M.A.S.K. would make a great movie

PrimoOptimoso

Sr Member
Warning: The following will probably read like a kid gushing about a TV show, not like a 35-year old family man seriously brainstorming a movie pitch. My apologies in advance.

Thinking about some of the staples of my childhood coming to the big screen with varying results (Transformers, GI Joe, etc), I think that M.A.S.K. would actually make a great movie. Most of the characters can be easily updated without a whole lot of changes, and the general plot (mercenary crime organization wants to steal/kill/pillage/whatever, thwarted by this cadre of secret agents) is standard action-movie fare. Plus there's a little bit of humanity already built in as well, with Matt Trakker being a single parent in the middle of all the secret-agent biz.

Hmmmm, let's see...
- Not an origin story of the MASK organization, but we could get the needed viewer exposition by having it be a point in time where Trakker's son Scott is being introduced to the whole operation. Either he's about 10-12 like on the show and something happens where he *has* to be looped in, or he's 16-17 and Matt decides he's old enough to know. This is an admitted departure, but I think it would work better than 1. assuming the audience already knows what it's all about, or 2. making it a "new recruit" scenario a la Men In Black.

- We could get a little of the backstory about Matt finding out that Miles Mayhem killed his brother as the character-driver that goes alongside the overall good-guys/bad-guys plot. Lost his brother, lost his wife; this guy is pretty motivated.

- Rather than Mobile Armored Strike Kommand (sic), the MASK acronym could instead be a motto for Trakker's company, something like 'Magnificence Achieved through Scientific Knowledge' or so. Matt is a philanthropist but always struck me as a sort of Bruce Wayne type with a whole company (at least as a front for MASK, anyway). They could even lampshade it by making a joke, like X-men did with Cyclops and Wolverine about "yellow spandex".

- Believability, or "Why on earth would you build these weapons into helmets, guys?" Well, they're protective for starters, and they're voice-activated, leaving our hands free for other weapons, or of course for piloting these bitchin' vehicles! (another joke? 'Ever see James Bond trying to drive and shoot at the same time? It's tricky!') ...Bonus: They could work in something like it was MASK's doing so that inspired VENOM to build their own weaponized masks.

- The 'sleeper agent' concept here is applied to the good guys! What a great idea to develop in a time when people are worried about terrorists and such; Hey, your pizza guy might secretly be saving your ass tomorrow.

- Casting? Note: not to rip off another site, but a few of my suggestions match those of a blog discussing this very thing!
MASK
Matt Trakker: Aaron Eckhart perhaps.
Scott Trakker: I dunno, who's a good young actor these days?
Bruce Sato, toy designer/engineer, in 'Rhino' semi: Jay Chou
Alex Sector, zoologist, the other guy with 'Rhino': everybody I can think of might be too old, but somebody suggested Jeff Bridges on that blog I mentioned
Dusty Hayes, pizza shop owner, drives 'Gator' jeep: no idea, somebody who can do gool-ol'-boy.
Brad Turner, rock musician, drives the 'Condor' motorcycle/helicopter: always seemed like a rob lowe or tom cruise type.
Gloria Baker, martial artist, drives 'Shark' Porsche 928/submarine: Alison Brie
Hondo McLean, 'Hurricane' chevy belair/tank: Phil Lamarr if he bulked up

VENOM
Miles Mayhem: I am thinking the look of Richard Riehle but the characterization of somebody more sinister.
Sly Rax, 'Piranha' motorcycle/submarine: Bruce Campbell, doing his best Nicholson.
Vanessa Warfield, 'Manta' 300ZX/plane: Aviva Farber looks like she'd work, but I don't know how menacing she can be.
Cliff Dagger, 'Jackhammer' Bronco: Michael Chiklis looks OK, though the character is far too dumb for him
Bruno Sheppard, 'Scorpion' GTO/tank: Dwayne Johnson
Floyd Malloy, 'Vampire' motorcycle/plane: ?

There are many more on either side, but the above could already be too many.

