But it's a guy. In a suit. And he would have gotten away with it too, if not for these pesky kids and their pet robot.
Really? D'OH, my bad. :facepalmThat one's fanart, isn't it? Cool as hell though, I love that guy's stuff.
I think some people are just so negative toward the film that they'll nitpick any perceived flaw, whether it be true or not, just to back up how they feel.
I think some people are just so negative toward the film that they'll nitpick any perceived flaw, whether it be true or not, just to back up how they feel.
Would also have made sense with having the mapping then take place there, by sending one in with the probes, then going back to the ship to see the mapping take place... and then go in by morning. Stalling when you know the characters just wants to rush in right away adds suspense and drama. This 1 - we land. 2 - we go in. 3 - we find. 4- we're done - just isn't exciting... pauses and obstacles would bring that.This is just a minor preference but something I felt after watching that would have made for a more atmospheric moment (and I like that some of the concept art like the above has this) - I would have loved that when Prometheus initially lands near the silos it was either night or very overcast and almost dark. Just seems to set up a suitably eerie mood and with the ship lights and floods marking the smallest of boundaries, you get a feeling of the known and unknown.
Definitely Carsten - they could ALL be around the holo-table absorbing and commenting and speculating - you could illustrate some good character dynamics and profundity in the situation as well as building tension, instead of everyone pretty much rushing out with scant regard like they'd arrived at the beach after a long drive.
Not totally disagreeing with you both but, im trying to find things to cut out of the movie to fit in these scenarios of character expansion, how long does it take, just a few lines, a whole scene?. It could be that Scott didnt want us to see any of them in the way that we hold the Nostromo crew.