Star Wars: The Rise of Skywalker (Pre-release)

I don't want to drag this into a Last Jedi debate anymore, it would seem, than you do.. there was already a billion long post thread about that.

However, the problem Rian Johnson faced, as I see it, is that all of that mystery box stuff that JJ planted was, like I said, distractions from the main story. Star Wars has always been at its best when the plot is simple and straightforward. A New Hope set that bar high. Practically nothing in that film was a sidetrack from plot. Whereas there were so many plot points in Force Awakens that were distractions.

Rey's parents? The only reason they were a blip on anyone's radar was because JJ dangled that thread for fans to play with. Why is this even a thing we are supposed to pretend matters unless it's going to become central to the story? But it wasn't, because Force Awakens was clearly focused on the mystery of what happened to Luke.

Snoke must be important. The only reason this was a blip on anyone's radar was because JJ dangled that thread for fans to play with. Why was this even a thing we are supposed to pretend matters unless it's going to become central to the story? But it wasn't, because Force Awakens was clearly forcused on making Kylo Ren the central antagonist.

The point being, JJ *could* have settled these things with small scenes/moments and moved on to let us focus on the main story and the main conflict. We could have been told early that Rey's parents were nobody. A small exchange could have revealed Snoke had always been in the shadows, waiting to overthrow Palpatine. The fact that fans were focusing on details like these in the gap between Force Awakens and Last Jedi is the fundamental flaw in JJ's execution. He created a situation where fans were more invested in the side quest stories than the main story.

I'm not interested in debating whether or not Johnson made the right choices. We all have our opinions and no one is going to change anyone else's mind. And given the subjective nature of film, no one's opinion is any more right or wrong than anyone else's.

But the fact is, he was left with a pretty frayed tapestry to deal with.

I think we've already seen Rey's parents
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I just like Star Wars. I’ll see the movie. I hope it’s good. I liked TFA. TLJ wasn’t my favorite, but I still want to know where the story goes.

I ended up liking Solo. The stuff about the actor didn’t take away from my enjoyment.

No idea what I’m in for. If there was no internet, I’m sure I’d show up 2-3 years later pumped that there was a new movie. I just hate the bickering.
 
I just like Star Wars. I’ll see the movie. I hope it’s good. I liked TFA. TLJ wasn’t my favorite, but I still want to know where the story goes.

I ended up liking Solo. The stuff about the actor didn’t take away from my enjoyment.

No idea what I’m in for. If there was no internet, I’m sure I’d show up 2-3 years later pumped that there was a new movie. I just hate the bickering.
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First look at some concept art and reference images from Episode IX via a Reddit leak.

Some cool aliens, Lando (sporting a familiar outfit), Rey, Poe, and Kylo Ren (with repaired helmet!).

Leaked Episode IX Concept Art and Reference Photos : StarWarsLeaks

I'm so happy to see Kylo's helmet back, and the image seems to confirm he's repaired it with some sort of red adhesive/weld. It has a very kintsugi vibe to it, which I dig. I also love the cloak w/ hood look. Very regal. I don't like Rey's costume as much as I did in TLJ, but the all white color way is pretty cool. Poe looks exactly like Nathan Drake from Uncharted 3 haha.
 
And that is complete BS to do. I shouldn't have to read ancillary materials to complete the main story. They should only be there to expand on the story or create new adventures, but not to complete the original narrative from the Theater. If I have to read every book and comic, watch every cartoon or short, surrounding an event because they couldn't or won't explain or intelligibly expose(sp?) it in a two hour movie, then I'm wasting my time with the movie to begin with.

I should have been more sarcastic when posting that. I totally agree having to buy a book to understand a movie/show is terrible
 
I should have been more sarcastic when posting that. I totally agree having to buy a book to understand a movie/show is terrible

You’re good. I know you weren’t condoning it from the rest of your post. I should have included “if they do.” To the end of my first sentence.

It doesn’t matter if Disney does it, ANY content creator that wants to utilize that tactic is terrible.
 
