Marvel Films vs. DC Films: My opinion (POSSIBLE SPOILER WARNINGS)

CB2001

Master Member
Okay, there are a lot of comic book movies that I've grown up seeing. And I will admit, I've grown up reading comics as well, as I'm sure a lot of us here will also admit. But when it comes to Facebook, someone asked me a question that I had no choice but to give my opinion on: Why is it that Marvel films are doing better than DC films?

Now, this is my opinion and I know someone is going to disagree with me. But here's the reason why I think Marvel films are doing better than DC films: When I was growing up reading the comics, it was during the 1980s and some of the 1990s. It's in my recent years that I have come to find and embrace older issues and comics. But there was one thing I've noticed when it comes to Marvel in comparison to DC comics, especially in the more recent years: Marvel is still fun, while DC has gotten way too serious. Granted, Marvel does has its occasional dramatic moment, but it never loses its sense of fun and wonder. DC, however, seems to take itself way to serious (I think this is primarily because of the work of Alan Moore and Frank Miller, who basically redefined the superhero genre in comics and made the Dark Knight really dark and showed us the flaws in the superhero concept with Watchmen). Even though Marvel and DC has gone slightly more serious over the years, Marvel still tries to hold on to what makes comics fun (hell, Deadpool is a great example of that. Even though he's a psychotic gun for hire with a great healing factor and an inability to die, he doesn't take himself as seriously as Tony Stark, Captain America, Spider-Man or the X-Men do, reminding readers of a period of time in which superheroes were fun).

Now, looking at the films, the same is true with Marvel films. Let's look at Iron Man 3 for Marvel. Even with its more dramatic situations, most in part to Tony Stark's psychological trauma caused by the events of The Avengers, the film is overall a fun joyride and we get to see how Tony Stark works in a situation with his back against the wall even when his suit doesn't. The same is true with any of the Spider-Man movies: Peter Parker carries the burden of being responsible for his uncle's death, but all the other situations we see in the films are still rather enjoyable, even the more dramatic ones when the odds seem to be against Peter. This is something that goes as far back as the cartoons from the 1970s from my own personal observation.

Okay, now let's look at DC's stuff. They started off being rather fun with their stories when it comes to their films, namely Superman: The Motion Picture in the 1970s and a little bit with Tim Burton's Batman and Batman Returns during the 1980s. Even the animated shows and movies are enjoyable, even to now. However, thanks to Christopher Nolan and Zack Snyder, the two of them have single-handedly made these films even more serious than they needed to be and barely give anything enjoyable in return. I get that for Nolan, by adding realism to The Dark Knight trilogy, he's shows how it could be plausible for Batman to exist in a real world environment. However, by doing so, we lose some of the fun with this character, showing it's much more terrible to be a masked vigilante like Batman and removed almost all of the positive aspects of his contributions to the city he serves. Man of Steel, to me, is just bad at being serious as The Dark Knight films. It was like they were trying to turn a superhero movie into a drama, sucking the life and wonder of the Superman character clean out of the story. As a result, he pseudo-intellectual struggle we see him in at the start of the movie, going through various odd-jobs and trying to maintain a low cover. And then, the struggles of making himself known to the world when Zod and Company come looking for him, and yadda-yadda-yadda, he wins a big battle against the big bag. And it's all forced drama. The only scene that does work, and barely at that, is the scene with the bus crash, where a young Clark Kent is forced to choose between saving everyone on the bus and risk his secret being exposed or to let everyone drown and allow his secret to be safe (which in turn establishes his mentality of putting other people's lives before his, which is a true classic superhero trait). But like I said, it barely works. Everything else is just forced drama that doesn't allow for people to connect or enjoy the film in the same manner as a Marvel film (or even in the same manner as you would enjoy Superman films of the 1970s).

To me, that's why I feel that DC film adaptations aren't doing as well these days and Marvel adaptations are thriving. DC were doing well in the past because the movies were fun, but their insistence of making their work more dramatic is hindering them, leaving Marvel to succeed because of how they balance drama and fun with their films.

Of course, this is just my opinion, and like I said, I know there's going to be a few people here who will disagree with me. And I probably will even get shunned for my opinion, but that is me. I ask that if we continue to discuss this particular topic, all I ask is that we keep it as a discussion.
 
Marvel is willing to let other people take on their properties whether the previous films were successful or not. DC will stick with the same gawddang team and give them reign over everything as long as one of their movies made money.

Marvel just green lit a series starring a female character who has her name as the show's title. DC won't even give the world's most iconic female comic book character her own series, let alone her own movie universe.
 