- Vehicles. Some of the vehicles have direct descendants and/or don't need to be touched at all, like the Rhino semi-truck or the sweet '57 Bel Air that is Hurricane. Manta could be a 370Z instead of a 300ZX easily. If Porsche doesn't want Gloria driving an old 928 or a new, say, Panamera, then perhaps something like an FRS or G37. The issue is with the 'Thunderhawk' Camaro. The new Camaro style just doesn't look right, but then again they could use a Merc SL which already has gullwing doors, and is more fitting a guy with money to burn. Tough call there.

- Keep T-Bob! He doesn't have to be slapstick comic relief like the show, but he's Scott's own sidekick, like an R2D2 that actually talks. Keep the unicycle-scooter mode, too; there are commercial motorcycles available now with one wheel, believe it or not, so it's not too far-fetched these days.

If I write any more it'll just be rambling, but hey, there's something to chew on for you children of the 80s.
 
This is brilliant, all of your ideas for casting are spot on. The M.A.S.K. toys were some of my favorites I had growing up, along with Ninja Turtles, Ghostbusters, and Food Fighters.
 
You're going about this all wrong. What we need to do is cast today's hottest comic actors.

So, I'm thinking we need to get Judd Apatow directing and producing, Seth Rogen, Zach Galifanakas, Ben Stiller, Owen Wilson and --


Wait.


We're talking about Ghostbusters 3 here, right?
 
LOL Solo. This shouldn't be a comedy, silly!

That said, I will say that in the live-action adaptation of the Pole Position cartoon which I have also been kicking around in my imagination, Owen Wilson is definitely numero uno to play Dan!

The MASK and Pole Position things have come up lately as I have indoctrinated my 9-year-old daughter in the ways of "the 80s cartoon awesomesauce" over the last couple years =0) Transformers, Thundercats, Inspector Gadget, MASK, Voltron, you name it.
 
I'd love to see a MASK movie. Sadly though they'd probably cast Shia lewhatever as Scott and centre it around him and a new team.
 
I think MASK could translate very well into a live action movie, I've been saying that for years. No one ever listens.
 
I actually do agree, I just have zero faith in Hollywood to be faithful to the source material. I fully expect they'd basically just take the thinnest veneer of the original property, and apply it overtop some existing craptastic Michael Bay production which has precious little to do with the original concept.

Example:

"Ok, here's the film we're pitching. It's called Terror Fighters. We've got an elite team made up of six people, all from different nations. You've got covert ops, communications, logistics, heavy weapons, climate ops (think snow, swamp, desert, whatever), and the flight portion of the team. They fight against a parallel shadow organization of the worst kind of mercenaries, who've been hired by a terrorist cell in Hindu Kush mountains. The goal of the team in this movie is to stop a viral plague from being released. Cool, huh?"

"Eh. It's ok. But it needs to have an 80s property attached to it, or we won't greenlight it. Any ideas?"

"Well, G.I. Joe seems a pretty good fit..."

"Can't. Already been done. What else ya got?"

"Uh.....MASK? That show with the special powered masks and the vehicles that changed into other vehicles?"

"LOVE IT! I can see the merchandising opportunities already! Alright...this is coming together. Here's what we do. Same story, but now they all drive special vehicles which change. And they've got special battle suits with gadgets all over 'em. We can sell small versions of the vehicles, and lifesize versions of the suit gadgets for kids to play with."

"Um...but it's called MASK. Like, with helmets that mask a person's face."

"Huh? Oh, forget that. We need to be able to see the actors. Ok...uh...now they have....digital overlays! Like RDJ in Iron Man when they shoot his helmet interior. One guy's got a digital monocle. The other guy has a digital scuba mask. The girl -- you've got a girl in this right? We need a hot girl to bring in the 13-year-old boys. The girl's got digital lipstick. The heavy weapons guy -- what? What's the problem?"

"That's got nothing to do with MASK the cartoon. I was gonna rewrite the script to make it fit the cartoon."

"Are you crazy? We aren't paying you to write another script. We'll just use what we've got. And who CARES if it doesn't match some stupid cartoon? The point is the NAME, dummy. We put "MASK" on a poster, and all the 30-somethings will come see it. We'll DOUBLE our demographic! We'll get the kids AND the nostalgia folks!"

