight.
'Star Trek' director JJ Abrams denies villain Khan will appear in sequel
Well, and we all know how that turned out.
Right?
Wait a minute…
Oh…
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Nevermind.
Which is pretty much the only reason why the major studios produce anything. The indie and arthouse studios are in it for the art, but all of the major studios are in it for the money. I've always argued that almost all businesses are in the business of making money, in the case of movie studios, making movies is just how they make their money. If they can make their money by making a great film that appeals to a wide audience including the fanbase if it's based on an existing IP, then they'll do so. But if they can still make their money even while pissing off the fans then they'd be fine with that too. At the end of the day, all they care about is the bottom line.It's why something like Indy is best left alone as is. No reason to continue except for profits and greed. Unless done proper. Don't recast the character just invent something new.
Well, at the time, marriage in the '30s was, on average: male 24 years old, females 21 years old. Depending on State laws (Parents approval for example) , a girl could marry very early at the time, compared with today's standards.Among the possible directions, this one doesn't sound too bad to me - especially the idea of having Abner be the protagonist. And if true, that would at least render a lot of the Indy 5 worries more-or-less irrelevant to this show.
Agreed; they wouldn't have to retcon a whole lot with Indy-Marion, since we never got a ton of detail in the film itself. Just for God's sake make her over the age of consent - that 1978 story conference transcript is so cringey.
Also if true...
View attachment 1638723
There's your show title.
Well, at the time, marriage in the '30s was, on average: male 24 years old, females 21 years old. Depending on State laws (Parents approval for example) , a girl could marry very early at the time, compared with today's standards.
Which is pretty much the only reason why the major studios produce anything. The indie and arthouse studios are in it for the art, but all of the major studios are in it for the money. I've always argued that almost all businesses are in the business of making money, in the case of movie studios, making movies is just how they make their money. If they can make their money by making a great film that appeals to a wide audience including the fanbase if it's based on an existing IP, then they'll do so. But if they can still make their money even while pissing off the fans then they'd be fine with that too. At the end of the day, all they care about is the bottom line.
My idea thing would be for Indy to be accompanying Abner on a field expedition with Marion.If it's a character-building serial adventure series, I'm in (crosses fingers, toes and whatever available appendage)
At least all US states but one apparently had an age of consent of 16 or older as of 1920:Well, at the time, marriage in the '30s was, on average: male 24 years old, females 21 years old. Depending on State laws (Parents approval for example) , a girl could marry very early at the time, compared with today's standards.
She was apparently 15 in the novelization - also the age GL landed on in the story conference (after SS thankfully nudged him up from 11 or 12)