Well I get utter shat for this but.....

I think DC just sucks when you compare it to Marvel or even other smaller comic companies,they have always been the second rate comics that made it,really when I was a kid they were neck and neck with Gold Key comics,nothing wrong with them just not really a big thing,also they have never had more then a handful of really successful characters i.e. Batman,Superman,The Flash,Green Lantern and Wonder Woman.

They can't pull it together and never will because outside of those five the rest are so outlandish and childish that making the change to live action would suck...hell even with them I have a hard time with Superman,always thought his movies boring.

But they can do two things if they really wanted to try:

First work on making really,really good films for those five-knock it out of the park otherwise you're DOA chump.

Second admit you have a small bunch of majors and that your best stuff is the smaller guys and one shots i.e. Johna Hex,Hellblazer,Warlord et cetera work with that instead and you may have a hit on your hands.
 
I think Marvel films are more successful because they're currently better than the DC films.
 
As someone who never was into comics and is only familiar with the characters from cartoons and the movies, I have to say I like the Marvel movies better. I do like Batman as a character, but that last Batman was just awful and boring. Out of all the superhero characters, I'd say Capt. America was probably my least favorite, because well he just throws a shield around. After watching the first Capt. America (haven't seen the new one yet) and Avengers I have to say I really like the character. I can't say that any of the DC movies have done that. Plus the Marvel movies have a lot of humor. For example, Tony Stark poking Bruce Banner to get him to turn into the Hulk because he wanted to see it was just great.
 
To be fair, until the Marvel studios started reclaiming their characters, their representation by Fox, Sony etc... has been as inconsistent as DC.
In this setting the scales were tipped in favor of DC only because of Nolan's Dark Knight.

TDK was a grim, well-conceived realm of tortured souls. It was a powerful representation which was at its best in the second film. But, by the third film it really started to approach self-indulgence.
Many die-hard Nolanites say TDK is more "mature" than anything from Marvel studios. I disagree. In fact IMO relentless angst and pathos more characteristically adolescent than mature.

I find the current Marvel fare more intellectually engaging because the relationships are just more interesting.
 
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Does DC own all its properties? Or is it like Marvel and some are owned here, and some are owned there?
 
Does DC own all its properties? Or is it like Marvel and some are owned here, and some are owned there?
I think all DCs are Warner Brothers.

It seems they've been committed to doing origin stories and reboots each generation indefinitely because it's been a working formula since Donner did Superman. Their characters are iconic enough so they're guaranteed a core audience with every SuperBatman reboot. If it ain't broke don't fix it.

Marvel's move to build a comic universe is a brilliant game-changer. It made me realize that the DC/Warner formula would have us still watching Batman/Joker/origin reboots forever (with the occasional Penguin, Riddler or Bane). Now DC is trying to play catch-up in a big way but, in their haste, I think they're making a couple of missteps (e.g. Gotham). Maybe it's because the core folks at Warner's aren't comic folks at heart - which can explain some bizarre creative choices (e.g. Green Lantern). I can't imagine Warner's creative team stepping down unless they're going to swallow their arrogance and recruit some comic folks into the fold.

Marvel Studios already understands and appreciates their product. It also seems they have also been finding good directors who know comics or actually have read comics as kids. I was surprised when Branaugh said he read Thor comics as a kid (No I don't believe it was just publicity - he seemed quite credible). Joe Johnson did a great job with The Rocketeer (which is a vastly under-recognized classic. The Russos still collect comics and will talk endlessly about the Captain America and Falcon comics they grew up with. Of course I can't think of anyone more qualified than Joss at bringing it all together. Disney is also smart enough to let them run their own game.

DC finds good directors who seem more interested in using the genre to introduce their personal creative vision/reinterpretation which, as we've seen can be hit or miss. At it's best we get The Watchmen or TDK. Still, the fundamental problem with multiple creative interpretations is that, by definition, there is no singular coherent vision to bind them together. I think DC's Super v Bat has great potential. It's smart for them to skip the Bat-reboot and jump straight into a story. I hope Bat-fleck is smart enough to do a completely different interpretation otherwise he's going to come off as a caricature. The DC TV shows seem like a jumbled mess.

Marvel has a 10+ year head-start with universe-building. DC would be better off not trying to copy their approach but to build with a different strategy - which they're attempting but stumbling a little out of the gate. In this race DC seems like a bunch of talented,independent street racers trying to learn track racing. Marvel already has its drivers, mechanics and pit crew.
 