ANH - the emperor is mentioned. Didn't make people ponder endlessly about the emperor. Didn't detract from Vader being the big bad even though the emperor and Tarkin out ranked him.
ESB - we got the head of the emperor - again, people weren't begging for his backstory. Again, didn't detract from anything know the emperor was the big bad, not vader.
ROTJ - we get the emperor in his fully glory - People still weren't clamoring for his backstory

Right, but the point is that these unanswered threads weren't becoming the focus of the story. After ANH, no one knew if there was ever going to be another film. Lucas didn't even know, so he structured it as a one-off just in case (which is why, narratively, it has a number of elements out of place with the rest of the films). But we really had nothing major unanswered by the end of the film, except Vader escaping. We just had a lot of little world-building facts.

When ESB ended, the fan focus wasn't "who is this Emperor guy and where did he come from?" or "I need to know Yoda's backstory." The conversation following that film was "HOLY **** VADER IS LUKE'S FATHER"-- exactly where it needed to be to move the story along.

The problem with Force Awakens is that the questions people SHOULD have been asking all along were "what is awakening in the Force," and about Luke and just what was going on with him. Those are literally the primary story points from the title and opening crawl. Instead, JJ glossed over this "awakening" in the Force (making people mad about why Rey was able to get powerful) and didn't make the mystery of Luke seem all that important (because he knew it was already getting solved -- JJ isn't interested in solved mysteries), so the narrative instead makes too big of a deal of these side threads.

So after the film, everyone is wanting to know Snoke's backstory, or endlessly speculating about who Rey's parents must be. And this is a problem, because this is not where the story was ever meant to go. Those were meant to be side details. Interesting, but ultimately unimportant to the primary narratives of: Why did Luke vanish and what's going on with the Force?

It was so messy, in fact, that Rian Johnson had to spend so much time trying to clean up that nonsense that not enough emphasis was given to Luke's story and people are still confused about what was going on with him. Hint: it wasn't a character assassination, it was about Luke making a mistake. He never "ran away." He initially went to Ahch-To looking for answers. While there, he came to the mistaken conclusion that the only way to break the cycle was to remove himself from the equation and not train any more Jedi. In a very Luke move, he was attempting to sacrifice himself, and just like his decision to leave Dagobah early, he didn't consider all of the implications of his plan.

All of that is there in the film, but it's competing against the noise of having to deal with the Snoke and Rey problems, and the need to either snip those threads or try to tie them back into the story.

I'm not a Last Jedi hater, but I do concede that the film is a mess in a lot of ways. It's a mess that was inherited by the fractured storytelling from Force Awakens.

One thing I will give George Lucas credit for is that he had the ability to just wave his hands and Jedi mind trick us into just not caring about continuity issues from previous films. He was bold enough to throw the "well, Vader did kill your father.... from a certain point of view" nonsense in our faces and we could either just deal with it or GTFO. I feel like that's what Johnson was trying to do with Snoke's backstory and Rey's parents, but it backfired on him because fans had already been obsessing too hard on those issues to be willing to accept anything less than detailed continuations of those threads.

To bring this back to my original concerns about the next film, I worry that JJ won't be able to stop himself from doing his mystery box thing. What I feel needs to happen is for the next film to just accept where things are and focus on telling a tight story to conclude the trilogy. The only two things it should be worrying about are how the Resistance is going to rebuild and take on the First Order, and what this awakening in the Force means for the galaxy. Anything else would be an unnecessary distraction at this point in the game.
 
I agree. But the fact that they carry a weapon that they themselves designed suggests that they would come across enough conflicts to necessitate being armed.

Ideally yes they would use it for defense and never for attack, but there is nothing to suggest that they can't kick ass defending themselves or other innocent by standers.
 
Snoke paralleled the emperor. People were curious about a backstory more because of 'how did this guy turn Ben', not because they had to know. As I said, we still don't know palpatine's really. People thought there might be more to him, but RJ opted to not have more too him.

Rey's parents maybe had more legs in that they're shown from the waist down, so we know they exist and left. We didn't know Lukes parent's existed, we simply assumed both were dead and frankly, it was never flatly stated the mother was, in fact, dead. Leia says she died, but that's BS because she died when Leia was a whole 30 seconds old. For 20 years, mom being alive or dead was actually an open question, but it didn't deride anything.

