Well, I'll start off by cleaning up a quote from my dad...Opinions are like buttholes. Everybody has one, but that don't mean I want to hear from yours.
So here's mine...
Superman- More of what we saw in MoS. I didn't hate the film, but it didn't do anything to elevate the character. Nothing great, but I don't hate it, & I'll explain why i give it a pass in a bit.
Wonder Woman- WW was GREAT in battle, but I really can't see her carrying a solo film. Affleck isn't Lawrence Olivier, but to me, the Diana Prince/Bruce Wayne scenes just seemed awkward, & it wasn't his fault.
Batman- Here's where I differ from most, as I loved the portrayal of both BW & the Bat. It was definitely a departure from what we've seen before in a live-action film, but the reasoning behind it made sense to me.
First, we've never seen a Batman in this stage of his career. He's been doing this for over 20 years, he's suffered major loss since his time as Batman started & it's taken a huge toll on his psyche. The constant dreams/visions are evidence that he might be breaking. He's the last man standing in the war he's been waging, & that's made his decision making vulnerable, to the point someone like Luthor could manipulate him to the point he was. By the end, he's been renewed by seeing the sacrifice others were willing to make. It inspired him knowing that he's actually NOT alone in his crusade. He knows that there's something a LOT bigger coming as a threat, & he's going to be ready.
To address some of the issues others have pointed out-
The killing-You have BAD MEN attempting to do BAD THINGS. If in stopping them, they die, then so what? I go back to what Bale said in Batman Begins to Neeson, he didn't have to kill him, he just didn't have to save him. I'll admit, this has a bit of my personal feelings in it, too. You have a carload of teens that rob/carjack/kill/etc, then when being pursued by the police, they're in an accident, & some or all of them die. Here come the parents, social activists, & the professional outraged, declaring what a tragedy that these innocent young people died. They put themselves ina situation where there could be circumstances that would cause them harm.:confused
It was a departure, but not surprising,as I still don't see where he killed anyone.
The origin- I felt it fit, because it was part of the dream at the beginning. It was necessary to show the state of his mind, since although it has been 35-45 years ago, he's STILL haunted by it on a daily basis. It wasn't to tell it to us, it was to give us a glimpse in his head, & it's messed up.
Lastly, here's my take on the visions. I'm thinking Martian Manhunter. He's being held somewhere, & is trying to warn someone of the coming alien threat. That threat being Darkseid bringing Parademons & turning the Earth to another Apocalypse. He is able to reach Bruce, but Bruce's obsessions put Superman's face on the 'alien threat'.
The Flash vision sounded a lot like the Animated story from the 90's show, where Lois died, & Clark took it upon himself to declare himself the law.
My final thought is that the problems most people are having are because of DC's decision that every single iteration of their character is valid, because each iteration is separated by the Multiverse. This version of Batman is not the comic Batman. It's not the one from '66, from GOTHAM, from the Nolan films, from the Animated series, but they're ALL still BATMAN. It's just that EACH Batman is forged by the Universe he lives in. I showed my brother the first Nolan film, & he didn't even finish it, because he grew up in the mid-60's, & Adam West IS the one & only Batman.
Not saying this to belittle anyone's opinion or thoughts, but if you don't like the universe where these stories are happening, then you're not going to like the characters, & vice-versa.
I haven't seen the film, but based on your description, here's a thought.
You describe a Batman who has been, basically, the lone superhero/costumed vigilante, battling a tide of darkness for the last 20 years, watching friends die, seeing his efforts go to naught. Set against him, you have the Last Son of Krypton, one of the purest symbols of hope there is. The story COULD be that Batman's breakdown (and related killing) is actually a plot point. You highlight that it's against his code. You highlight that he's
abandoned his code. You highlight that he's become paranoid, vengeful, and willing to use a "by any means necessary" approach to fighting crime. He's not quite the Punisher yet, but it wouldn't take much for him to go that far. You showcase how the destruction wrought by Superman in Metropolis against Zod made Batman realize he
had to take down Superman. He was just another criminal like the thugs Batman normally fights, only a much, much bigger threat. All of that is your backdrop for Batman.
