Jim Henson's Labyrinth - My Collection (Sept 2024 Update: Poisoned Peach Prop Replica)

KOMakesThings — I recently saw this book and am wondering if you have it? And if so, is it worth the purchase?
Ha, well bear in mind that I'm definitely biased to buy anything with the Labyrinth logo slapped onto it, but I do think the Visual History is worth picking up. It's probably the best collection of behind-the-scenes info about Labyrinth out there, even as a fan of many years there was a good deal of info that I hadn't read before. I'm happy to have added to my shelves and I'd definitely recommend it for any other Labyrinth fan.
 
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Ages ago I got a resin helmet kit from LunaArmorWorks on Etsy, it sat in my to-do pile for the longest time but I finally got around to finishing and painting it up. It's been so long since I bought this helmet that LunaArmorWorks doesn't sell it anymore, so I'm grateful I picked it up when I did because I don't know if I could've made something this cool all on my own!

Once I started working on this one, it was pretty easy to put together. I added a few additional details with apoxie sculpt and bondo before priming and sanding the helmet. I used a few different spray paints and masking fluid to get the chipped paint effect, then dusted on chalk pastels to add to the worn look.

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The hardest part of this project was trying to figure out how to make a faux chainmail hood, which you don't even see in the glamour shots. I used a dollar store rug gripper, I dyed mine red with Rit Dyemore because I thought it might save me the effort of painting it (only for me to paint it anyways because I realised I should make it silver with red drybrushing to get an aged effect to match the helmet).

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I really love how the first photo I shared turned out, can you believe I took that in my kitchen? I don't know if I'm just kidding myself, but I feel like it actually looks like it was shot outdoors. I don't think I've shared some of the behind the scenes photos on the forums before, so here's a sneak peek in to the madness that goes into each shot.

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Here's a few more glamour shots:

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Ages ago I got a resin helmet kit from LunaArmorWorks on Etsy, it sat in my to-do pile for the longest time but I finally got around to finishing and painting it up. It's been so long since I bought this helmet that LunaArmorWorks doesn't sell it anymore, so I'm grateful I picked it up when I did because I don't know if I could've made something this cool all on my own!

Once I started working on this one, it was pretty easy to put together. I added a few additional details with apoxie sculpt and bondo before priming and sanding the helmet. I used a few different spray paints and masking fluid to get the chipped paint effect, then dusted on chalk pastels to add to the worn look.

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The hardest part of this project was trying to figure out how to make a faux chainmail hood, which you don't even see in the glamour shots. I used a dollar store rug gripper, I dyed mine red with Rit Dyemore because I thought it might save me the effort of painting it (only for me to paint it anyways because I realised I should make it silver with red drybrushing to get an aged effect to match the helmet).

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I really love how the first photo I shared turned out, can you believe I took that in my kitchen? I don't know if I'm just kidding myself, but I feel like it actually looks like it was shot outdoors. I don't think I've shared some of the behind the scenes photos on the forums before, so here's a sneak peek in to the madness that goes into each shot.

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Here's a few more glamour shots:

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I was convinced it was shot outside. Love the chipped paint effect!
 
Outstanding! Such a cool project! Thanks for sharing your process and giving us a look behind the scenes! I like the detail you added around the base of the spike - great detail!
 
Outstanding! Such a cool project! Thanks for sharing your process and giving us a look behind the scenes! I like the detail you added around the base of the spike - great detail!
Thank you! Overall LunaArmorWorks did a great job with the helmet sculpt, but the missing metal tear around the spike was the most notable inaccuracy that I had to rectify. But I wanna give him a ton of slack there, a good clear shot of this particular helmet is hard to come by in the film so I totally understand how it was missed. It's probably a good thing he didn't make the other colours of helmets because I would've had a hard time saying no to picking the rest of them up.
 
I don't have a new Labyrinth prop replica to share, but I do have an old goodie that's been remastered in a way. I made a very in-depth tutorial on how to make one of my Labyrinth Firey Plush replicas for Youtube, so I figured I'd share it here in case anyone's interested in trying to make their own.

 
Cool video, Thanks.

