Hi, I'm new here. Not so new to make up effects, sculpting and props making and I've managed to achieve a lot with economy materials and things I've adapted for my own use.
I'd love to get a comparison from any of you with more experience of the popular sculpting clays used in make up special effects.
When it comes to clays, I've only ever used ordinary wet clay and plastilene for my sculptures and after reading up on the subject came across names like Chavant, Le Beu Touche (?) and WED (Walter Elias Disney) and notice they seem very popular.
Being from a bronze foundry background, I'm used to using traditional grey buff and 'Newclay' nylon reinforced water clays, various waxes and 'plastilene'. I've done wet plaster modelling too. My 'freelance' techniques vary widely depending on the pattern I'm making but I've never invested in any of the expensive clays.
I discovered recently that if I add silicone oil to 'Newplast' plastilene, it stays soft, yet firm, ready to go without the need to warm it and I've found I can blend it smoothly with white spirit. So I wondered if this might be similar in principle to the Chavant NSP and Le Beu Touche materials? Or am I just wildly guessing here?
I've just landed a budget for a cool and exciting project which means I can use the 'best of the best' if I so wish. I am known for my keen pricing, due in part to my ability to make best use of a budget by buying my materials direct through industrial suppliers rather than art/ craft hobby shops.
Ideally, I'd like to try samples of oil clays and WED and see how they differ and compare with what I already use. I'd love to know what other people prefer and why.
Thanks for your time and I look forward to reading your replies.
Best wishes from the UK!
Dr. V
I'd love to get a comparison from any of you with more experience of the popular sculpting clays used in make up special effects.
When it comes to clays, I've only ever used ordinary wet clay and plastilene for my sculptures and after reading up on the subject came across names like Chavant, Le Beu Touche (?) and WED (Walter Elias Disney) and notice they seem very popular.
Being from a bronze foundry background, I'm used to using traditional grey buff and 'Newclay' nylon reinforced water clays, various waxes and 'plastilene'. I've done wet plaster modelling too. My 'freelance' techniques vary widely depending on the pattern I'm making but I've never invested in any of the expensive clays.
I discovered recently that if I add silicone oil to 'Newplast' plastilene, it stays soft, yet firm, ready to go without the need to warm it and I've found I can blend it smoothly with white spirit. So I wondered if this might be similar in principle to the Chavant NSP and Le Beu Touche materials? Or am I just wildly guessing here?
I've just landed a budget for a cool and exciting project which means I can use the 'best of the best' if I so wish. I am known for my keen pricing, due in part to my ability to make best use of a budget by buying my materials direct through industrial suppliers rather than art/ craft hobby shops.
Ideally, I'd like to try samples of oil clays and WED and see how they differ and compare with what I already use. I'd love to know what other people prefer and why.
Thanks for your time and I look forward to reading your replies.
Best wishes from the UK!
Dr. V
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