Darren Aronofsky to direct Superman reboot

Carson Dyle

Sr Member
I don't believe Warner has released an "official" statement, but I have it on reliable authority this is a done deal.

Between Aronofsky and Christopher Nolan this has the potential of being a better than average, or at least more interesting than average, comic book movie.

No casting decisions have been made, although Aronofsky has apparently floated the idea of Natalie Portman for Lois Lane (having just directed her in "Black Swan").

Prior to having seen The Wrestler I might have had doubts that Aronofsky could deliver the emotional goods the source material demands. Both he and Nolan tend to be a bit chilly at times, but I thought Aronofsky got a terrific performance out of Mickey Roarke, and I look forward to seeing what he can do with the Man of Steel.
 
That's interesting considering Arronfsky was suppose to direct Batman: Year One. If WB didn't have a part in the decision, I'm sure they are happy with it.
 
I'm still dissapointed WB didn't give Superman Returns an action-packed sequel like what was planned.
I thought all the casting of SR was superb - it was really only the script that was holding that movie back.
 
I thought all the casting of SR was superb - it was really only the script that was holding that movie back.

And one director's self-indulgence. As SFDebris said, what better way to reintroduce the family friendly Superman by introducing us to his ******* child.

Hey Warner Brothers. Here's a challenge for ya. Try Wonder Woman for size. I bet even Christopher Nolan couldn't come up with a decent idea on how to tackle property.
 
I don't know. Superman Returns I liked, but I can see why the big blue boy scout can be tough to write for. He has all the powers a hero could ever want and very few limitations. How do you have a good movie about him without it being an origin story (done to death), a love story (S2) or a major super hero smack down (done in Superman 2 as well)? If somebody can do it and a good director can direct it, it could work. But, it will be a challenge. Lois and Clark was successful with it, but they had many episodes to flesh out character development while a movie only has about two hours.
 
I'm still dissapointed WB didn't give Superman Returns an action-packed sequel like what was planned.
I thought all the casting of SR was superb

If you can overlook the complete and utter lack of chemistry between Superman and Lois Lane.

I understand Christopher Reeve and Margot Kidder are a hard act to follow, but when there are more sparks between Supes and Lex Luther than there are between Supes and Lois Lane you need to rethink your casting choices.

Superman is a problematic character to adapt on the big screen for contemporary audiences, but I'd like to think Nolan and Aronofsky will be able to rise to the occasion. Time will tell.
 
I'm still dissapointed WB didn't give Superman Returns an action-packed sequel like what was planned.
I thought all the casting of SR was superb - it was really only the script that was holding that movie back.

My thoughts exactly. It was pretty heart wrenching. They had EVERYTHING they needed to make an amazing Superman movie...except what actually happens in the movie.
 
If they cast Natalie Portman I will lose it. In a bad way. She does not have any sort of "weight" to her acting whatsoever. Of course I don't have an alternative in mind, either.

Wasn't Reeve younger than Routh when he took the role? Yet Reeve looked like a seasoned hero and Routh was terrible. Though he didn't have much to work with.

I will say I trust Nolan and Aronofsky wholeheartedly and will line up with the rest of the crowd when the time comes.
 
If they cast Natalie Portman I will lose it. In a bad way. She does not have any sort of "weight" to her acting whatsoever.

Go see "Black Swan" and tell me Natalie Portman has no acting "weight." Under Aronofsky's direction she delivers one of the best performances of any actress this year -- one she may well win an Oscar for.

A Superman reboot could do a lot worse in the Lois Lane department than Natalie Portman. Check out Superman Returns if you don't believe me.
 
This whole Nolan thing is history coming back around - Remember when Tim Burton was given Superman, only based on the fact that he made the studio money with Batman.
Nolan did a great job with Batman but giving him Superman is just a bad idea.
Superman is a tone thing - with so many people thinking every Superhero movie needs to be dark or armor is the only way to go when creating a costume - Superman has always been a victim of this trend. He's not hard to write - his story is different, that's all.
An alien who is raised on Earth by salt of the earth people, then uses his gifts to protect the weak - that is still a good story.
 
This may sound crazy to some, but I would really like to see a superman movie that takes place during the 1930s - 40s
 
An alien who is raised on Earth by salt of the earth people, then uses his gifts to protect the weak - that is still a good story.

The ****** parable will always be a sound basis for a good story, but in the case of Superman a lot will depend on the telling.

I too question whether Nolan is the right guy for the job (whatever his job is exactly; I'm still a bit fuzzy on that one), but he's clearly a smart, talented fellow, with a proven track record, and I can understand why Warners would be willing to invest in that talent. I mean, it ain't like they have a lot to pick from these days.

The world has changed since Superman was created (even the notion of a daily newspaper has become quaint). Where once we had absolute faith in our heroes (and priests, and scientists, and presidents, and gods) we are now a bit more circumspect. I'm not saying the proverbial "good Superman movie" is an impossible dream, but I do think it will take some out-of-the-box thinking to arrive at a solution that both pleases fans and resonates with general audiences.

