Mola Rob
Sr Member
Ouch.
10 years of that thing and that's the first complaint i've heard![]()
No complaint it's just I almost went into a trance watching it.
Ouch.
10 years of that thing and that's the first complaint i've heard![]()
No complaint it's just I almost went into a trance watching it.![]()
Funny. I was going through my DVD collection and stumbled across my Brazil Criterion Collection DVD set. In it we get both the Director's Cut of the film, and the radically different "Love Conquers All" edition, which is the version of the film which was done all by the studio that Terry Gilliam hated. What makes this set interesting is that Terry Gilliam is presenting Brazil that he made in his vision, and the one that's the complete opposite of that vision. And this studio cut isn't just simple edits that takes out violence, sex or nudity, but a complete revision of the story where. One of the best examples is when the studio took a sequence that was written, shot and edited as a dream sequence and turned it into a scene that tried to portray the events like it was actually happening in reality.
I just find it funny how Gilliam is not only willing to present his vision of the film but also the worst version just for the heck of it, even with the chance that someone out there will like it more than the original. It's that kind of care that shows that this guy just wants this film to be what it is. A film. Not some "vision" that he has total control over and wants to keep it up to date for no reason.
Also, the original Criterion Set had the film in a non-anamorphic transfer. They released the DVD set again with a brand new anamorphic transfer. Lucas did the exact opposite.
Ooh, I just had a thought.
How much you want to bet somewhere in EP2 or EP3 walking around the Jedi Temple we get a background cameo of a 10-12 year old Ahsoka Tano.
Perfect set-up for the Clone Wars.
The rest of the crap makes no sense at all other than to give fans the finger.
Well, the problem as I understand it is more to do with finding a house with the technology to do a 4k scan which will tackle an IP from an owner who's demonstrated that they can be pretty trigger happy with their legal department. That and the fact that I seem to remember the quotes for one film being around $10k. The alternative being disucssed last I checked was to build a home HD Telecine, which apparently is progressing slowly. Regardless, the test results so far from ESB have been astounding - even at this early stage they blow the DVDs out of the water for colour, detail, and dynamic range. Fingers crossed, and then, yes, the bitching will stop.