Well, it's about timing: you don't speak with your mouth full of foodSo, to take a bite and then chew it and swallow it...and then speaking your lines...time is money!
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You just described my children.Every time an actor "plays" with their food it REALLY pulls me out of the scene. Like constantly picking at it with a fork, moving it around on the plate, trying to NOT have to actually "eat" the food.
Given how many takes a single, even brief, scene can take, can you really blame an actor for not wanting to eat the food in a given scene? That one shot you might see in the finished scene on screen could easily have been take 11 out of 16. Would you really want to eat what's probably cold food for a potentially countless number of takes?Every time an actor "plays" with their food it REALLY pulls me out of the scene. Like constantly picking at it with a fork, moving it around on the plate, trying to NOT have to actually "eat" the food.
I totally understand the practical on-set reason for this scenario.Given how many takes a single, even brief, scene can take, can you really blame an actor for not wanting to eat the food in a given scene? That one shot you might see in the finished scene on screen could easily have been take 11 out of 16. Would you really want to eat what's probably cold food for a potentially countless number of takes?
When my father was making movies (that was his passion, as a hobby on the amateur circuit in Europe) the crew was OCD about continuity!!I don't care about minor continuity problems. If that glass moved on the table, who gives a crap? I'm more concerned about errors that are game-changing, that make the movie make no sense and a lot of that is in the script, not on the set.
You have fake movie set food and drink bottles. Plates are glued to the table so nothing gets "moved". Nobody touches it at all during the scene, they simply hold their utensils and lean over while speaking to each other. All cups would be opaque so you could not see the changing quantity of liquid within.When my father was making movies (that was his passion, as a hobby on the amateur circuit in Europe) the crew was OCD about continuity!!
Sometimes I wonder how a simple thing like two people eating/drinking at a table for a scene can be so messed-up by the pros
If they can't take care of such simple shots how can you count on them for the complicated ones?
All good points have been made about it: timing, practicality, food getting cold between takes, editing the best scenes during that part of the movie, etc... But, how come we could do it, us little amateurs, and the pros couldn't do it?
Which would mean that the solution to the second complaint (continuity issues) was solved by and is the reason for the original complaint (actors not eating the food in the scene).You have fake movie set food and drink bottles. Plates are glued to the table so nothing gets "moved". Nobody touches it at all during the scene, they simply hold their utensils and lean over while speaking to each other. All cups would be opaque so you could not see the changing quantity of liquid within.
What's even worse is when it's on military personal equipment. Why would send out troops carrying things that are lit up all over, lighting them up like a Christmas tree.And since I'm ranting... why does EVERYTHING in a sci-fi universe have to have lights on it. I noticed in the last couple of episodes of Mandalorian... EVERYTHING had lights. I get that you want to make something mundane look sci-fi... but we're living in a world now where LEDs are common place, so it's not impressive anymore. Just have normal props doing normal things. A box can be just a box with lights on it.
Yeah, just like EVERY space suit in sci-fi has to have lighting on the face of the person in the bubble helmet.What's even worse is when it's on military personal equipment. Why would send out troops carrying things that are lit up all over, lighting them up like a Christmas tree.
Yeah, just like EVERY space suit in sci-fi has to have lighting on the face of the person in the bubble helmet.
What's even worse is when it's on military personal equipment. Why would send out troops carrying things that are lit up all over, lighting them up like a Christmas tree.
Yeah, just like EVERY space suit in sci-fi has to have lighting on the face of the person in the bubble helmet.
On "Space: Above and Beyond" it was especially vexing on a show that tried better than other military sci-fi concepts in other ways, to have lights on the faces of those trying to move tactically.
I'd never thought about that. All the NVGs I wore (usually PVS7s) had eyecups and I never once saw a green glow on someone else (and for sure they'd pick up such a glow if you could see them). I think the movie NVGs are orders of magnitude brighter than the real ones so you can see that glow.They often do that with NVGs in movies. I've never worn them, but I would assume you don't see the eye pieces lit up because you'd just shoot at the green circles in the dark.