Things you're tired of seeing in movies

Shaky-cam and bad writing. Those are the two biggest problems I have with movies, right now.

Oh, and as popular as "dark, grounded, and gritty" is today, I'm really sick and fracking tired of it. I mean, when you even have to dilute Superman to suit "modern" audiences' taste; that's a real shame.
 
Stories watered down or altered beyond recognition from the original. - I will probably never quite forgive Verhoeven for what he did to Heinlein's _Starship_ _Troopers_. - And just WHAT possessed WHO to turn /The/ /Mask/ from its original comic book story (dark & psychotic) to a vehicle for Jim Carrey, for the love of God?!? That was one of my favourite short-series comics (Dark Horse, ca. 1987) which got HOPELESSLY butchered in translation! There are a couple of other DH properties I'd really like to see put on screen someday - but if they're going to get that treatment? Pass. (/Trekker/, /Black/ /Cross/, /Concrete/, and /Bob/ /the/ /Alien/ all come readily to mind. Hell, I'd just love to see a pretty girl do a good cosplay of Mercy St. Clair from /Trekker/ someday...)
 
How about when someone is holding a firearm, a person/creature with amazing strength grabs the barrel and bends it while the bad guy is holding the other end?
Firearms are made of metal that probably wouldn't bend very far anyway, and don't they realize that the normal person on the other end would also have to be strong enough to bend the thing as otherwise it'd fly out of their hands?
 
Sword fights and Lightsaber fights, (i'm looking at YOU, Prequel Trilogy...) where they can never lay a blade on each other, yet, somehow, a kick or a punch always gets through.....HOW????

Rich


Its because your always keeping your main focus on the blade / weapon at hand. So in doing so you are not ready for a leg to kick you after a block. Same goes for the punch during a fight.
 
Stories watered down or altered beyond recognition from the original. - I will probably never quite forgive Verhoeven for what he did to Heinlein's _Starship_ _Troopers_. - And just WHAT possessed WHO to turn /The/ /Mask/ from its original comic book story (dark & psychotic) to a vehicle for Jim Carrey, for the love of God?!? That was one of my favourite short-series comics (Dark Horse, ca. 1987) which got HOPELESSLY butchered in translation! There are a couple of other DH properties I'd really like to see put on screen someday - but if they're going to get that treatment? Pass. (/Trekker/, /Black/ /Cross/, /Concrete/, and /Bob/ /the/ /Alien/ all come readily to mind. Hell, I'd just love to see a pretty girl do a good cosplay of Mercy St. Clair from /Trekker/ someday...)

I so agree with this. Latest contender for this was World War Z. Phenomenal book turned into a hopeless mess of a movie. Max Brooks must have face palmed hard when this hit theaters.
 
Its because your always keeping your main focus on the blade / weapon at hand. So in doing so you are not ready for a leg to kick you after a block. Same goes for the punch during a fight.
Concur. Same goes for a knife fight - anyone who knows what they're about knows that you don't do a primary strike with the blade - you slip a punch through their defenses while they're distracted by the knife, to distract them from being stabbed (Saith a veteran of knife fights.) Most people can't keep track of both hands a the the same time - which is what makes the longsword/shortsword combination so effective (all you've got to do is focus on their eyes - see what they're following, use the other to strike.) Doubled knives are subject to the same principle (which is why I usually have at least two blades on me.)
 
I was so happy when multiple-screen stuff finally vanished from movies (it was really common up to the 70s). I'm also hoping that shaky cam will die out in the same manner, the sooner the better!
 
"Twist" endings. I am no longer even slightly impressed by them in film or television or really any artistic work. Usually, though, that's because the attempt to craft a twist ending results in a crappy story being told in between the start and the ending.

Plus, it seems really overused now.
 
"Twist" endings. I am no longer even slightly impressed by them in film or television or really any artistic work. Usually, though, that's because the attempt to craft a twist ending results in a crappy story being told in between the start and the ending.

Plus, it seems really overused now.

I'm a fan of them when used properly. The end of Dexter season 4 was downright traumatic.

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How about when hero or Group ..ect.. always end up putting entire objective that is far more important than any one person in jeopardy to save one person/kid/love interest...ect... Like nukes will go off or world will end ..ect ... But no we have to go get Timmy ... Really grinds my gears


Who is John Galt...
 
Too many shows are twist-driven. You can sense they're going to completely jerk something around a couple times a season. Its usually a severe reversal of a character, and that usually feels like a cheap trick at the writing level.
 
I hate it when they add sound to the fork/spoon hitting/scrapping the teeth...does anyone actually eat like that?
 
"How about when hero or Group ..ect.. always end up putting entire objective that is far more important than any one person in jeopardy to save one person/kid/love interest...ect... Like nukes will go off or world will end ..ect ... But no we have to go get Timmy ... Really grinds my gears " Spoofed/lampshaded heavily (and humourously!) by Krisfaluci with his "Powdered Toast Man" character on Ren & Stimpy.... ;)
 
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