Props lost or destroyed

You would think that with all the history, art and music museums in the world, they would have an equal amount of film and television museums. Preserving the screen used wardrobe, props, sets and animation from the most iconic films and television in history is almost as important as any Picasso or fossil. They are all in there own way works of art and amazing talent and have great historical value in my opinion. As long as film and television continue to inspire us, we owe it to ourselves to preserve it. But then again it would seem that Hollywood could care less, especially if you read through this thread.
 
You would think that with all the history, art and music museums in the world, they would have an equal amount of film and television museums. Preserving the screen used wardrobe, props, sets and animation from the most iconic films and television in history is almost as important as any Picasso or fossil. They are all in there own way works of art and amazing talent and have great historical value in my opinion. As long as film and television continue to inspire us, we owe it to ourselves to preserve it. But then again it would seem that Hollywood could care less, especially if you read through this thread.

There was one once upon a time. It was called Musée du Cinema in Paris, France. It was created by Henri Langlois, who was co-founder of the Cinémathèque Française. Mr. Langlois was a cinemaphile, a pioneer in film preservation and film history. Many people know of the Cinémathèque Française, as it started the French New Wave.

From what I remember of the documentary, Henri Langlois: The Phantom of the Cinémathèque, a lot of filmmakers sent items to Mr. Langlois, resulting in a collection of more than 5,000 movie-related objects.

Unfortunately, the museum burnt down in July 22, 1997 (while it was locked in the middle of a court case between the Government and the Cinémathèque Française). I don't know if any or if all of those items were destroyed by the fire or survived.

But to make a long story short, there was a place once upon a time. Now, there's more of smaller dedicated places that are more themed, like the Judy Garland Museum or the motion picture corner of the Smithsonian's Museum of History and Technology.
 
You would think that with all the history, art and music museums in the world, they would have an equal amount of film and television museums ... But then again it would seem that Hollywood could care less, especially if you read through this thread.

In addition to the French facility, there have been a number of attempts off and on in the LA area plus one by Debbie Reynolds (who bought a wealth of material when MGM sold-off it's warehouses and who is now, herself, auctioning it off for charity) at a casino in Vegas. Most have closed within a year or two.

The real issue seems to be that not Hollywood but the public itself largely couldN'T care less; there just isn't the sort of attendance needed to cover the rent, maintenance, and acquisitions that keep these places open and current.

There are at least two exceptions at present that I know of, though: The Hollywood Museum (The Hollywood Museum - Home) and the London Film Museum (London Film Museum). Though the site make it look impressive, I haven't actually been to the Hollywood facility. About five years ago, I did, though, see the London museum: it was pleasant if a little haphazard but worth it to die-hard film fans; I can imagine by now -- or in another couple of years at any rate -- it would be much improved/expanded and more of a must-see.
 
All I know is, if your dream prop is on display at a museum, keep tabs of how the museum is doing--if they go under, your dream just might be fulfilled. Just ask Fred Barton or Bob Burns; that's how they acquired Robby the Robot and the Kong armature, respectively.
 
There are occasional traveling exhibits...

I remember there being a Star Trek exhibit at the local Museum of Science & Industry many years ago. I think it had a few props & costumes. Mostly 'educational' science-related interactive exhibits. All designed like LCARS and ship consoles, though. I did enjoy that as a kid. More than once.

There is a traveling costumes exhibit in Tampa right now (I think) that has some popular stuff - a Ghostbusters outfit and s Superman suit. More, too.

There was a traveling Jurassic Park 'exhibit' soon after the movie came out. I remember next to nothing about it, though. I think it had props & dinosaurs.

A few items from Thirteen Days went on a little tour. There was a local Cold War exhibit, and at the end it had a medium-size glass 'bookcase' with Thirteen Days props in it. This must have been soon after the movie opened. The only prop I remember was the dossier on Khruschev. I remember it because I went to the museum and sat down in front of it and took copious notes on it. And I replicated it. That had to be one of the first prop replicas I ever made.


-MJ
 
I've been to Rusty's museum and our group is planning a trip back there in the Spring. He's got some great cars and he's a super nice guy.

Now if I could just convince him to 'donate' that Ecto to me... :lol
 
This is going to be a long post.......:lol



For a long time, I'd heard about how Kubrick ordered all of the props from 2001 ASO to be destroyed. Everything. The reason floating around was that he didn't want anyone to use them in any junk sci-fi movies that might follow... tarnishing the elegant imagery of 2001.

I can't recall exactly where I read this, but the poster had quoted some more recently published source that Kubrick didn't initially intend to destroy the props. The studio wouldn't let him keep any of them, unless he paid them. In disgust with this, given all the work he'd done on the film, he decided to just lay waste to everything. Has anyone else here heard of this?