I'm not saying Supes needs to become all "dark and edgy," but I do think some thought needs to be given to what the character of Superman means, or should mean, to contemporary audiences. I suspect those seeking escapist entertainment always be willing to indulge in the fantasy that some superhuman boy scout is out there waiting to bail us out of our latest disaster or petty human conflict, but putting a compelling and believable spin on that somewhat shopworn scenario gets harder all the time.

Or maybe I'm just getting old.
 
The ****** parable will always be a sound basis for a good story, but in the case of Superman a lot will depend on the telling.

I too question whether Nolan is the right guy for the job (whatever his job is exactly; I'm still a bit fuzzy on that one), but he's clearly a smart, talented fellow, with a proven track record, and I can understand why Warners would be willing to invest in that talent. I mean, it ain't like they have a lot to pick from these days.


Or maybe I'm just getting old.

I'm right next to you, Carson - counting the candlesticks on the cake - but

Let's take a look at the 70's Superman - When Reeve says "I'm here to fight for truth, Justice and the American Way" Margot Kidder answers that with "You're going to end up battling every official in the country". The climate in the air of 78 was as think with corporate greed, presidential mistakes, Vietnam ended only two years earlier, blackouts, gas crisis, cocaine traffic, Jonestown - and they still made it work. People love champions - always have, always will. Not only that, it's in us to look for someone who seems to have THE answer - or solution. A man who flies and puts the world before himself is just something we all want because most of us had someone in our family who did it for us as children - . well, minus the flying part -- unless you are from a wicked cool family

Now, I am right there with the idea of Superman needing to be a period piece - in fact as some of you know, I was at the start gate to write just that for Warner - my deal was being worked out right when Singer stepped in and said he wanted to do his version. i sat down with the powers that be - they heard me, then heard Singer and went with the guy who had a track record with Superhero movies, thinking - "Hey, he did X-Men, he's going to make us a great Superman movie. uh-huh.

I did get calls later that week of people who wanted me to write the script anyway, in case Singer went the way of the other directors who never crossed the finish line - but seeing how they wouldn't pay me for it - my agent refused and I went to work on something else.

When I pitched it was a high ladder I had to climb - I think I went in 4 times before I started seeing the big boys - and believe me - when I pitched it to them, they were as excited as can be. I told them, this is what you need to separate Superman from Batman. Superman belongs in a time when legends walked the earth - men who you hear about today who seemed to do no wrong and shape the world in a positive way. Superman represents the idea of what America can be - not what it is. It's how the immigrants saw our country - a place where you can be and do anything if you believe. And if you ever want to cross the two, Superman can be in his golden years arguing old values with Batman. They loved that too. As i left the room i could hear them talking amongst each other saying "how about Jim Cavizel - he played *****, this is just ***** with a cape". A girl was sitting on the couch talking to her boss about Terry O Quinn and how they had just met with him and he wanted to be in a Superhero movie.

i agree with you on Nolan. Nolan is terrific and smart . I am a fan. I just think him doing Superman is a bad idea.
 
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I'm all for the period piece. Superman just feels like the thirties and forties. It would make absolute sense and you wouldn't even have to make it an origin story. We already have the origin in the Christopher Reeve story... it will just feel weird to see a new one, when the original did it so well.

Give us the hero who saves the day and inspires the people to help themselves - giving them pride - and striking fear into the criminal underworld. There's no need for theatrics and deception, like with Batman, who resides in the shadows and let the overactive imaginations of criminal people who are already fearful scare the living **** out of them. Superman is upbeat, like a speaker that excites people with his words, changing the world to a better place.

Luthor has been done to death. It has to have humor, but not gags. Keep it simple, keep it real, keep it Superman.
 
When the subject of a dark Superman or the idea that the character is out of date comes up I always remind people that the "S" symbol was being drawn in the ash on the vehicles and vests of the firemen (and women) and policemen (and women) who searched day and night for survivors in the wreckage of the World Trade Center. That is what the character stands for - that is when people think about him. He's just as valid today.

Luthor should be Al Capone or Baby Face Nelson - a crime boss who runs Metropolis -- that is until Superman gets there and cannot be bought or intimidated by him. I'll type a short version of my pitch tomorrow if you want to see it.
 
When the subject of a dark Superman or the idea that the character is out of date comes up I always remind people that the "S" symbol was being drawn in the ash on the vehicles and vests of the firemen (and women) and policemen (and women) who searched day and night for survivors in the wreckage of the World Trade Center. That is what the character stands for - that is when people think about him. He's just as valid today.
Holy ****... I did not know that.

Luthor should be Al Capone or Baby Face Nelson - a crime boss who runs Metropolis -- that is until Superman gets there and cannot be bought or intimidated by him. I'll type a short version of my pitch tomorrow if you want to see it.
Honestly, would love to hear it.
 
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