Does DC own all its properties? Or is it like Marvel and some are owned here, and some are owned there?

DC's parent company, (Time at that point) was bought by Warner Brothers in 1989 and even before that, WB had the rights to Superman/Supergirl.

The only "recent" DC-based movies that haven't been produced by WB is the Swamp Thing movies.

As for why Marvel is doing better, I think you guys have more or less nailed it. The movies are interesting, the characters and their relationships are compelling, and the writing, by and large, has been really tight. I'm probably one of the few on the board who's been enjoying Agents of SHIELD from day one, but I feel like it's been a nice quasi-standalone link to the rest of the MCU and I'm really looking forward to what they're going to do with Peggy Carter's series.
 
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Come on, if you think TDK didn't have deep meaningful relationships, I think you need to reexamine what is meaningful.

So Tony Stark and Bruce Banner vibed in Avengers? Gee, I wonder why? Two scientists?

Now look at the dynamic between, Joker, Batman, and Two-Face. Joker is a irreconcilable villain, yet every fiber of Batman's being prevents him from offing Joker. Two-Face and Harvey Dent. Justice and injustice. He offered swift and (supposedly) blind justice. In reality he took his twisted sense of justice and made it something senseless and violent.

I dunno, deeper characters, I disagree, funner characters in Marvel films, sure. They all seem to enjoy their quick quips.

I think alot of DC characters just aren't people we can relate to. Superman, godlike guy. Wonder Woman, godlike Amazonian, chokes men out for answers. Martian Manhunter??? WTH?

Someone who is a true comic buff can probably name some deeper characters than those three, but really, they seem second rate to Marvel's. Although I wish they would have exposed Stark's alcoholism more.
 
The difference between Marvel and DC is really quite simple.

DC's characters are iconic. They are examples of everything we want to be.

Marvel's characters, on the other hand, are flawed and possess more humanity than DC. They are more relateable than DC characters.
 
So Tony Stark and Bruce Banner vibed in Avengers? Gee, I wonder why? Two scientists?

I don't think Tony Stark's a scientist. He says when Rogers asks him what he'd be without the suit: "Genius, billionaire, playboy, philanthropist." Wouldn't "scientist" have been one of those terms if he were one?
 
By that logic, Bruce Wayne isn't Batman unless he states it...while breaking the fourth wall, and looking at the camera.
I don't think Tony Stark's a scientist. He says when Rogers asks him what he'd be without the suit: "Genius, billionaire, playboy, philanthropist." Wouldn't "scientist" have been one of those terms if he were one?
 
I don't think Tony Stark's a scientist. He says when Rogers asks him what he'd be without the suit: "Genius, billionaire, playboy, philanthropist." Wouldn't "scientist" have been one of those terms if he were one?

Definitely not a scientist, he's a tech guy which means that he's more of an engineer.
 
It all boils down to the leadership team - Marvel Studio films are led by guys who know the source material and have had enough film experience to know what works, whereas DC films are led by studio execs at WB who probably have never picked up a comic book in their lives and haven't given top creatives at DC enough filmmaking experience to know what translates well to film. I wouldn't say it's the source materials because look at the mess that Sony's doing with Spider-Man (Marvel's publication top dawg) at the moment, and Sony has Avi Arad in their camp who's very clearly passionate about comic books but can't seem to avoid taking on a Joel Schumacher campy approach to CBM adaptations. You need at the very least source material knowledge, filmmaking experience, and a sense of what the audience likes to get even remotely close to where Marvel Studios is today.

DC's advantage in animated features is another piece of evidence pointing towards this. Correct me if I'm wrong but I think it's pretty evident that Jay Oliva has a lot of creative control over animation and look at what he and his team's been able to accomplish there. Possibly the same with the Arkham video games. If WB wants to compete more effectively in film, they're going to have to give their DC folks the reins so they can figure out a road map and pick their own talent. There might be some learning pains but Fiege and his team sure as heck didn't learn how to make movies overnight, they got the benefit from participating on all those licensed deals with Sony, Fox, and New Line over the years before they produced Iron Man.
 
It simply comes down to how much money is put into the movies and who is controlling them.

Marvel has made the smarter decisions, while DC has not. DC will get one good movie out, and milk it so hard it disgusts the fans and franchise.

End result (and proof), look at the movies.

It has NOTHING to do with which super hero is better, or anything like that.
 
Come on, if you think TDK didn't have deep meaningful relationships, I think you need to reexamine what is meaningful.

So Tony Stark and Bruce Banner vibed in Avengers? Gee, I wonder why? Two scientists?

