I believe the misconception that you have to "do something" to "get" copyright persists because the US didn't become a party to the Berne Convention until 1989
Thus the Berne Convention is void prior to 1989 (that includes 1976) as far as to the US goes...
"Who owns a piece of work
Normally the individual or collective who authored the work will exclusively own the work. However, if a work is produced as part of employment then it will normally belong to the person/company who hired the individual.
Freelance or commissioned work will usually belong to the author of the work, unless there is an agreement to the contrary, (i.e. in a contract for service).
Rights cannot be claimed for any part of a work which is a copy taken from a previous work. For example, in a piece of music featuring samples from a previous work, the copyright of the samples would still remain with the original author.
Only the owner, or his exclusive licensee can bring proceedings in the courts."
Thomas you do realize that this is a summary of the current UK Copyright, Designs and Patents Act of 1988? This was not the UK law in effect in 1976, and again void in regards to the year 1976...
The legal ownership of a "work," which can take any of the following forms: written text, program source code, graphics images, sculpture, music, sound recording, motion picture, pantomime, choreograph and architecture. Before January 1, 1978, a work had to be published to be copyrighted.
So what you are saying is AA didn't and could copyright his claimed creation because it was never published? I guess LFL beat him the punch, funny he never disputed ownership back then...
Therefore, since the McQuarrie sketches were not published in 1975, but rather in 1979, after AA completed the work on the original stormtrooper molds, those sketches are not valid,
Thomas, you can copyright an unplublished work even before, 1979 read the actuall copyright papers on the trooper sketches included in the court paperwork, in gives specific directions on doing so... There is unpublished and published copyrights... The fact that the trooper sketches were not published until 1979 has no bearing on the ("unpublished) 1975 copyright of them, they would have obtained a new ("published") copyright at that time...
So unless the McQuarrie sketches were submitted to the Library of Congress they would not be considered copyright.
Do you actually believe LFL went through the trouble of filling out the paper work, paying the fee, but forgot to send in a copy of the sketch they were copyrighting???
So even IF LFL has Reg. Cert. No. GU 59-037 (1975) and IF the Mcquarrie sketches or paintings were published and IF they were submitted to the Library of Congress, AA still has the rights to the work based on UK Law and the Berne Convention which the USA is signatory to.
In 1976 there were not...
I checked the Library of Congress and could not find the sketches or paintings.
You actually went to the library of Congress and requested to look at them, or you browsed what was more then likely an incomplete database you found?
"In 1989 the United States Supreme Court resolved much of the confusion surrounding the issue of who was an "employee" and who was an "independent contractor."" "?if the creator of the work is not an employee, but instead a freelancer, than the "work made for hire" requirements of the independent contractor prong must be satisfied. This means that the work must be specially ordered or commissioned by the publisher, the work must fall into one of the nine enumerated categories of work, and there must be a signed writing between the parties where they agree that the work will be considered a "work made for hire."
"A freelancer's creative work in order to qualify as a "work made for hire" must satisfy the exact requirements of the Copyright Act. (1) The work must have been specially ordered or commissioned by the publisher. (2) The work must "fit" into one of nine narrow statutorily enumerated categories of work: (i) contribution to a collective work, (ii) part of a motion picture or other audiovisual work, (iii) translation, (iv) supplementary work (i.e., prepared for publication as a secondary adjunct to another author's work such as an index or forward), (v) compilation, (vi) instructional text, (vii) test, (viii) answer material for a test, or (ix) atlas. (3) The parties must agree in a written and signed document that the work shall be considered a "work made for hire." In addition, although it is not stated in the Copyright Act, the "work made for hire" document must be signed by both parties prior to the commencement of the work. If the publisher fails to satisfy any of these requirements the work will not qualify as a "work made for hire" and the publisher could lose copyright ownership of the work."
Well that's pretty clear that if there was anything in writing, then the creation of the ST was "a work for hire" as it clearly meets all three the requirements... Also note the last line, "could lose" it's not a written in stone loss because a requirment wasn't met...
SINCE THE SKETCHES WERE UNPUBLISHED THEY FELL UNDER STATE LAW AT THE TIME.
Again there were previsions to get a copyright on unpublished work, at the time they were copyrighted...
Since they were under state law, AA would not be subject to state law.
Sorry since he is being sued in California he damn well is subject to California law, as well as Federal...
Also any copies he received for reference would have to have the copyright mark on them along with the name and year of creation for them to be valid copies. The burden of proof would be on LFL to prove they gave AA such copies.
Again this is civil court, you don't need proof, only a preponderance of evidence or is it more likely then not to have happened...
"Under the United States' copyright law, new works created using existing works are referred to as ?derivative works.? The United States copyright law requires creativity in order to obtain copyright protection. In the United States mere skill and labour, without a minimal degree of creativity, is not sufficient to attract copyright protection."
In the end LFL copyrighted the movie ANH as a whole, including the ST we have come to love, AA has no copyright on file before then and has never disputed LFL copyright... So exactly what rights does he have?