<div class='quotetop'>(stonky @ Jun 24 2006, 12:17 PM) [snapback]1267206[/snapback]</div>
Yeah, I did a set two years ago with MDF boards, 12mm strong, 1,60mx3m in size, lowbudget production, not enough workforce, no forklift, no crane. That really was a pain to move them around.
The advantage was their price and construction speed against classic framework walls.
And regarding details on film, it is correct that it depends on lighting conditions, too, but I assure you that the finer details (i.e. brush strokes, wood grain etc.) definitely get lost in the end. Even worse on TV-shows, b/c the bad res. And of course 16mm.
It is true that 35mm captures a lot of detail in a very well lit set. But still, the film stock lets you get away with a lot of cheating that the human eye doesn´t tolerate.
Totally OT here, but there are going to be a lot of problems when the movie industry switches over to fully digital, since the rule of thumb there is "what you see with the naked eye, you see on film", if it is replayed on HD equipment. I am curious how this will affect production design department budgets.
And in addition, what do you think we will notice once the OT has been transferred to HD ? If they don´t do a lot of digital cleaning, I think we are in for a few things or examples of fine 1970ies craftsmanship
Michael
The only downside to MDF is it's weight - it's incredibly heavy. However, there is no grain or crown to deal with, so it's kinda 50/50.
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Yeah, I did a set two years ago with MDF boards, 12mm strong, 1,60mx3m in size, lowbudget production, not enough workforce, no forklift, no crane. That really was a pain to move them around.
The advantage was their price and construction speed against classic framework walls.
And regarding details on film, it is correct that it depends on lighting conditions, too, but I assure you that the finer details (i.e. brush strokes, wood grain etc.) definitely get lost in the end. Even worse on TV-shows, b/c the bad res. And of course 16mm.
It is true that 35mm captures a lot of detail in a very well lit set. But still, the film stock lets you get away with a lot of cheating that the human eye doesn´t tolerate.
Totally OT here, but there are going to be a lot of problems when the movie industry switches over to fully digital, since the rule of thumb there is "what you see with the naked eye, you see on film", if it is replayed on HD equipment. I am curious how this will affect production design department budgets.
And in addition, what do you think we will notice once the OT has been transferred to HD ? If they don´t do a lot of digital cleaning, I think we are in for a few things or examples of fine 1970ies craftsmanship
Michael