Django Unchained (Post-release)

Not only did I really enjoy the movie, but I think that may have been Tarantino's most tolerable cameo ever (except for possibly his role in Four Rooms, which can't really be classified as a "cameo"). I couldn't say I liked it as much as Inglorious Bastards, which may be my favorite movie of his to date, but it was far better than Deathproof.
 
Hey I got stuck with a couple palats of some Django dolls...

I haven't been on the internet in a while...

Any interest in these?
















I mean... WOW.

Amazon has them for like a grand or more... and some guy on Ebay is selling a box of 10for $30,000

Wow...
 
Admittedly, there are some people trying to take advantage of the situation, but given the high profile nature of the film and the fact that the figures are now discontinued, they are a legitimate collector's item. I only wish I had bought mine when I had a chance. I actually wanted Django and Schultz for my personal collection.
 
Well, I said it was decent, but when I compare it to Inglorious Basterds, which it's premise mirrored (Jews take revenge on Nazis, Slaves take revenge on Slave owners), it comes up short for me. It's just that I felt IB had an engrossing plot, several well-written memorable characters with a great climax and twist at the end. Django on the other hand had mostly one dimensional characters (Schultz was the exception, but it seemed he got the most attention from the screenwriter), a very linear plot, and the last half hour was a mess that knocked the air right out of it. After I heard the premise I was excited, and having seen it was a bit let down.

I read your comments about the music, and admittedly I am not that familiar with the genre, so perhaps I might have enjoyed it more if I was.

I read you. It definitely does not reach the same levels of tension and complexity of Basterds. It's a pretty straightforward story with a predictable ending; the only real "twist" is Django letting himself get captured, but that is hardly a twist since it is remedied so quickly - more like an excuse for a grander finale. So if you were anticipating something to top the dramatic rollercoaster of IB, I can see how it would be a letdown.
But at the same time, this movie was never intended to be of that genre, so I think perhaps your expectations were a little misplaced. It seems like Tarantino went back to his "Kill Bill" days with this film - a whole different animal than IB. But regardless, I see where you are coming from.

At the end of the day, you like it or you don't like it. That's how most of Quentin's movies are.

I think the music is a very particular thing. I did not realize that so many people didn't know about the vintage music. To my ears it was obvious, but again I am an aficionado of that sort of thing. But if you didn't know, or didn't care, I could see how it might be a little off-putting.
Trivia: Inglorious Basterds, if I recall correctly, used several tracks from Corbucci's "The Mercenary", a famous spaghetti western. In fact most of QT's movies have at least one piece of music from Ennio Morricone, but most of them are brief and not very obvious. Being that this was the first "actual" western-style movie from Tarantino, he upped the ante on the music and made it way more noticeable. Kind of a change.
 
I particularly enjoyed how Quentin hinted at the fact that Django and Broomhilda are the great or Great Great Grandparents of one John Shaft.
 
Did anyone notice the bowie knife when Django was about to get "clipped"? It had a blade and guard that looked very familiar.
 
Are there any other specific easter eggs in the film? I thought the knife was very similar to the one used by Raine in IB.

Tarantino also (jokingly) said in an interview that Django and Broomhilda von Shaft were the ancestors of John Shaft. pretty funny.
 
Did anyone notice the bowie knife when Django was about to get "clipped"? It had a blade and guard that looked very familiar.

The blade is certainly a similar shape, but it's definitely not the same knife. The one in Django has a straight hardwood handle with rivets if I remember correctly.

Despite that, I agree it was almost certainly meant to be an Easter Egg.
 
Saw it tonight, loved it, and the GF (who doesn't like QT movies) loved it as well. That's what I want to see when I buy tickets for these films. I want to be taken places, told a story and escape the real world for two hours and a half.
Foxx was meh, Waltz was brilliant. Jackson was good, Di Caprio was excellent.
 
Right so I saw this yesterday and....I so so wanted to love this film, and with all the hype I was expecting huge things.

I was however rather dissapointed. Dont get me wrong its a good watch, but I really have no idea where all these oscar nominations are coming from.

I really seemed to lack the detail and intricacy of IB or Kill Bill. it was very straight forward. I also expect a visual delight when I see a QT film, which wasnt here for me (I saw it in a small cinema so maybe they had projection issues but it looked almost as if it was shot on digital and graded badly).

Waltz: Great performance as always, but under used IMO

Decaprio: The unsung performance of this film. He was amazing.

QT: Why he needs to put himself in his films I dont know. Of course its his film to do with as he pleases but I find it very distracting as he is a poor actor compared to the others. It cheapens the film for me.

Be warned, I personally found it VERY uncomfortable in places. Seeing how slaves were treated is beyond evil and QT pulls no punches.

Definatley worth the ticket price, but I cant see anything in it that makes me want a second viewing.

IB was a masterpiece. This is not.
 
1) it was very straight forward

2) it looked almost as if it was shot on digital and graded badly).

3) Be warned, I personally found it VERY uncomfortable in places. Seeing how slaves were treated is beyond evil and QT pulls no punches.

1) There is nothing wrong with a straightforward story.

2) It definitely wasn't shot digitally.

3) So QT should gloss over the terrible treatment of slaves so American audiences can be comfortable with themselves?
 
1) There is nothing wrong with a straightforward story.

2) It definitely wasn't shot digitally.

3) So QT should gloss over the terrible treatment of slaves so American audiences can be comfortable with themselves?


1) Agreed, unless its a bit dull ... ;)

2) I didnt really think iot was. I know QT is a film man. I did however dislike the grade.

3) Of course not. I never sad he should I was simply warning people to just how bad some of the scenes are. Its actually very importtant I think for people to see these things.


One thing I forgot...Can someone please explain the whole Zoe Bell thing to me? Why was she in it? and did I miss her importance??
 
One thing I forgot...Can someone please explain the whole Zoe Bell thing to me? Why was she in it? and did I miss her importance??

No significance, really. Kind of an obvious cameo and nothing more.

There is a deleted scene where she removes her scarf and reveals a missing lower jaw - which would have given a little more image to the character - but that's hardly anything.
 
Just dragging this film back into the light. :)
Watched it last night for the 1st time and LOVED it! A whole lot of fun, the blood was over the top, but this is QT so I completely expect that kind of thing. Probably the most enjoyable western I've seen since Unforgiven. I thought the KKK scene was funny as hell, and I found the racial slurs in this film didn't make me uncomfortable, they were used within the historical context.

As Lawrence Tierney would say: I give it four farts!
 
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