"Won't they hate the changes?"

"Maybe. Who cares? They'll still go see it. They'll HOPE it's good, and then once they're in the theater, well, who gives a crap what they think? The kids will love it anyway, and we'll sell a ton of toys or at least the merch rights. This is great! You've got a big future ahead of you in this biz, kid! And by 'you' I mean 'me.'"
 
I actually do agree, I just have zero faith in Hollywood to be faithful to the source material. I fully expect they'd basically just take the thinnest veneer of the original property, and apply it overtop some existing craptastic Michael Bay production which has precious little to do with the original concept.

Example:

"Ok, here's the film we're pitching. It's called Terror Fighters. We've got an elite team made up of six people, all from different nations. You've got covert ops, communications, logistics, heavy weapons, climate ops (think snow, swamp, desert, whatever), and the flight portion of the team. They fight against a parallel shadow organization of the worst kind of mercenaries, who've been hired by a terrorist cell in Hindu Kush mountains. The goal of the team in this movie is to stop a viral plague from being released. Cool, huh?"

"Eh. It's ok. But it needs to have an 80s property attached to it, or we won't greenlight it. Any ideas?"

"Well, G.I. Joe seems a pretty good fit..."

"Can't. Already been done. What else ya got?"

"Uh.....MASK? That show with the special powered masks and the vehicles that changed into other vehicles?"

"LOVE IT! I can see the merchandising opportunities already! Alright...this is coming together. Here's what we do. Same story, but now they all drive special vehicles which change. And they've got special battle suits with gadgets all over 'em. We can sell small versions of the vehicles, and lifesize versions of the suit gadgets for kids to play with."

"Um...but it's called MASK. Like, with helmets that mask a person's face."

"Huh? Oh, forget that. We need to be able to see the actors. Ok...uh...now they have....digital overlays! Like RDJ in Iron Man when they shoot his helmet interior. One guy's got a digital monocle. The other guy has a digital scuba mask. The girl -- you've got a girl in this right? We need a hot girl to bring in the 13-year-old boys. The girl's got digital lipstick. The heavy weapons guy -- what? What's the problem?"

"That's got nothing to do with MASK the cartoon. I was gonna rewrite the script to make it fit the cartoon."

"Are you crazy? We aren't paying you to write another script. We'll just use what we've got. And who CARES if it doesn't match some stupid cartoon? The point is the NAME, dummy. We put "MASK" on a poster, and all the 30-somethings will come see it. We'll DOUBLE our demographic! We'll get the kids AND the nostalgia folks!"

"Won't they hate the changes?"

"Maybe. Who cares? They'll still go see it. They'll HOPE it's good, and then once they're in the theater, well, who gives a crap what they think? The kids will love it anyway, and we'll sell a ton of toys or at least the merch rights. This is great! You've got a big future ahead of you in this biz, kid! And by 'you' I mean 'me.'"

hitnail.jpg
 
I actually do agree, I just have zero faith in Hollywood to be faithful to the source material. I fully expect they'd basically just take the thinnest veneer of the original property, and apply it overtop some existing craptastic Michael Bay production which has precious little to do with the original concept.

Example:

"Ok, here's the film we're pitching. It's called Terror Fighters. We've got an elite team made up of six people, all from different nations. You've got covert ops, communications, logistics, heavy weapons, climate ops (think snow, swamp, desert, whatever), and the flight portion of the team. They fight against a parallel shadow organization of the worst kind of mercenaries, who've been hired by a terrorist cell in Hindu Kush mountains. The goal of the team in this movie is to stop a viral plague from being released. Cool, huh?"

"Eh. It's ok. But it needs to have an 80s property attached to it, or we won't greenlight it. Any ideas?"

"Well, G.I. Joe seems a pretty good fit..."

"Can't. Already been done. What else ya got?"

"Uh.....MASK? That show with the special powered masks and the vehicles that changed into other vehicles?"

"LOVE IT! I can see the merchandising opportunities already! Alright...this is coming together. Here's what we do. Same story, but now they all drive special vehicles which change. And they've got special battle suits with gadgets all over 'em. We can sell small versions of the vehicles, and lifesize versions of the suit gadgets for kids to play with."