I've written about the fate of the '2001' props on several forums, including the RPF. Short story is that the disposal of most of the sets/props were de rigueur for the time. Certain key props got caught up in litigation and were stored. Once a settlement was reached, they were disposed of. In other words, the only reason they survived as long as they did was due to the litigation - they were "evidence" of sorts.......

Long version of this story here - http://www.therpf.com/f10/will-make-you-want-cry-91627/#post1300849


A reference to the story about the 2001 pod and the space station being left at the gates of a dump:
Tracking HAL's Odyssey - Page 3 - Los Angeles Times

And two thruster packs survived long enough to be used as set dressing in a 1972 Doctor Who:
2001-thruster-packs-doctor-who-dw_themutants_ep2.jpeg-59514d1311014056

Interesting - I think the blue prop on the right is actually one of the lunar suit backpacks from "2001" (they were a smaller design). I cannot remember if Space Models provided the basic shells or not - if so, they may be castings. Still..... neat to see them re-used.

The Kong wall was was originally built for Cecil B. Demille's "King of Kings" (1927), on the Culver lot. It was indeed burned down for Gone With The Wind--it's the structure falling down behind Rhett leading the horse cart with Scarlett on it.

Well, if you want to get into sets/backlots - that covers damn near every movie that was every filmed on one. The 40-Acre backlot - 40 Acres - The Lost Studio Backlot of Movie & Television Fame - (ex-RKO, and actually under 30 acres in size) in Culver City served as the location for Mayberry, Hogan's Heroes, Gone With the Wind, Star Trek (TOS), etc before being turned into light industrial space in the late 60's.

And MGM's Lots 2 and 3 are now housing tracts. (I live walking distance to them both.... kinda weird.) Great book - MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Hollywood’s Greatest Movie Studio - highly recommended.

I remember reading a few years ago that most of Hill Valley burned down in a fire. That would be the largest prop loss ever.

If you are talking about the Universal Backlot fire, only a portion of the Hill Valley set was burned. The Courthouse and one row of building survived. The other side did burn. In fact I think they've had a couple of serious lot fires in that area. Most of what acted like kindling was the accumulated trash that was littering the backlot sets.

........AND, Peter Jackson has a larger scale Kong armature. He took it over to Bob's (they're buds) and compared it. It's the same as Bob's but larger. The two then had legendary Ray Harryhausen (who learned under Willis O'Brien - animator of the original Kong) and Harryhausen confirmed it to be another Kong puppet. So both Burns and Jackson have original, 1933 Kong armatures!

Ironically, Peter's was found in a box in an old warehouse somewhere and it's "identity" was completely unknown.

I think (and I'm going off of a story Bob told me a while ago while I was paying attention to something else in his basement) is that the box was found in the attic of the old RKO/Selznick Studios (now Culver Studios) art department building as it was about to be torn down for general studio expansion. It was ID'd as being used on the original 'Mighty Joe Young', but was also (and more importantly) a recycled 'Kong' armature that was stripped on its 'Kong' fur and head.



I've always been crazy about the Proteus sub used in Fantastic Voyage. After the Cleopatra disaster, FOX got particularly anal about re-using props to keep costs down. So when Irwin Allen -- himself no slouch at re-using stuff -- needed a rescue sub for the climax of The Poseidon Adventure, they painted the Proteus yellow. But in the end, there wasn't budget enough for those scenes and given that they'd trashed the sub anyway, went ahead and scrapped it..........

We've talked to "Poseidon Adventure" Art Director/Production Designer Bill Creber about that and he has no recollection of the Proteus being repurposed - or even considered. He wasn't a big fan of the Proteus design by Harper Goff anyways (he preferred Dale Hennesey's design, but Fleischer went with his "Nautilus" designer's vision). I'm chalking this one up to urban legend.

There's a great story somewhere* on the interwebs about a couple of fans gaining access to the FOX backlot and being able to climb around and photograph full-scale pieces like the Spindrift from Land of the Giants, the Lost in Space Jupiter II (which was already effectively scrap at that point), and more. Among the things they found was the Apes ship, which by then was also in pretty sad shape. They went on to write that on a return trip hoping to get some better shots, they were informed that everything had by then been cut-up and hauled off..........

That would be Phil Broad's Cloudster site - My Studio Adventures

Subsequent to writing that article, Phil found out that the full size "Icarus" had been sold to a motel, mounted on a plinth/pole, and had been destroyed in a fire that destroyed the motel in the late 70's.

I read on one site that the ship <from PLANET OF THE APES> got beat-up during the filming of the opening of Escape. It broke loose during filming and drifted into the rocks, and got banged up before they could catch it.

I also read that the ship ended up as a lawn decoration on some Fox Executive's lawn...........

What ended up as a lawn decoration was the miniature of the "Icarus". It was restored by Greg Jein (who also molded it and gave a casting to Bob Burns (much to the chagrin of Bill Creber, the film's Art Director)).

