Star Wars: The Force Awakens (Post-release)

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I had the same experience, though I was more excited than I wanted to be. I'm just glad it wasn't a TPM moment leaving the theater, especially for my daughter. Her 1st Star Wars movie on the big screen blew her away! :thumbsup

I'm expecting my first kid -- a daughter -- in early March. I always looked forward to showing her the (original) Original Trilogy, but I'm really excited to show her this new film, too, whenever she's old enough to handle it. I love the notion that there's a character like Rey for her to relate to.
 
TFA's second weekend total beat Jurassic World by almost $50M. Jurassic World is at 71% critical, 79% audience approval vs. TFA at 94% and 91% respectively. Explain to me how this film is dropping off and won't have legs?
 
A TWIN SISTER???? (or almost)



Yeah, there is a different cultural phenomena at work here.But theres also an age old one as well .
Star Wars is widely popular again.And so is being or being seen to be a SW fan a bit cool. TFA is that nostalgia trip for many of the Otties and the Prequellers but a lot of people are seeing it because of the social media hype. You "must" go see Star Wars, if only to have something new to tweet or text about.It also helps that all these huge media stars are suddenly admitting how much they love SW. People follow that kind of lead interest intensely these days.
This happened with Avatar, where the ordinary person who would never have touched a sci fi themed film with a ten metre cattle prod went to see it because millions of others had and thoroughly enjoy the experience. They saw it as being something fresh and inventive, while the more and, lets be kind here, "seasoned" veterans of sci fi and cinema simply saw the elements that JC had "ripped off" from other films and hated it. I had more positive conversations about it where people wanted to share the thrill of the 3D spectacle they saw,more than with any other genre film I'd ever watched previously ,and nearly all were totally unaware (and uninterested) in its "flaws".
And this is what you have happening now. The SW faithful , for whom any varitaion on theme and scripture of the OT text is an invitation to foster disquiet. Many agree there are some flaws but the positives in the overall new film out weigh them strongly whilst the new recruits, to whom all the old SW films were just something they watched once ,didn't get then,yet went on to other things, like Harry Potter, The Hunger Games and the Marvel Universe,now really,really like it now. And that is in no small part to the new characters
So if you look at the decisions made here,particularly with the focus on main characters made in TFA its no coincidence that their lead in the story is Rey , Finn and BB8 , followed by Han and Chewie. And they also got a contemporary villain with Kylo Ren. He is the very modern product of todays broken family. And it was a very smart move. Its captured a huge new younger fan base, most of the old and really motivates everybodys interest in the outcome of the next film.
And the thing I have come to realise most strongly since more information is surfacing is how restrained JJ and Kasdan were with the tale they could tell. The main character and plot decisions had already been mapped out for them and nearly all the elements ,such as the Neo imperialists and 3DS came from inside the Lucasfilm story group and the visualists. With the departure of Ardnt they had VERY little time to develope any radical ideas beyond what was already there, because preproduction based on Ardnts original outlines had already moved well ahead. I have a bad feeling that the terrible freighter scene WAS a late addition caused by the effects of Fords injury, but we'll wait and see.
Personally I hope they are wise enough to address most of the issues raised because they are definite weaknesses. If they repeat them with "Rogue One" which is so much closer to the OT then that will cause alot of problems going forward. Do it with the VIII then it will exacerbate the issues for everyone. The speed at which these are being churned out DOES bother me a bit, because in almost every single case where a sequel fails its the weak, hastily written story that ruins it.
When I go see TFA for a second time, when its quieter in the cinema, then I'll look at it with all the benefits this discussion thread has brought to the table. Will it beat the three billion dollars mark!!!! ???? Its still packing people in, and many are still avoiding that at the moment because of that, and it could be massive in China with repeat viewings stacking up BUT that 5th April release date will bite into this, that and the illegal downloads of course.

I actually get the impression JJ and Kasdan did a major re-write of what Lucas and Aerndt had cone up with. A few elements such as the Finn and Rey characters carried forward but they really formed this story themselves and Aerndt had to drop out when he couldn't make the 18 month deadline.
 
There is another...

Daisy, Poppy Sophia and Kika-Rose.

Strong flower theme. I like it.

I actually get the impression JJ and Kasdan did a major re-write of what Lucas and Aerndt had cone up with. A few elements such as the Finn and Rey characters carried forward but they really formed this story themselves and Aerndt had to drop out when he couldn't make the 18 month deadline.

Yeah, from what I recall about the development (and, admittedly, I followed very little), Lucas had some idea about doing a story about the Skywalker/Solo kids and what happens in the next generation. I gather we're getting some very broad strokes of that, but the film and subsequent trilogy are very different from what Lucas envisioned.



A separate observation:

The acting in this film was so much more...passionate and resonant than what I saw in the prequels. It's really remarkable. Daisy Ridley, John Boyega, Adam Driver, and Oscar Isaac all just seemed so much more invested in their roles and their characters than most of the prequel actors. It actually makes the prequels look even more wooden by comparison. It's really jarring.
 
