I see the original BSG backstory as more apropos vis a vis Islam. The Colonies intervened in Cylon expansion, and the Cylons spent the time since trying to destroy the Colonies. In Reality-Land™, the Allied powers broke up the Caliphate at the end of World War I, and the Islamic world has resented it increasingly violently ever since.
But I do like your parallel to Macross. I'd actually wanted something like that instead of Galactica 1980, back in the day. Galactica reaches Earth in the middle of a global war in the nearish future. We put aside our silly differences and work together with the Colonials to build up our defenses before the Cylons get here. High adventure and deep philosophical introspection into the nature of life ensue.
--Jonah
Minor point, but the "Caliphate" (a.k.a. the Ottoman empire) had been the "sick man of Europe" for at least 40 years by the end of WW1. It would have likely collapsed under internal pressures anyway, which, given the presence of petroleum deposits, would've led to the same kind of scramble to gobble it up by the western powers that ended up happening anyway.
She was shacking up with Don Henley in the 80's!
I guess that was the end of her innocence...
Regarding Maren Jensen, I said above in my first post in this thread that she quit acting shortly after BSG because she developed Epstein-Barr Syndrome. Among other things, it really saps your energy. She eventually beat it and lives on the East Coast with her family and is doing just fine not being an actress. *heh*
Regarding limitations of the original series... *sigh* I blame ABC. Glen wanted another year of development time (in part, to get more of a stable of VFX shots built up), and wanted it to be a 12-20-episode miniseries (as were popular at the time -- see "Centennial" and "Shogun"). ABC wanted to capitalize on the success of Star Wars and get something out sooner rather than later. They also insisted on an ongoing series versus the miniseries. My preferred viewing tends to skim over the "filler" episodes and focus on the main "quest for Earth"/"fight the Cylons" episodes. "The Long Patrol", "The Lost Warrior", "Living Legend", "War of the Gods" -- there are quite a few solid episodes that move the story forward (even taking into account awkward '70s production tropes). I was disappointed the "Special Edition" didn't do more to address the VFX budget/time constraints, such as slightly different models for the other battlestars -- the lore had been that each colony had built only one or two, that they took years and years to build, and they were all well over a hundred years old, and some far more.
--Jonah
That would've been so much better on both counts. A closed-ended mini-series where they actually REACH Earth would've been terrific. Instead, the ongoing series just felt kinda...unfocused. And it never resolved effectively (I do not count Galactica 1980).
Also, even as a kid, I recognized that I was watching, like, the same 5 f/x shots over and over.
Precisely. Dark for the sake of dark is idiotic, but a big part of that is having characters that people defend as "flawed" when they're not really flawed, they're entirely failed. They have no redeeming characteristics whatsoever. They are just awful human beings on every possible level. If we're supposed to want humanity to find Earth and restart a society, these people are not the ones that I want leading the way. These are people I want to see put down like the rabid dogs they are. If you can't identify with the characters, if you can't want these characters to succeed on their own merits, then what's the point?
I think that, especially in the early 2000s, there was a sort of pervasive sense of...I dunno...despair? A recognition that the world was a much harder, crueler place than our culture had believed? That seeped into a lot of the art of the time.
I also think that, in general, people want more grounded characters and settings. I think, however, that we've seen a shift away from that. If you look at the sort of sunny optimism of the TV comic book shows, the kind of bright, upbeat movies that Marvel puts out, etc., there's sort of a balance being struck to where things still need to feel somewhat realistic, but the gritty grimdark crap that showed up EVERYWHERE after the Nolan Batman films has dissipated quite a bit.