Gimpdiggity
Master Member
You're absolutely right. And the way Maeves story is told is a great way to do it. But Dolores and Lawrence? Dolores might as well be a guest at this point, and how is it possible to move her to the office for a chat without the guest noticing?
Again, you're kind of missing the point. Dolores is our main character that is learning what she is. At this point she's basically a participant in something that she doesn't really know what it is, and she's slowly becoming more and more aware of what's going on around her.
As for moving her to the office, you're putting too much faith in the continuity we're being shown as actually being chronological.
For example:
At the end of Episode 3 we see Dolores stumble across William and Logan's camp while they are out on their bounty hunt. Then, we started Episode 4 with Dolores talking to Bernard about her parents getting killed. After she finishes this conversation, we then see her wake up back in William and Logan's camp.
There is nothing in the show that has said this conversation is taking place in real time. For all we know it's a flashback to a previous conversation that Dolores had with Bernard before William and Logan even got to Westworld for their trip.
Wetwired said:Lawrence loop is broken but noone seems to mind, certainly not Lawrence who just continues like nothing happened.
How is Lawrence's loop broken? It's been well established that hosts stay on loop unless they have been interacted with by a guest which takes them off of their loop.
Lawrence, very clearly, is being interacted with by a guest...
Wetwired said:Too many liberties are taken with the premise established in episode one and the the questions keep piling up. Yet we have the same exposition over and over again which doesn't lead to any answers. It seems it's "Lost" all over again. I think I made it to episode seven of that show before I gave up, let's see if "Westworld" can do better.
What premise exactly are they getting away from? Everything you're criticizing is well within the bounds that have been established by the narrative.