I'd like to know what happened to the 3 trophy heads made by Boss films for Predator 1 ..........

I never came across anything from "Hunter" (as it was called) when we went through Edlund's warehouse, save for a funny looking hand weapon.


....I remember how sad I was when I saw some of the Sony backlot pictures of Ecto -1 and 1A. Thank god for the restoration on Ecto-1.
Also, the original Ectomobiles from Ghostbusters are known to be maltreated by Sony. Despite restoring the Ecto-1 and storing it indoors for a while, I heard it's been put outdoors again.

Also, the Ecto-1A is apparently still outdoors, rotting away.

Noticed the Ecto-1 on the Sony lot earlier this summer, parked next to the new Black Beauty.
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Not sure of it's originality, but it seemed to be getting better TLC. Seen it there a few times since. (It was visible through one of the open gates on Culver Blvd....)



Whew..... I think I just set a record for multi-quotes.......

Gene
 
An original screen used Dukes of Hazzard police car close up license plate was lost. It was shipped to its new owner and was passing through the Brentwood facility in 2001 when the anthrax attacks happened. The whole facility was closed down and all the mail inside was seized and destroyed.
 
Damn.

... No way to get it back, either ...

It's like hearing the Holy Grail went down on the Titanic.

Wait, wasn't that what Raise the Titanic was about? :lol

- - -

One of the few people who were killed by the anthrax attacks was a photo guy who worked for the Weekly world News' parent company in Florida.
 
The Abyss sets (both the Deep Core exterior and the interior sets) survived for nearly twenty years as they had no money left to tear them down at the end of production. In the mid-90's someone visited the sets and snapped new photos that were included on the DVD. I believe there was a sign on the exterior of A Tank that warning that photography was prohibited and Copyright 20th Century Fox.

A Tank (with Deep Core) had partially refilled with rain water and some of the parts of Deep Core had broken off.

The interior sets were constructed in the never used offices on the same facility and were still in pretty good shape, being that they were indoors.

In the early 2000's the entire facility ended up getting flooded (not just the tank) and you could see this on Google Maps for a while (until the photos were updated again).

As others have mentioned, the sets were built in a never-completed Nuclear power plant. The originally company that owned the facility has since decided to resume and finish the project, so all of the sets have been destroyed. Pretty sad considering how long they survived.

The Abyss is one of the most impressive films in terms of what it took to make it. Huge sets, custom designed hard hat diving gear, working submersibles. Even the rat was breathing actual fluorocarbon emulsion. It's fun to compare it to Leviathan which came out the same year but used suits on smoke filled sets and looks incredibly fake.
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On the BTTF3 DVD/Blu-Ray, Bob Gale mentions that the Hill Valley 1885 sets were left standing as part of an agreement with re-enactment/historical society that owned the property (the clock tower was torn down though, since Gale and Co. argued it was an iconic BTTF building). They were used in a number of films, TV shows, and commercials for a few years after.

According to Gale, the sets were struck by lightning in the mid-90's and burnt to the ground. Talk about an appropriate way for them to go.
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I remember someone on this board talking about how the fiberglass Landspeeder (the one that was suspended on a boom) was deliberately destroyed (crushed with a fork lift I think) in 1987.
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The Goonies cave/pirate ship set is truly one of the most impressive sets ever built. The whole of the cave, the exterior of the ship, and even some of the interior spaces were all built as one gigantic set.
A damn shame that they couldn't find anyone willing and able to take it.
 
Since your talking massive sets, the asteroid for Armageddon was a huge set in front of the Disney rentals dept. I remember walking in to see what they were building and they had the ground dug up about 20+ feet or more in areas with wire frames and such being constructed that would make up the rock and surface areas.
 
There's a prop warehouse just off the M25 around London and the last time I was there, they had a full sized X-Wing fighter and a few other props from Star Wars. I was told that while many are replicas, a fair number were in fact original, but I'm no expert and couldn't tell.

Hi Holluba

Can you pass on the name of this prop warehouse or any details that might help me find them? I am urgently trying to source a lifesize x-wing cockpit near London so this sounds just the ticket.

Thanks

ps. tried to DM you but I think as a new member I am not allowed yet.
 
The Galileo 7. It wound up sitting in a vacant lot to rot away. so sad. such a great work of art.

the huge ships built for the Star Trek experience. (same fate. all broken and sitting in a garage that they a year or two ago finally auctioned off.) But the ships were all junked up and ruined. Very sad.
 
luckily these days there are some museums that are saving these works of art. Like the Sci-fi museum in seattle. among others around the world trying to save at least some portion of all these varrious films costumes, sets and props. it is impossible to save everything. But at least some things have been saved.

(if i am ever lucky enough to make a big movie i will save all the costumes and props, and let others have the sets)
 

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