Set against that, you have Superman, who truly
is a boyscout and is trying to do the maximum amount of
good. If you want to show conflict, showcase how Superman is anguished by the suffering caused by the battle of Metropolis. But, he's still trying to be the purest version of good that he can. He's trying to be a beacon of hope.
It
sounds like the movie sorta-kinda-maybe attempted to do this, but dropped the ball because Superman came across as a *******, instead of a guy who truly wants to do good and is truly good, yet is also heartbroken about the damage caused in Metropolis. In the end, though, the point would be to have Superman be a true symbol of hope and goodness, and to ultimately provide the vehicle for Batman's
redemption where he re-adopts his "no guns, no killing" code. You make him realize how far he's fallen. You have him learn that Superman really isn't the bad guy here, and you have Superman convince him ultimately of his pure intentions.
To do that, though, you need to really understand Superman. You need to recognize that Superman does things because (A) it is his obligation to do so and one that he feels keenly, (B) because he really, truly believes in doing good and inspiring the rest of the world, and (C) because Superman doesn't deal in expediency; he deals in moral purity.
The problem is that comparing Superman to ****** is just...wrong. Snyder seems to want him to be ****** in the garden of Gethsemane, but that's not the character, or at least it shouldn't always be. Superman should be, by this movie,
convinced of his own duty and the rightness of his cause, but he shouldn't be ruthless in pursuing that. People should misunderstand him because
the people themselves have lost the sense of doing what is good because it is good.
I used to love Batman as a teenager. He's the ultimate power fantasy. He's rich, he's exceptional at everything he does, and he does it all on his own drive and desire (and his handy fortune).
Over time, though, as I got older, I came to really appreciate Superman more. It's not because he deals in moral absolutes, but rather because he fights for good in spite of the difficulty. He recognizes the fact that the rest of the world isn't always kind, doesn't always care, and isn't often willing to do the right thing, but he keeps fighting anyway. Superman is, ultimately, more
noble than Batman, and that's what I appreciate about the character. Ultimately, I think a good movie with the above premise would be about Superman's nobility inspiring Batman to turn back -- ever so slightly -- towards the light. To not lose hope. To fight the good fight again, rather than the most effective fight.
It doesn't sound like that's the movie Snyder made, though.
I laughed a lot...
... then I actually felt bad for BA. He's a good actor who is as big a Batman fan as anybody here. And he, no doubt, put his heart and soul into his performance of a once in a lifetime role, but has no creative control over the film that the director plants him in. After so many years invested he's got to be at least a little heartbroken. I feel sorry for him. It's no fault of his that he hitched his wagon to Zach's falling star.
Affleck is a fantastic actor who was bedeviled in his early career by either a crappy agent or his own crappy decisions. But when given the opportunity, the man shines. Check out Hollywoodland if you want to see him at what I think is his best.
I think we all can agree though, they showed all the cool stuff in the trailer. Am I only one bothered that this was basically a Batman/Bruce Wayne movie? Bats is all the rage right now, but honestly, I am sick of him. I love him in the DCAU because they dont over use him, but man, even suicide squad is going to have Batman in it. If done correctly, DC has a kick ass stable of heroes. Im sick of Batman getting the spotlight the entire time. Hell, this was supposed to be a sequel to MoS...Than it got bat-jacked.
- - - Updated - - -
This was great by the way, thank you! :lol
I think the real issue is that the
version of Batman that DC has been emphasizing is all grimdark, and doesn't seem to have a shred of optimism in him. That just gets tired after a while. Ultimately, that's the strenght of the Justice League as a whole. The personalities balance each other out. But you still need that sense of optimism and hope.
Blue Lanterns forever, man.
It's where you alter the speed of the shot. Snyder did it a lot in 300 and Watchmen, the parts where it's suddenly go slow motion or fast motion.
I don't remember any of it in this film.
It's a gimmicky technique, not dissimilar from the freeze-360-pan thing that The Matrix made famous. It's cool in limited use, but most of the time it's used wrong.