MattMunson
Master Member
I watched Batman Returns last night. I never really did like that movie when it first came out, nor was I a fan of the 89 movie.
Let me be more specific. I LOVED what the movies did for the superhero movie genre. At the time, it was pretty much dead, and Hollywood didn't see much money in the genre. And rightfully so. Superman IV helped put a nail in that coffin, and there were a number of aborted or ultra lame movie or TV superhero attempts that were better off never made.
But even when they first came out, I remember thinking how unimpressed I was with Tim Burton's story telling abilities within the genre. Yes, yes, I know he recieved endless kudos for his amazing "vision" of Gotham city. The irony there of course is that it didn't really jibe with the existing Batman mythos or ethos. But the movie going public watched it.
And now it's twenty years later, and I look at it with fresh eyes.
What I notice most of all is how completely visually driven Burton is. Things happen on screen that make no sense at all within the story or reality. Nothing like that would ever happen in real life, and even within the world of the comic book universe, it still doesn't make sense. Batman sort of roams the streets acting more like robocop than the Batman of the comic books. (and i'm not just talking about current comics. Even in the 80's, post Dark Knight, he was much more of a shadow skulker than a street parader) Gnawing cats bring a woman back to life after a thirty story free fall, grant her karate skills, and convert her from a cowering mousey woman into an vibrant anti-hero. Umbrellas become helicopters. Bruce Wayne is transformed into a bumbling love-sick idiot by a secretary he has just met. Eye makeup disappears when you tear your cowl off. Etc.
Burton seems so focused on the images and "moments" he sees in his head that he wants to see translated to screen that he ignores the "rules" of the Batman universe and plows ahead anyway.
I think this is also a result of his complete lack of respect (or possibly interest in) the source material. Watching those movies today, I realize with stark clarity what I knew 20 years ago: Burton is no Batman fan. He doesn't even really know the character. If anything, his movies come across as a sophisticated , not-played-for-laughs version of the 60's/West show. Certainly not as a visualization of the current state of affairs in the DC titles.
That said, I still have fond memories of these movies, and I'm still grateful for the impact Burton had on the superhero genre. He essentially re-invented it, reinvigorated it, and we have him to thank for the really powerful and well made movies that we see in theaters today.
And of course, I do love that car.
Let me be more specific. I LOVED what the movies did for the superhero movie genre. At the time, it was pretty much dead, and Hollywood didn't see much money in the genre. And rightfully so. Superman IV helped put a nail in that coffin, and there were a number of aborted or ultra lame movie or TV superhero attempts that were better off never made.
But even when they first came out, I remember thinking how unimpressed I was with Tim Burton's story telling abilities within the genre. Yes, yes, I know he recieved endless kudos for his amazing "vision" of Gotham city. The irony there of course is that it didn't really jibe with the existing Batman mythos or ethos. But the movie going public watched it.
And now it's twenty years later, and I look at it with fresh eyes.
What I notice most of all is how completely visually driven Burton is. Things happen on screen that make no sense at all within the story or reality. Nothing like that would ever happen in real life, and even within the world of the comic book universe, it still doesn't make sense. Batman sort of roams the streets acting more like robocop than the Batman of the comic books. (and i'm not just talking about current comics. Even in the 80's, post Dark Knight, he was much more of a shadow skulker than a street parader) Gnawing cats bring a woman back to life after a thirty story free fall, grant her karate skills, and convert her from a cowering mousey woman into an vibrant anti-hero. Umbrellas become helicopters. Bruce Wayne is transformed into a bumbling love-sick idiot by a secretary he has just met. Eye makeup disappears when you tear your cowl off. Etc.
Burton seems so focused on the images and "moments" he sees in his head that he wants to see translated to screen that he ignores the "rules" of the Batman universe and plows ahead anyway.
I think this is also a result of his complete lack of respect (or possibly interest in) the source material. Watching those movies today, I realize with stark clarity what I knew 20 years ago: Burton is no Batman fan. He doesn't even really know the character. If anything, his movies come across as a sophisticated , not-played-for-laughs version of the 60's/West show. Certainly not as a visualization of the current state of affairs in the DC titles.
That said, I still have fond memories of these movies, and I'm still grateful for the impact Burton had on the superhero genre. He essentially re-invented it, reinvigorated it, and we have him to thank for the really powerful and well made movies that we see in theaters today.
And of course, I do love that car.