Andreas Persson
Active Member
I'm gonna use the cover patch and if anyone asks to see the watch I'm gonna open it up and show a wristwatch drawn on paper
Yeah, I really doubt we'll reach the 500 minimum. For what it's worth, I could go for 25 of them (if there's a chance to actually make it to 500) otherwise I'd have to stick to painting them myself or find someone that can do a custom anodizing.
I managed to figure out how the webbing is made and I have to say it's clever and stupidly obvious. They went for herringbone webbing which also goes under the name "soft herringbone tape" and "Horse Blanket Binding". It's interesting because it can me either cotton or acrylic that is supposed to "feel like cotton" as advertised. What they got was two sizes, one 45mm herringbone (the V-shape) for the Nautic buckles + Cobra Compact at the belt, and another (guessing 25mm) without the herringbone weave as the Molle.
I can't upload pictures now, but at the front where the webbing goes from 45mm to 25mm they just folded it and sewn it double thick where it is 25mm. It's not obvious at first glance which is brilliant!
Edit:
And I just can't find the right one
It's either not 45mm and grey or it's 45mm and every color but...
I won't be able to make it to the states so my goal is to attend my local ComicCon Stockholm 2016 here in Sweden.
They have this on display at the Landmark in West Los Angeles! (yeah, we get all the cool stuff)
Just had my phone, I'll head back with a nicer camera soon!
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This thread is already 27 pages? Wow.
Is it already too late to rejoin the party? Dragon Con 2016 is too far for me.
I really think the base of the chest/back plate and the backpack is foam fabricated. I believe the front was printed but the base is about 1/2" thick (eyeballing) and is curved exactly like EVA foam curves around the body. The backplate also just isn't very cleanly made, as if it were made out of foam instead of 3D printing it. I may take this into consideration when fabricating the master for my mound.
I think you're right.
Just got back from the movie theater - SO GOOD - and I was thinking it certainly doesn't look as rigid/sturdy as it does in pictures. In fact, it almost looks flimsy in some shots.
And on that note, the one or two times you see him really bending his knees or elbows and the armor bends pretty far with him...maybe *all* the armor is foam, just different thicknesses?
I guess that makes the helmet the most difficult part of the costume.
I don't know how FBFX did the armor or helmet but I bet they're willing to answer any questions being asked about their beautiful work
Especially the inside and it's functions, getting the LEDs to work and the ventilation. The helmet got alot going on indeed. I also noticed some sort of construction helmet looking head rest inside the helmet
Yates turned to FBFX, a U.K. special effects firm that also manufactured space suits for Yates on Scott’s 2012 sci-fi adventure, “Prometheus.” They used vacuum casting to mold the helmets; their visors were crafted by a company that makes headlights for Aston-Martin and Bentley vehicles.
For surface explorations, Yates blended the look of a motocross racer’s suit, with its reinforced knee and shoulder pads and a high-tech hard-shell yoke. “We did a huge amount of 3D printing on fabric,” said Yates.
“We had to pack the helmet with 1,000 L.E.D. lights in order to light them. And we had wired them for sound so they could hear Ridley and speak to each other,” Yates said. “Then we had to keep them alive—so they had two huge air pumps in the helmet, and the batteries in the backpack.”
For all of the high-tech work that created the frame of the suits, human hands gave them their realistic finish. Yates credits the work of associate spacesuit costume designer Michael Mooney and her crew’s hand-applied dot gradient designs on the fabric surface.