I loved this movie as an art piece, but would have rather DVR'd it, than pay $10 to see it. This is definately a character study, and it is told though visual images, rather than dialog. George says very little in this movie and shows no facial expression of any kind. He is sullen and melancholy throughout the entire movie.
I can tell you why I liked it: It was the anti-Bourne movie, with no fast paced camera shaking, but rather very well crafted visual images to create the mood. First off, this is shot in Italy, where I think George lives. It was probably nice to just drive down the road to go to work. As such, it has the Sergio Leone feel to it, of the Spaghetti Western, and that even gets a nod to the viewer, as we see one on the TV in the bar. There was one overhead shot that looks down on George as ge drives a long an crooked road. It was such a powerful metaphor, like all the shots. Every shot was beautifully framed and told the emotion of the scene.
This movie has A lot of religious symbolism: 'Live by the sword; Die by the sword', atone for your sins, etc. The movie takes place in the last days of an assasin's life. I am sure I heard somewhere in another assasin movie that assasins that stay until they are assasinated. Well, the mojority of the movie is George building a weapon that is ultimate purpose is his own death. Let not the symbolism of that be lost.
Sorry they used an Mini 14, but not everyone who sees this is a gun expert, or confers on a board of gun experts. It was a symbol, and not a "Historical Document" guys
Definitely not for everyone, but I thought it was well done piece of art. I think that those who don't like it, are not used to seeing George, an actor with considerable use of dialog (Oceans 11, 12, 13, and Brother, Where art thou), speechless for 2 hours.