Reading the timeline in the Art of TFA the concept team were well formed in Jan 2013 and lead charcters such as Kira and Sam (later called Rey and Finn) were first realized then, even the junkyard planet Jakku. Between then and August vitually all the main characters and many key concepts and themes were mapped and approved for production.
Given that Arndt started in late 2012 and returned his outline in August 2013 a staggering amount of work on the film had already been completed. Then two months later in the October he had gone and JJ and Kasdan decided to step in.Do you honestly believe that in six weeks they produced a first draft that was so radically new the whole production had to start again? So many of the designs and story sequences had been approved by then, just so that all the props could be built in time for the start of Abu Dhabi shoot and shift into full production, along with storyboard and effects sequences.
So they may have "rewritten" the script but they didn't redo it not totally from scratch.No way, they just couldn't. JJ as director had already approved so much and so many of the concepts and key sequences which were already being built and they couldn't restart , not with that much invested in it. Way back in the TFA thread people expressed surprise that a "new" script had been written so quickly, after Arndt departed. Nearly one whole year gone and suddenly six weeks later theres a completly new story? Unlikely. A new screenplay with dialogue and character changes then possibly yes. I'd wager some of the more uneven parts of the writing are the result of what they had to keep and what they tried to bring in late in the production.
Eventually we will get the exact facts but, having read the Art of SWTFA which reads more like a making of, I've got to conclude the screenplay that Arndt submitted based on Georges outlines was simply refined by JJ and Kasdan. There is just no way its a completely original rewrite. Too much had already been done.
 
I remember some rumors that Florence Welch was considered/talked to about a supposedly small role in the sequels.

MTE5NTU2MzE2NTU1MjgxOTMx.jpg


Make of that what you will...
 
Reading the timeline in the Art of TFA the concept team were well formed in Jan 2013 and lead charcters such as Kira and Sam (later called Rey and Finn) were first realized then, even the junkyard planet Jakku. Between then and August vitually all the main characters and many key concepts and themes were mapped and approved for production.
Given that Arndt started in late 2012 and returned his outline in August 2013 a staggering amount of work on the film had already been completed. Then two months later in the October he had gone and JJ and Kasdan decided to step in.Do you honestly believe that in six weeks they produced a first draft that was so radically new the whole production had to start again? So many of the designs and story sequences had been approved by then, just so that all the props could be built in time for the start of Abu Dhabi shoot and shift into full production, along with storyboard and effects sequences.
So they may have "rewritten" the script but they didn't redo it not totally from scratch.No way, they just couldn't. JJ as director had already approved so much and so many of the concepts and key sequences which were already being built and they couldn't restart , not with that much invested in it. Way back in the TFA thread people expressed surprise that a "new" script had been written so quickly, after Arndt departed. Nearly one whole year gone and suddenly six weeks later theres a completly new story? Unlikely. A new screenplay with dialogue and character changes then possibly yes. I'd wager some of the more uneven parts of the writing are the result of what they had to keep and what they tried to bring in late in the production.
Eventually we will get the exact facts but, having read the Art of SWTFA which reads more like a making of, I've got to conclude the screenplay that Arndt submitted based on Georges outlines was simply refined by JJ and Kasdan. There is just no way its a completely original rewrite. Too much had already been done.

If you read the more recent articles with Kasdan and JJ about their collaboration, it comes across much different then that. Read the Rolling Stone piece in particular. They spent weeks breaking out the entire story while taking walks together. Kasdan in particular has said they sort of started from scratch but JJ pointed out they didn't have enough time and they kept those core characters and locations. All of this is in these interviews, FWI. There also was an unsubstiated rumor that JJ almost left the project early and it may have been his unhappiness with the GL/Arendt treatment. But as you say, the eventual making of book will be very interesting!

Lucasfilm CEO Kathleen Kennedy says that while the Force Awakens doesn't follow George Lucas' original treatments for a sequel trilogy, they were an inspiration
"We had discussions based off of George's treatments," she says, "and then when J.J. and Larry came into the process, there were new ideas being discussed, which is normally what would happen in a development process. We didn't have a script, we didn't have an extensive treatment of any kind, so we were still trying to find the story for the movie, so it's not as though something was just read and then set aside, and everybody said, 'Oh, we don't want to do that, we're going to start on this new thing.' Everything emanated from what George had created with the original movies, and then some of the things he was talking about in this brief synopsis. We carried on from there."
 
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I remember some rumors that Florence Welch was considered/talked to about a supposedly small role in the sequels.

http://a1.files.biography.com/image...1200,q_80,w_1200/MTE5NTU2MzE2NTU1MjgxOTMx.jpg

Make of that what you will...
Most of those reports/rumors are pretty old, about Episode 7, and talk about the casting of others that didn't seem to make the cut. Along with the idea that they're trying to move away from the EU (including Mara Jade) I'd guess this isn't going to happen.
 
One small bit that was hard to swallow was that, supposedly, BB8's map couldn't be interpreted because it was a small fragment of the larger map that R2D2 had. I bought that at first until they later showed that the fragment was maybe a whopping 10% of the galaxy. They couldn't figure out where that was? Really?

(Film was still awesome.)
 
One small bit that was hard to swallow was that, supposedly, BB8's map couldn't be interpreted because it was a small fragment of the larger map that R2D2 had. I bought that at first until they later showed that the fragment was maybe a whopping 10% of the galaxy. They couldn't figure out where that was? Really?

(Film was still awesome.)

Judging by the location, it may have been off in the Uncharted Regions, or little was known about the area. Plus, I think they said that they (the Resistance and the Republic) didn't have a map of the whole galaxy. The First order did, though, as it was recovered from Imperial archives, but it's not like Snoke would just share that information with the people he wants to kill off.
 
If that was a galaxy, there could be a few billion planets in that missing piece. Good luck finding someone in there without that piece of the map
But he had the actual location on his map, no? What does R2D2's larger map actually contribute?

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Judging by the location, it may have been off in the Uncharted Regions, or little was known about the area. Plus, I think they said that they (the Resistance and the Republic) didn't have a map of the whole galaxy. The First order did, though, as it was recovered from Imperial archives, but it's not like Snoke would just share that information with the people he wants to kill off.
Ok. I can buy the "uncharted regions" argument. That does make sense.
 
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