"Um...but it's called MASK. Like, with helmets that mask a person's face."

"Huh? Oh, forget that. We need to be able to see the actors. Ok...uh...now they have....digital overlays! Like RDJ in Iron Man when they shoot his helmet interior. One guy's got a digital monocle. The other guy has a digital scuba mask. The girl -- you've got a girl in this right? We need a hot girl to bring in the 13-year-old boys. The girl's got digital lipstick. The heavy weapons guy -- what? What's the problem?"

"That's got nothing to do with MASK the cartoon. I was gonna rewrite the script to make it fit the cartoon."

"Are you crazy? We aren't paying you to write another script. We'll just use what we've got. And who CARES if it doesn't match some stupid cartoon? The point is the NAME, dummy. We put "MASK" on a poster, and all the 30-somethings will come see it. We'll DOUBLE our demographic! We'll get the kids AND the nostalgia folks!"

"Won't they hate the changes?"

"Maybe. Who cares? They'll still go see it. They'll HOPE it's good, and then once they're in the theater, well, who gives a crap what they think? The kids will love it anyway, and we'll sell a ton of toys or at least the merch rights. This is great! You've got a big future ahead of you in this biz, kid! And by 'you' I mean 'me.'"

That's it exactly. With kids these days as long as there are hot women and crap exploding it could be the worst thing on earth and they'd go see it.
 
I'll admit, though, that the reason I know that to be true is because when I was 13, I'd have TOTALLY gone for the same thing. :lol
 
Sounds like you know the hollywood mentality on classic properties these days pretty well! I'd obviously hope it would be handled by somebody who knows the property, and like I mentioned, the plot wouldn't actually have to be mangled at all to fit everybody's expectations of explosions and female charms... You guys just go ahead and imagine a fight scene between Alison Brie as Gloria and Aviva Farber as Vanessa. Remember Vanessa's mask projects an energy whip, and go from there ;) I'll wait.

Masks covering actors' pretty mugs? They're only on when needed, a la Iron Man. And a few of them only cover half the face.

Even done as true to the show as I envision it, the merchandise line would be plenty profitable - I'd venture 50% at least of a given TF movie's toy revenue, and a MASK movie wouldn't need as big an effects budget as a TF movie so I think it'd scale appropriately. Kids love cars, kids REALLY love transforming cars, and when the transformation is as simple as a button press or two, rather than a process like modern Transformers toys, it tends to be used more often. The big thing the original MASK toys got right was making stuff work and look just like on the show, too.
 
Well, I don't claim to have the inside track. This is just my cynical take based purely on observations of what gets greenlit and what it looks like when it hits theaters.
 
You're actually much more likely to get this closer to the source material as an animated movie.

Well of course, but that would negate all the awesomeness of it being live-action. Complain as people might about the Bay-formers, I was still really stoked that it even existed.
 
Question:

Why do we seem so driven to find "live action" versions of these films, when live action often fails to satisfy, AND leaves the bitter taste of CGI in your mouth?

I'm actually getting more and more inclined to just see a really well-done animated version of this stuff, since I tend to think you can do a lot more with full animation and won't have "Yeah, but the robots all looked fake. Too CGI" if everything is animated.
 
I agree I'd rather have full CGI stuff that is good. That's why i liked the CGI Appleseed animes, or half and half like the stuff in Ghost In the shell. Though I prefer traditional animation or the mix more than all CGI.
 
Personally, I want to see things like this in live action because my childhood was spent trying to imagine all these awesome things being part of the really real world. Live-action (with even *passable* CGI) realizes that imagination. More cartoons would just feed the desire for a 'real' version, to me.
 
I used to watch M.A.S.K. religiously after school! The theme somg was great & I used to have it on cassette lol! A live action would be awesome, but like so many of the ones that have been done, they'd find some way to screw it up. G.I. Joe was my absolute favorite, and they managed to completely mutilate what could have made a fantastic film. They ruined every character, background story, etc. I'mm all for a live-action M.A.S.K. if they could find a competent maker! I'd trust Peter Jackson or John Favreau, that's about it
 
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