I just caught "Retro Puppetmaster" on TV, and since it was eons ago that I had seen the original "Puppetmaster", I looked the stories of the other parts of the series up.
While I can see the fan following for a Freddy Kruger or a Jason or any other monster character, I don´t see how the overall "morale" of characters can be changed within a series.
The Puppet master series looks like having turned the direction from "evil puppets" to "essentially good puppets". And while I can see the jumps they made within the PM timeline, I can´t see how they can change the "direction" of the puppet´s goals and morale?
I´ve noticed that in asian cinema, especially in japanese cinema, good and evil aren´t always clearly defined, and I must say I often like that approach. But when Killer puppets turn saviours, I must say, I can only shake my head. Or did I miss something?
Michael
While I can see the fan following for a Freddy Kruger or a Jason or any other monster character, I don´t see how the overall "morale" of characters can be changed within a series.
The Puppet master series looks like having turned the direction from "evil puppets" to "essentially good puppets". And while I can see the jumps they made within the PM timeline, I can´t see how they can change the "direction" of the puppet´s goals and morale?
I´ve noticed that in asian cinema, especially in japanese cinema, good and evil aren´t always clearly defined, and I must say I often like that approach. But when Killer puppets turn saviours, I must say, I can only shake my head. Or did I miss something?
Michael