Actually, I must admit that at the beginning I DID NOT exactly have the how in mind, but a little experience gained with other jobs in the past helped me, together with the possibility of carrying out the necessary tests at least on the inner sleeves.
I admitted that it's not exactly like the typical gray of scenes like Voight-Kampff File/Wallace Corp/Joshi's office etc, but I was more looking for a resemblance to the cloudy exterior shots like Mesa and the beginning of the film, without losing too much of its shine (which comes out especially when it takes in a little water, returning almost the same as before), and its tone still remains dark, and I must say that today, having just woken up and it well finished drying, all in all, I'm even more satisfied than last night, I can hardly believe it myself, the work was so unpredictable, tense and complicated.
I thank everyone, a particular thank you to
Mechanismo with whom I had constant contact, we stressed each other out over the smallest details, and probably without this, I would not have been encouraged to get this far.
Jameel Ur who provided the dark color based laminated coat, with some gaps but still all the effort put into this thread in trying to optimize the construction details of the model, which I imagine is never easy since I made a coat myself and I'm not a real tailor, but I only have a few (albeit fairly well-founded) skills; I could suggest him to follow some proportions indicated by Mechanismo (we found ourselves with different views on some things, but generally he took us with insightful analysis, although reviewing the models is a complex and technical job), to increase the thickness of the lining which in fact, after having used the coat a little, I still find a good insulating effect but it is easily compromised in the structure and would fill the coat a little better making it even more SA an also (not needed for me) warmer (I think it will be the only detail that I could still deal with later, if necessary and I have time and opportunity,it'd be worth it especially for the shoulder-sleeves part to be uniformly padded), and of course, if he found a laminated duck like this (therefore the canvas of the film which probably also has greater sturdiness than a twill base fabric like this) , maybe already in the right color, would be the best...
Probably it is even possible to use some grey further improving the color to reach an even more SA level,but I think I had enough and I've been lucky enough,so as a well-known Italian singer said...I wanna live without ever asking too much at chances.
At the moment it seems perfectly fixed (after two wash cycles,the fur keeps the worked result perfectly, and also the coat).
I've just tried to re-wet the collar,and the result is always the same yersterday (shine and darker aspect comes back to fabric,fur darkens when wet as SA rain scenes).
Fully satisfied.
Yes,I find a bit more challenging to start from a very dark color,but maybe even safer (it'd be easy to do messes on bright colors to cover with something darker,you might not have so much room to cover if you can't do tries on a very similar fabric).
That good,I think it is also that it seems perfectly stable when washed,but for other times,I will go handly as it should be on kinda stuff (supposedly,no more washing machine cycles...waxed or simply dirtied up clothes are a bit more complicated for that: you'll risk having a need for repeating the dyeing process every time you wash it if not carefully and properly I don't even know how).