Part of Rey's issue's is that she struggles with her identity because shed doesn't know who she is. If you want to believe Ben and RJ, TLJ tells her, she is who she it and she shouldn't care about her parents as they abandoned her. It doesn't detract from anything other than people who wanted them to be something more.

Another bit of storytelling is you leave some things up to the imagination. You answer some, but not all questions that arise. The questions you answer don't always have a satisfactory answer either.

As I said, the problem with laying out the questions is, you dont' control the answer if you're not in control of the whole story, which JJ was not.

Again, i have no problem with Snoke. He served a purpose, but just wasn't fleshed out very well. The emperor in the OT wasn't fleshed out any more either. If you ignore the the one line reference in ANH, the emperor/snoke stuff lines up pretty much.

ESB - hologram to Vader to instruct him to go get luke, TFA - hologram to instruct kylo/Hux
ROTJ - EP visits with vader on the DS/ TLJ Snoke visits with Hux and Kylo
ROTJ - EP tells vader luke will come to him, TLJ - Rey comes to Ben (both thinking they'll turn the other to kill EP/Snoke)
ROTJ - EP teases luke about killing his friends, TLJ Snoke teases Rey
ROTJ - EP tortures Luke, TLJ Snoke tortures Rey
ROTJ - Vader kills EP, TLJ Ben kills snoke (though for different reasons)

We get no more info about one or the other, yet one is a screw up on JJ and the other is completely acceptable.

Now, maybe with a huge internet following in the 70's/early 80's we trash GL for not giving us more about the emperor. Who knows. But apples to apples, there doesn't seem to be a lot of difference.

People speculated about those things because that's what you do when you have 2 years between part 1 and part 2. FFS, go back and check some chat logs on Harry Potter forums between books. The amount of things discussed ad naseum for miniscule clues dwarfs anything in this thread. They just kept looking and didn't trash the prior parts as the reason.

If you answer everything in Part 1, there's no need to have part 2.
 
Right, but the point is that these unanswered threads weren't becoming the focus of the story. After ANH, no one knew if there was ever going to be another film. Lucas didn't even know, so he structured it as a one-off just in case (which is why, narratively, it has a number of elements out of place with the rest of the films). But we really had nothing major unanswered by the end of the film, except Vader escaping. We just had a lot of little world-building facts.

When ESB ended, the fan focus wasn't "who is this Emperor guy and where did he come from?" or "I need to know Yoda's backstory." The conversation following that film was "HOLY **** VADER IS LUKE'S FATHER"-- exactly where it needed to be to move the story along.

The problem with Force Awakens is that the questions people SHOULD have been asking all along were "what is awakening in the Force," and about Luke and just what was going on with him. Those are literally the primary story points from the title and opening crawl. Instead, JJ glossed over this "awakening" in the Force (making people mad about why Rey was able to get powerful) and didn't make the mystery of Luke seem all that important (because he knew it was already getting solved -- JJ isn't interested in solved mysteries), so the narrative instead makes too big of a deal of these side threads.

So after the film, everyone is wanting to know Snoke's backstory, or endlessly speculating about who Rey's parents must be. And this is a problem, because this is not where the story was ever meant to go. Those were meant to be side details. Interesting, but ultimately unimportant to the primary narratives of: Why did Luke vanish and what's going on with the Force?

It was so messy, in fact, that Rian Johnson had to spend so much time trying to clean up that nonsense that not enough emphasis was given to Luke's story and people are still confused about what was going on with him. Hint: it wasn't a character assassination, it was about Luke making a mistake. He never "ran away." He initially went to Ahch-To looking for answers. While there, he came to the mistaken conclusion that the only way to break the cycle was to remove himself from the equation and not train any more Jedi. In a very Luke move, he was attempting to sacrifice himself, and just like his decision to leave Dagobah early, he didn't consider all of the implications of his plan.

All of that is there in the film, but it's competing against the noise of having to deal with the Snoke and Rey problems, and the need to either snip those threads or try to tie them back into the story.

I'm not a Last Jedi hater, but I do concede that the film is a mess in a lot of ways. It's a mess that was inherited by the fractured storytelling from Force Awakens.