Looking at the pix on your blog it dawned on me the he looks like a Kowakian monkey-lizard.
Ha, y'know I never made that connection before, but I can totally see it! Whenever I'm making one of these guys there's always a point where they look exactly like Cyril Sneer from The Raccoons.
 
Feeling pretty proud of how my latest 3D printing endeavour is coming along, so I thought I'd pop a sneak peek into the threads. Currently printing out my take on the Jareth statue that appears in Sarah's bedroom. I've tried to make it as screen accurate as I can based on photos of the prop that are available online. There's definitely room for improvement but after many months of futzsing with the model I decided to heck with it, I wanna get this guy printed. Gonna be a bit longer before all the pieces are done printing, plus I need to sand and paint everything... so might be a while before this guy is finished.

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Here are the results of my 3D Printed Jareth statue! This is my second attempt at this prop, the first attempt being hand sculpted with Super Sculpey a few years ago. I'm a little embarrassed by that old build, but at least that means my eye for quality has improved since I last attempted this replica.

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This was a fairly run-of-the-mill 3D printing project... just print, process, and paint! I'll share a few images of the in-progress prop build, I don't wanna go too in detail because this is already a hugely photo heavy post with the glamour shots alone, I'm happy to explain anything further for folks if anyone has questions.

Here's Jareth, pre-paint (And before all the putty was sanded down). Printed on my Elegoo Mars 2 Pro printer, which is not the biggest printer out there so it was a bit of a pain in the butt to get everything printed in a timely manner.

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I sanded, applied some filler primer spray, sanded again... then primed with Tamiya white primer. I used alligator clips stuck into a cardboard cat scratch box to hold everything up during painting, which is a tip I got from Studson Studios on Youtube. A lot of the information I got about how to paint and assemble Jareth came from GK Model painters like Leona's Workshop on Youtube (Stuff like how to use Tamiya putty, and how to pin models). I used a bunch of Tamiya paints for this project, happy to provide a list of what colours I used for anyone who's interested.

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Everything got a base coat of paint before being dry brushed, then sealed with some Tamiya semi-gloss sealant.

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I did two rounds of glamour shots for this one, one super moody and dark and the other a bit lighter.

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I probably missed it but what sculpting software are you using?

I am impressed with the lack of stepper lines. Did you pre sand before taking pictures or are you getting this level of smooth directly out of the print?

And .... WELL DONE!
Excellent edition to the collection. It would be well worth its own full thread so I assume you have another thread going that I didn't see?
 
I probably missed it but what sculpting software are you using?

I am impressed with the lack of stepper lines. Did you pre sand before taking pictures or are you getting this level of smooth directly out of the print?

And .... WELL DONE!
Excellent edition to the collection. It would be well worth its own full thread so I assume you have another thread going that I didn't see?

I use Blender for my 3D modelling needs! I did a fair amount of sanding before the painting stage, in the pre-painted pic of Jareth I mostly focused on sanding off the blemishes caused by removing the printing supports. The prints themselves were pretty smooth and were I not planning on using a semi-gloss sealant I might've gotten away with not sanding at all, but I knew the gloss would make any spots I missed super obvious. The cape required the most sanding, not just because it was in several pieces... I left it fairly low poly because my old laptop felt like it was gonna burst into flames as I was working on the Jareth sculpt. I thought since the cape didn't have a ton of detail I could leave it low poly and sand it later... and yeah that was true, but also I feel like I damn near sanded my thumb off getting it smooth.

As for threads, I just have this one for my Labyrinth stuff. No idea if that was a good move or not, but it does make it fun to go back to the earlier posts in the thread to see how much I've improved since I started posting here.


Gorgeous! The crystal ball ties it all together nicely. Always a treat to get an update in this thread!


Thank you! The crystal ball is the same marble I used in my first Jareth statue project. When I can I like to reuse pieces as a sort of "passing of the torch" moment between my prop builds.
 
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Here's another redo of one of my earliest Labyrinth projects. Ages back I made Hoggle's fairy sprayer, it was one of my earliest prop replica projects. I made it out of a Balloon pump, cardboard tubes, styrofoam spheres, clay, and craft foam.... which is basically how I made this updated version as well, I just did it a lot better this time around.