Now look at the dynamic between, Joker, Batman, and Two-Face. Joker is a irreconcilable villain, yet every fiber of Batman's being prevents him from offing Joker. Two-Face and Harvey Dent. Justice and injustice. He offered swift and (supposedly) blind justice. In reality he took his twisted sense of justice and made it something senseless and violent.

I dunno, deeper characters, I disagree, funner characters in Marvel films, sure. They all seem to enjoy their quick quips
if you're referring to my post I never claimed that the Nolan relationships weren't meaningful. Certainly the relationships are layered but, by the third film I was starting to get a little weary that each was another moral parable.

I also think Marvel characters offer more than just a bunch of "quips."

The Avengers (and other Marvel films) don't always get credited for being "mature" simply because there's a good deal of humor.

When I speak of interesting relationships I also mean some not-so obvious ones:

The Black Widow - it's interesting if you consider that her entire persona is often a conscious confabulation. She is supposedly adept at manipulation. That's why she's entirely unsettled when she has to deal with the Hulk who is pure rage. Where she cannot engage an individual she's essentially powerless which adds to her peril when he first Hulks out. Her relationship with Hawkeye is very intimate only because he's the only one who has seen who she really is (alluded to in The Avengers).

People have commented that she might have a thing for Cap in The Winter Soldier but my take is that true-blue Steve is a curiosity to her. She is flirtatious because she's trying to push his buttons in the way she knows best. Much later she allows herself a bit of sincerity.

Banner and Stark - dissimilar in temperament but interesting because Banner the only one who Stark seems to tolerate. Maybe it's his intellectual elitism but their interactions describe an engaging bromance. It's probably not a vital plot point but it does flesh out these characters to human dimensions.

In many ways it's at least as difficult to write for dissimilar human characters and their interactions than it is to write for iconic-godlike characters in moral crisis.

I always knew Cap would be an excellent vehicle for modern sociopolitical criticism. He's the ultimate "Mr. Smith Goes to Washington" archetype. I believed they were going to explore that with The First Avenger, but what they did was much smarter. They allowed his background WW2 to breathe in its own movie before hitting the home run with The Winter Soldier. Folks who compared the two films missed the point that they're both a part of the same story.

Loki's relationship to his brother and family. He's a tragic figure but fascinating because, aside from his serious daddy issues, he has an apparent paradoxical and touching attachment to his mom. The fact that she was killed really opens the door for him as a villain again.

It's the many different types of character relationships in Marvel that keep it interesting for me.

DC is still about pathos and moral conflict. But don't get me wrong. I still think TDK is brilliant and visually staggering, but it's also refreshing to also see representations of social/intellectual class conflict (even between allies), political/ethical conflict and even basic representations of love (Steve and Peggy) and camaraderie (Steve and Sam) which add to the dimensionality of every Marvel character.

Of course Marvel has some weaknesses, too. I think there's only so much you can do with Jane/Thor. In fact it seems that Jane really encumbers the story. It's something in the books that doesn't seem to translate well on screen.
I think alot of DC characters just aren't people we can relate to. Superman, godlike guy. Wonder Woman, godlike Amazonian, chokes men out for answers. Martian Manhunter??? WTH?

Someone who is a true comic buff can probably name some deeper characters than those three, but really, they seem second rate to Marvel's. Although I wish they would have exposed Stark's alcoholism more.
i agree completely.

When RDJ was announced as Stark I was looking forward to the treatment of alcohol/substance abuse - I thought he was ideal.
 
By that logic, Bruce Wayne isn't Batman unless he states it...while breaking the fourth wall, and looking at the camera.

But Bruce Wayne is Batman. He does state it several times, "I'm Batman" in various different films and mediums too. But you don't see him proclaiming himself to be a scientist.
 
I don't think Tony Stark's a scientist. He says when Rogers asks him what he'd be without the suit: "Genius, billionaire, playboy, philanthropist." Wouldn't "scientist" have been one of those terms if he were one?

Definitely not a scientist, he's a tech guy which means that he's more of an engineer.
As a former "scientist" myself I agree that Stark isn't, technically, a scientist.
It doesn't mean he's not bright enough, but an inventor/tech/engineer/designer/futurist is not necessarily a scientist. One difference is that Banner is probably published and Stark probably isn't.

Let me put it this way...

Stark is Wolowotz.
Banner is Koothrappali.

behold Iron Man and The Hulk.

howard-and-raj-big-bang-theory.jpg


(The parallels are actually pretty surprising.... even Raj's pants are purple!!!)
 
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