One thing I will give George Lucas credit for is that he had the ability to just wave his hands and Jedi mind trick us into just not caring about continuity issues from previous films. He was bold enough to throw the "well, Vader did kill your father.... from a certain point of view" nonsense in our faces and we could either just deal with it or GTFO. I feel like that's what Johnson was trying to do with Snoke's backstory and Rey's parents, but it backfired on him because fans had already been obsessing too hard on those issues to be willing to accept anything less than detailed continuations of those threads.

To bring this back to my original concerns about the next film, I worry that JJ won't be able to stop himself from doing his mystery box thing. What I feel needs to happen is for the next film to just accept where things are and focus on telling a tight story to conclude the trilogy. The only two things it should be worrying about are how the Resistance is going to rebuild and take on the First Order, and what this awakening in the Force means for the galaxy. Anything else would be an unnecessary distraction at this point in the game.
You might find this interesting

 
Rey's parents maybe had more legs in that they're shown from the waist down, so we know they exist and left.

Part of Rey's issue's is that she struggles with her identity because shed doesn't know who she is. If you want to believe Ben and RJ, TLJ tells her, she is who she it and she shouldn't care about her parents as they abandoned her. It doesn't detract from anything other than people who wanted them to be something more.

I don't believe Rey's parents were ever shown from the waist down.

And I feel I need to remind that Rey is the one that says her parents were nobodies. Ben simply adds that they were filthy junk traders.
 
As I said, the problem with laying out the questions is, you dont' control the answer if you're not in control of the whole story, which JJ was not.

I don't think we're too far off from agreement here.

Maybe a better way of getting at what I was trying to say is exactly what you said here: JJ was not in control of the story.

The title of the film and the opening crawl told us the things the story should be about: this "awakening" of the Force, and whatever happened to Luke Skywalker. But the actual film itself doesn't really seem all that concerned with either of these. They are just as vague notions in the film as who Snoke is and where Rey came from. There really aren't any definitive clues to tell us, as the audience, where our focus should be.

So by the end of the film, we've got all of these mysteries and zero answers. And what's worse, not really any significant insight into which questions we should consider to be the important ones.

Among the people who disliked The Last Jedi, a lot of them put blame on Rian Johnson. But the reality is that he came into a story that really had no cohesive focus and he had to try to figure out how to take all of these different story directions and put them on the same path. Some think he failed, some think he succeeded. That's the subjective part. Objectively, though, anyone coming into that project would have had a tough time figuring out how to reign in the focus.

I agree with you that you don't go answering all the questions in part 1 if your plan is to have a part 2. However, the problem with franchise filmmaking is that you then run the risk of creating stories that are *too* open-ended. You have to answer *some* questions so that each individual film can have a beginning, middle, and end, while leaving the main plot to the long form storytelling of a trilogy.

And again, we're back to the question of the day: Can JJ Abrams, a man who usually loses interest in finishing the stories he starts, actually finish this one?
 
I always interpreted that line as ILM/Disney telling the existing fans they're killing off all connections to the past

No that's Ben(Anakin) telling Rey(Padme) to let the past go. To come with him so that they can create their own order, and rule the galaxy.
 
If you go back many moons ago, before the dark times, before the Rian, when there was a coherent synopsis and story for the new trilogy starting with EP7, youll find out Rey was to be an incarnation of the Balance of the Force being both good and bad in one Yin Yang being, she had no parents. The "junk traders" were just that. Newborns used to be abandoned often back in the day IRL, my own grandfather was one. He was dumped on a farmers porch, cord still attached and covered in mama juices. It was a diffent world in the 1920's. With Rey picking up the Force and mastering a lightsaber faster than a Nintendo cheat code, its clear as day when those force powers reveal themselves in EP7 her demeanour turns to anger and aggression... she ended up just confused in EP8 even while raising a blade to Luke, but if the Balance of the Force Rey is to come back in EP9, she would not only be the Last Jedi but also the Last Sith. If you swap that order you may well end up with another trilogy, say one set back 1000 or so years, where its more a middle/dark ages setting where the Sith had the Yin Yang Balance of the Force leading the way for the bad guys, whom may or may not have been the original Knights of Ren, it becomes more and more apparent things were set in place with even the most basic back story even if it be one unwritten at the time. It wont surprise me, as ive prior said, if EP9 ends on a form of cliffhanger to be revisited in ten years real time with a new trilogy of EP10-12.
 
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