Some work on the lightsaber and helmet models. I added more details to the saber, include the wire, greeblies around the emitter, belt clip, and cut out.
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View attachment 592945View attachment 592943
Also, I've decided not to make my own gloves, I'm focusing on the main soft parts first. I'll probably order gloves from Endor Finders. I got a 100% linen black fabric for the undercoat, and started making a pattern with a t-shirt. Making the layers from the inside out seems to be a good idea, to allow enough room for the mid/outer coats to fit.
Thanks for looking!
Hey there! Just noticed I'm not subbed to your thread - since you're commenting on mine, I wanted to be sure to keep up.
Regarding our remarks about patterns - you look to be on the right track with your robe base. And, when working on developing a pattern block, use the cheapest and most available thing you can find to start with.
Looking forward to seeing it all progress!
Cheers!
What do you think about darts vs. shaped seams for making it more fitted? I have a decent idea about how to do a dart, but no clue about shaped seams. (Is that the right term?)
Also horizontal vs. vertical darts?
I think you can do all the fitting you need with darting or moving darts to the sides. Also, you should probably have a seam at the waist to give you more flexibility in fit and shape.
Here's a really rough basic pattern template that I threw together to illustrate my point.
-snip-
So, on the upper body sections, you have a choice - you can dart the front and back pieces as well as have tapered side seams or you can move all of the tapering to the sides (essentially, you just take the dart and cut that amount out of the side). This works if you're slim and don't have a huge drop from your chest to your waist. If you have a large chest and a small waist, I think that distributing the fit around the piece evenly (via darts) is best.
With the lower sections, cut these with a waist seam (will be covered by the belt anyway) and give them some flare to add fullness and drape to the finished piece. Here's a quick and dirty diagram for taking a rectangular piece and adding flare to increase fullness.
-snip-
So, that was maybe a lot more than you wanted to know, but I hope it helps.
Cheers!
Fullness, to put it very simply, in the terms of something like the skirt on this tunic, refers to the size of the hemline in relation to the waist. You can have a straight skirt (hem is the same as the waist = 0 fullness) up to a full circle or beyond (which is very full). It allows for the garment to fall over the hips and gives some swing and movement to the garment. In the case of this costume, I don't think a lot of fullness is needed, but some will improve the fit and appearance.Thanks for that. Don't worry about long replies, all the more information to devour!Can you help me understand: 1. What fullness and drape are?2. Why they are desirable?3. How the waist seam works with the curving?Thanks for any help you can give/have given. BTW, did you go to school for this stuff?Thanks.
Hey, I'm about to start on the skirt sections, and I have a question. I made the pattern with a curved top and bottom edge, but now I'm wondering how that will work with the pleats.~snip~
Hey, I'm about to start on the skirt sections, and I have a question. I made the pattern with a curved top and bottom edge, but now I'm wondering how that will work with the pleats.
In these images you can see that the pleats line up with the bottom edge on the movie costume: (click again to make bigger)
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How would that work with a curved edge on the pattern? How did you do it?
Would it cause any problems to modify my pattern to have a straight edge on the bottom?
Thanks!