I have no idea how to make a master mold

Scream 31

New Member
As the title suggests, I have absolutely no idea how to make a master mold. I've looked for countless hours online for a simple, step-by-step rundown on the process, and I've not really found what I'm looking for. I'm at the point with my props where I definitely need to start considering making mater molds of my designs. I use latex and USG No. 1 as my main materials. A complete breakdown of the process would be immensely appreciated and probably save me another few weeks or months of scouring the internet. Thanks in advance!
 
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When you're talking about a master mold you mean a mold and a casting that ensures you always having an original to remold if your working mold wears out?.
This would involve obtaining a master copy, silicone or urethane rubber that you can always remold with plaster. There could be a pair of ways to go, if I understood well what you are after.
 
When you're talking about a master mold you mean a mold and a casting that ensures you always having an original to remold if your working mold wears out?.
This would involve obtaining a master copy, silicone or urethane rubber that you can always remold with plaster. There could be a pair of ways to go, if I understood well what you are after.
Yes, you've got the idea. I need to be able to remold my pieces both to increase production speed and guarantee I'll always be able to make additional molds in case of an accident or breakage.
 
Ok.
The goal is to achieve a mold and a master casting in a durable material.
As for the casting urethane rubber was used before platinum silicones came out, but now there is the platinum silicone option too. You want a flexible/soft material as the molds you will be using in your final process are USG No 1, rigid plaster. So the rubber should be more likely to be flexible foam filled. To aid easy demolding without damaging the plaster.
Also you want a rubber with negligible shrinkage to preserve dimensions, moreover if your final casting material is latex, that shrinks in a high percentage, and you don't want your final latex castings to reduce even more compared to the original. This suits urethane rubber and platinum silicone.
I don't know if you are familiar with these rubbers. Urethane rubbers need release agents to be casted and molded. Platinum doesn't, except to release from itself. On the other hand Platinum silicone inhibits with different chemicals, and one that really hurts is latex and the sulfur it carries.
I'm saying this because that might tell you what molding materials and process to choose.
Now, what are you after?. Will you be starting from a clay sculpt or are you after making master copies of what you already have?. Depending on that you will have to see if you can go with rigid molds all the way or if you need a silicone flexible mold at some point.
If you start with the sculpt you could mold it in a good rigid and stable material. For example acrylic resin, epoxy+fiberglass...and cast in platinum silicone filled with a good flexible foam and then remold that in USG 1. The hardness/flexibility/stiffness of the rubber and foam will have to do with the shapes and undercuts in the design.
If what you want is remolding what you already have, your latex castings are most likely shrunk so it's not and option for remolding. It would result in smaller castings at the end (could be problematic for masks for example). If this is important in what you are doing. Also your plaster molds are contaminated with latex so you can't cast platinum silicone in them in first instance. You might have to cast urethane rubber in them, sealing and releasing the dang out of it as it's like glue and plaster is porous (it will grab like hell if not sealed and released), and then remold that casting.
Another option is using a silicone mold (platinum better) in first instance, on a sculpt or a rubber casting . Then you would have a durable mold to cast almost anything in it (not latex, hard to do) and remold those castings. Another option is Tin silicone (no release either), but a small contraction rate. Maybe not important in what you are doing, it depends.
This is the general process but there could be many workarounds and options, so I think the first thing is to know what exactly you are working on (masks, props...) and what the designs and necessities are. Also, what are the gaps, and the techniques you are not familiar with so we can help. I understand you do make molds with plaster, so that's a good start.
 
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It helps everyone to understand the problem better if you post a picture of what you want to mold.

There is NO “one size fits all” with mold making. How can a forum provide any answer to a random question without knowing what materials were used in the model? What is the intended casts? What is your budget?

Mold making materials, such as RTV, clay, fiberglass, and resin are all $$!



As stated above, www.SmoothOn.com has a video library that can provide additional information
 
When I used to mass produce rubber masks I would sculpt the original in sulfur free oil based clay or WED clay. I would make a thick and strong two-piece mold from Ultracal 30 with Hardner and burlap reinforcement.

This was my master mold from which I would produce a silicone casting. This was touched up to remove seams and any flaws. This was my master positive used to produce one piece production molds using #1 Molding Plaster.

As the plaster molds wore out, new ones were made from the silicone master casting. Although it never happened, if that silicone master was damaged, I could produce another one from the original mold which was stored safely for archival purposes.
 

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