Re: Star Wars TFA. Warning spoilers and I hate it!!! Haters and Lovers Welcome
You and I must have a beer some day...
As to TFA, I left the theater feeling underwhelmed. A few of my complaints:
• The score. I seriously didn't remember ANYthing about the score. I asked a friend, "Hey, do you remember if they were playing subtle background music during the entire movie as with the OT, or if the music just kicked in from time to time?" He couldn't remember either. I think the lack of a memorable score hurt the film.
I think part of the issue is that some of the character themes are very, very similar to the old themes. So, to the extent they play in the background at all, you don't really notice them because they're already hard-wired into your brain as "You know, Star Wars music."
But, to be honest, I think there are two other factors at work: (1) whether you liked the film itself, and (2) the element of repetition.
With the OT, we've had
30 years to listen to the soundtrack and rewatch the films, and remember the moments where this bit of music coincides with that bit of film.
I don't know about you, but I have almost no idea what bits of music go with which parts of film for the PT, mostly because I haven't rewatched the scenes at all. The only ones I do know are the musical cues that featured in various video games, and a few of the REALLY memorable sequences like Duel of the Fates. But honestly, most of that I only remember because I've heard the music elsewhere and can kind of recall where it shows up in the films.
With this film, I've seen it...once. I don't remember the music because I've only seen it once and was too busy processing everything together. So, I don't really expect the moments in the film to remind me of, say, the Hoth battle and the music that plays during that, or the Cantina scene music.
• Action scenes that delay the story. I started yawning during the Rey/Finn falcon flight scene on Jakkuu. I knew they'd make it. I just wanted them to get off the planet so that we could get more of the story in place and figure out what the heck's been happening during the last 30 years.
I can sort of see this. The film seems faster-paced than the previous films, but I think it's intended to be. Still, there's a sense that the film lacks enough moments to breathe. That, however, seems to be a staple of JJ's style. I felt much the same way when watching his Trek films. Lots of action, but not a lot of stuff I can distinctly remember. We may see something different in the next film.
• Lack of exposition. I know too much exposition is bad for a movie, but this movie felt like a highlight reel of a 6-hour movie. For example, the political climate of the galaxy wasn't just vague—it was nigh indecipherable. I understand that the visual dictionary and other sources fill in some of the gaps, but I purposely didn't read any of that before the movie, and trying to make sense of a jumble of half-stated facts didn't improve my viewing experience. The movies should stand alone, with new-EU material enriching our understanding of a universe that we already understand to a minimum degree. The new-EU material should not have to be absolutely referenced to take us from "This makes no sense at all" to "Oh...ok, well I guess that explains it a bit..."
Honestly, I don't see this as a problem. I'm curious about what the hell is going on in the galaxy and such, but I get
enough of the film to follow it. So, in that sense, it stands on its own. It's not that different from ANH, really. Again, I think we forget about how 30 years of backstory in myriad forms has influenced our views of the OT. Star Wars -- just on its own in 1977 form, without
anything else having been done -- is nearly identical in terms of how little you know of the galaxy. I mean, the Senate is formally disbanded in ANH, but it's like "Wait, what Senate? Who the hell is the Emperor? I thought Vader was the bad guy. I thought we had an Empire, not a Republic." The backstory for the galaxy is equally thin in that film, and, really, for the entire OT.
It was only West End Games and the EU folks who really fleshed out the rest of the universe, based largely on George's notes and their own making-stuff-up. I have no doubt that the Story Group knows the answers to the questions likely raised by the new film, but the new film isn't really "about" answering those questions. That's what the New-EU material will be for.
• Sense of scale. This was seriously lacking. The final battle involved a few fighters and was won way too easily.
Again, to be fair, we see, what, 10 X-wings and maybe 6 Y-wings at Yavin? It's pretty much the same thing in this film. I mean, if you wanted more because it's a new film and we can do more with CGI and stuff, yeah, I get that, but I think it could also end up being way too "busy" a visual display, in an already VERY busy film.
• Lack of originality. Too many similarities to ANH, and seriously, Death Star 3? C'mon. It's like the next Superman movie going back to Lex Luthor as the villain for the umpteenth time. Oh wait...
This one I agree with. Up to a point. I mean, I would prefer a wholly original film with no "callbacks," too. But, on the other hand, I kinda question how "Star Warsy" that film would've been, ya know? Would it have felt like "Star Wars" or just like "generic scifi movie"? I think it's likely the latter. But now that the bridge has been built between the OT and this new sequel trilogy (ST), I think the remaining ST films will be more able to develop in new ways, rather than just treading over the same old ground. There will always be common themes in these films, but that's largely due to "hero's journey" mechanics for this type of story. And, again, there's gonna be a TON of new "EU" material to take things in other directions.
I understand your perspective, but I guess I'd say "Hang in there. Things will improve."
For me, especially after the PT and what I heard about KOTCS for the Indy series, and all the various reboots, remakes, etc., one thing has become abundantly clear to me as I approach middle age:
You can't go home again.
You
can, however, build a
new home, and that's what I think this film ultimately does.