Just wanted to say that it's been crazy fun to watch your obsessive dissections of old drawings and your itterative process of deciding on how to physically realise them.
Keep going! You've got a fan watching closely.
Thanks! Keep the feedback coming, people. Any suggestions/comments are appreciated, and could help solve certain problems.
I was recently looking at some of my early test prints from a year(!) ago, and they are shockingly huge and clunky compared to my recent output. It also helps to bounce from design to design. This whole journey has been very exciting in terms of developing modeling skills and whatnot. I gotta say that these newest test prints look really slick. Once I nail the resin-casting issues, and get the rings done up in polished metal, my childhood dream will finally be realized.
I’ve just never seen a licensed (or even fan-made) replica which has scratched my nagging itch for this iconic weapon. That’s why I’m taking so much time and being so obsessive. If I’m gonna do it, I’m gonna do it RIGHT.
Part of the fun (and frustration) of all this is the fact that there are no definitive physical models to replicate, as opposed to all of the other movie and TV props I’ve built. Lots of leeway for creativity, there, as a result. It becomes less about matching specific artwork than about looking at numerous different drawings and trying to suss out what the artists were going for, then finding an average/ideal which ticks certain checkboxes. And so much of the time, the art was often in flux. As noted, Gil Kane’s design for the ring—even after the symbol design was locked down—was constantly shifting, be it due to him doing some tweaking, or his different inkers bringing their own ideas to the table.
Also, the amount of continuity errors from artists to artist and book to book is rather staggering. For example, Jordan, Stewart, and Gardner are all wearing the Pat Broderick ring design in issues # 1-8 of GL Vol. 3, then all of them are wearing the Joe Staton design in the next arc (# 9-12), then each of them are wearing a different design (Jordan/MD Bright, Stewart/Mike Grell, Gardner/Joe Staton) in # 13 and beyond. Stuff like that. And that’s just the tip of the iceberg.
You’d think that they’d keep a closer eye on the key item of the entire series, or at least create model sheets to work from, or something. Some artists seem to draw their preferred versions of the rings no matter what the continuity of the time had previously presented. Jim Lee seems to always draw the Mike Grell design, and even did so during, for example, the BLACKEST NIGHT era, when the Van Sciver/Ivan Reis signet ring design was the standard.
I suppose part of it is each artist wanting to put their own stamp on the design. Or perhaps they’re constantly tinkering to find a design they’re happy with.
Not unlike me!