Wolverine.
Sword fights and Lightsaber fights, (i'm looking at YOU, Prequel Trilogy...) where they can never lay a blade on each other, yet, somehow, a kick or a punch always gets through.....HOW????
Rich
Sword fights and Lightsaber fights, (i'm looking at YOU, Prequel Trilogy...) where they can never lay a blade on each other, yet, somehow, a kick or a punch always gets through.....HOW????
Rich
Stories watered down or altered beyond recognition from the original. - I will probably never quite forgive Verhoeven for what he did to Heinlein's _Starship_ _Troopers_. - And just WHAT possessed WHO to turn /The/ /Mask/ from its original comic book story (dark & psychotic) to a vehicle for Jim Carrey, for the love of God?!? That was one of my favourite short-series comics (Dark Horse, ca. 1987) which got HOPELESSLY butchered in translation! There are a couple of other DH properties I'd really like to see put on screen someday - but if they're going to get that treatment? Pass. (/Trekker/, /Black/ /Cross/, /Concrete/, and /Bob/ /the/ /Alien/ all come readily to mind. Hell, I'd just love to see a pretty girl do a good cosplay of Mercy St. Clair from /Trekker/ someday...)
Concur. Same goes for a knife fight - anyone who knows what they're about knows that you don't do a primary strike with the blade - you slip a punch through their defenses while they're distracted by the knife, to distract them from being stabbed (Saith a veteran of knife fights.) Most people can't keep track of both hands a the the same time - which is what makes the longsword/shortsword combination so effective (all you've got to do is focus on their eyes - see what they're following, use the other to strike.) Doubled knives are subject to the same principle (which is why I usually have at least two blades on me.)Its because your always keeping your main focus on the blade / weapon at hand. So in doing so you are not ready for a leg to kick you after a block. Same goes for the punch during a fight.
Shaky-cam and bad writing. Those are the two biggest problems I have with movies, right now.
"Twist" endings. I am no longer even slightly impressed by them in film or television or really any artistic work. Usually, though, that's because the attempt to craft a twist ending results in a crappy story being told in between the start and the ending.
Plus, it seems really overused now.
Sadly, it was almost all downhill after that. :facepalmI'm a fan of them when used properly. The end of Dexter season 4 was downright traumatic.
Sadly, it was almost all downhill after that. :facepalm
I'm a fan of them when used properly. The end of Dexter season 4 was downright traumatic.
Sent from my SGH-I317M using Tapatalk 2