The screen-used sprayer showed up in a recent exhibition in Australia so with the help of Facebook I finally got my hands on some decent photo references:

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For the wooden handle of my build I used some pieces of wooden candlesticks (Leftovers from earlier prop replica builds) and glued them together. Later on I coloured the wood with some watered down brown acrylic paint, with some chalk pastels dusted onto the edges for a bit of aging.

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The body of the sprayer was made from a balloon pump, with a cardboard tube as an extender. The cardboard ring that helps to hide the joint between the balloon pump and the sprayer is the inner ring of a roll of washi tape, which just so happened to be the perfect size to fit around the larger cardboard tube. I slathered everything cardboard with multiple layers of wood filler, sanding it smooth between coats.

This obviously would've been a lot easier to do if I just started with a single PVC pipe to make the body of the sprayer, but I was pretty dead-set on reusing the balloon pump from my first Hoggle sprayer build. I've mentioned this before, but I like including pieces of the original prop replica in my redo projects as a "passing of the torch" thing (And also I just like knowing that my sprayer can actually spray out a puff of air when the handle is plunged).

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The reservoir on the sprayer was made using one of those 3.5 inch wide poster shipping tubes, with a hole cut out for the cap. The cap was made from a juice bottle, which was pretty close to the shape of the screen-used prop (I just had to scrap off/sand down the little ridges on the side of the cap). I glued the threads of the cap into the shipping tube, so the cap can actually screw on and off (Not that you'd want it to, but fun to know it's an option).

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The domed sides of the reservoir were made by stuffing styrofoam half spheres into those little plastic end caps that came with the shipping tube poster, with sculpey clay used for the little petal details and craft foam for the raised circles. I customized a clay cutter for the petal shapes so they'd all be super consistent, I found one that was a fairly close rounded rectangle and then tapped with my hammer around a wooden dowel to taper the shape.

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The little detail on the top of the sprayer (Which I theorize is meant to be a stylized representation of a fairy) was made of more sculpey clay. The front piece of the sprayer (Where the nozzle fits into) was a leftover floor protector from some shelves I bought that just so happened to fit perfectly, and the nozzle is the nozzle from the balloon pump which I trimmed down.

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The two tubes fit together with a wooden dowel. For the paint job I used a filler primer spray, Rustoleum metallic gold spray paint, and then applied some aging with a custom mixed acrylic paint. Last thing I did was apply a bit of gold gilder's wax, and I was done!

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Really happy with these photos, it really goes to show what the magic of proper lighting and a bit of photo editing can do to elevate a prop replica. The bricks were just pink insulation foam cut to shape and glued onto some dollar store foam board, the "dirt" are some dollar store yoga mats that I covered in multiple layers of glue and sand... the vines and leaves were craft store finds, and the fairy was some iridescent film ironed around some wire, and glued to a small spherical LED described as a "Balloon light" in the listing I purchased from. Every shot had at least 2 or more shots combined with it to duplicate the fairy (And I also took some shots with an additional balloon light glued to a stick that I'd hold close to the sprayer so I could get those additional light reflections from the fairies).

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I have no idea what she is like, but you seriously need to send pics of this to Jennifer Connelly and see if she could come by for a look and some photos.

I normally don't care about celebrities, signatures, etc., but seeing her amongst your collection would be cool.

Maybe get her to bring her old nose. She looked so much better with it and a few extra pounds.
 
Fantastic! I appreciate the extra "behind the scenes" of your photography!
Thank you! I like including them because they really reinforce that point I mentioned earlier, of how lighting can really elevate a prop. I'd definitely recommend any prop makers give photography a try as well, it's a really cool experience to not only make a prop but be able to photograph it in a way that makes it look like it's ripped directly from a still of the original movie.

I have no idea what she is like, but you seriously need to send pics of this to Jennifer Connelly and see if she could come by for a look and some photos.

Thanks! That's a very cool thought, though I highly doubt she'd ever be interested in trekking to my tiny place in Canada ha ha. But if she were to ever come to a local convention I would definitely consider bringing a few items to the photo op/autograph session to show them off to her.
 
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