I think more so than ever the apologists are coming out of the woodwork to excuse as many flaws as possible, and relying on the same tired old arguments as always. “The originals weren’t that good”, “it’s just a movie so enjoy it”, “you’re just determined to hate it”, “it included/referenced something from canon so I like it”, “you think all force powers should have been established and no more can be created”, and the list goes on and on. They think that to criticize the film as a film is sacrilege and whining, and that to expect, I don’t know, a competent, finished film with a plot, characters, and resonant themes is “setting your expectations too high”. I mean, no film is perfect, and the OT certainly isn’t. But there’s a big difference between being competent and still highly entertaining and impactful, and just throwing recognizable things on screen for two and a half hours and trying to make a four billion dollar plus investment back. I think we’ve had some pretty entertaining films come out this fall/winter. I liked Jojo Rabbit, Knives Out, Ford V. Ferrari, and I’m looking forward to others as the year comes to a close. Those films had characters, though, and tried new things, and took risks, and were artistic expressions by people with something to say. They told stories of people who faced real obstacles, and had real, human desires, and had to fight to achieve their goals. None of those films gets a pass because “it’s just a movie for kids” or “the lore actually explained this” or that we should “just be glad they’re even making this movie”. They all had to succeed or fail based on the actual merits of the filmmaking and the storytelling. TROS was a nearly three-hour long commercial for toys; the equivalent of The Office’s “The Banker” episode, where they just showed a highlight reel of goofy antics from previous seasons. If you were entertained by this movie, I guess good for you, but it’s terrible for me, and for a lot of other people too. You might say that we have too high of expectations, but what’s wrong with that? What’s wrong with holding the entertainment we consume to a higher standard, and require it to be more than a Michael Bay Transformers movie? Why can’t we expect the bare minimum in storytelling, especially from franchises and intellectual properties we’re incredibly attached too? Why should we allow a multi-billion dollar company to make pandering dreck and tell us that we have to enjoy it so they’ll get a nice fat paycheck? And if these films really do get held to higher standards (or like I said, even a bare minimum), who loses out this way? For all those that already like these movies just because they had something you recognized and you clapped, wouldn’t your experience be exactly the same if the movie were actually good and managed to entertain more than just your small demographic? I mean, honestly, it’s selfish of you to deny those who aren’t entertained because theses big franchise movies are being lazy of good films just because you want to throw money at your nostalgia. And it won’t ever stop either. The Lion King 2019 proved that. So does TROS. We’re going to be trapped in a nightmare realm of having every positive cinematic experience we’ve ever had mined and drained of life and sold back to us until we’re all dead. It’s cheaper and easier to sell nostalgia. That’s what we show as an audience when we settle for less. I hate the prequels. But watching episode IX, I gained a newfound respect for them. They took risks. Weird ones. They were the result of someone’s vision. I might disagree with every direction they took Star Wars, but it was the product of people at the end of the day. Not a committee, not highly-paid executives, not a corporation with the formula to infinite profits all figured out. At the end of the day, that’s what stories are about: people. We can feel when passion and humanity are absent from a film—even something like The Room manages to be more heartfelt than Star Trek: Into Darkness or Justice League.