Re: John Long Phaser 1 Kit Buildup plus MM P2 Restoration
Hey, whaddaya know? I actually did make it to the shop today! Yay! I got a bit farther along dealing with the acrylic emitter, and though I didn't produce a finished piece yet, I did solve a lot of problems, and I'm much closer to the endgame.
First thing I did was set up the lathe, and yet again I spent two hours fighting with it. That particular lathe is getting cantankerous, making the speed and auto-feed gears very difficult to set properly. Then I had to tighten down the tailstock, and then set up my tooling, and finally get to work. Or at least bravely attempting to work.
But I was getting chatter again, and I still couldn't see why. So I just said frackit and started drilling.
So here's where I got to last time. This is the emitter that came with the old nozzle. The one I got from John has mysteriously vanished, but it looks about the same as this. I was getting really bad chatter while drilling, and you can see the cracks I mentioned in yesterday's post.
So I figured I'd have better results drilling it before turning it down. Enter my four feet of rod:
The hell did you think I meant?
I took one to the bandsaw, and cut it into four sections, 3-ish inches apiece. Next thing was to make the little center divot thingy.
The Acme Center Divot Thingy 3000
in action.
As part of my lifelong effort to evolve into something smarter than a Klingon dingleberry -- or maybe even smarterer! -- I chose to start with the smallest bit possible. That one broke, so I switched sides and got a slightly biggerer one.
Here's a tip: When putting a bit in a chuck, whether it be a lathe, a mill, or your drill, insert it so that the longest flute is just a hair ahead of the tip of the jaws. The goal is to have the best possible grip on the bit. If it's too far out, it'll wobble, and if it's too far in, the flutes will rob the chuck jaws of critical surface area, resulting in a weaker grip. You can probably get away with it if you're just drilling holes in sheetrock, but anything tougher than that and you're in for trouble.
So once I had my bit in place, I commenced to drillin'.
Sadly, no, not her.
I meant this:
I went with low speed again, and it seemed to be working okay. I even found a fast and easy way of taking off the melted acrylic from the bit:
Way more betterer.
The hole came out okay, though the piece cracked for reasons I hadn't figured out yet. But I would pretty damn soon...
Once I had the hole drilled, it was time to flip the piece around and drill from the other side, so the two holes would meet in the middle, just like the Chunnel dig!
Uh... or not.
WTF???
I had a wobble.
I SAID WOBBLE, *********!!!
And that turned out to be the source of every problem I've been having. The damn chuck was actually wobbling my workpiece, so I was never getting a straight cut. So I did the unthinkable...
Something I've never done, something way outside my comfort zone...
I switched to the other lathe, a couple of feet away.
Gosh, Mr. Fishfinger, I'd love to travel someday!
And holy crap!!
That fixed everything!
The gears clicked right into place, the tailstock was perfect, and the chuck turned true.
Sorry, Lathe 1, I'm kickin' you to the curb. Lathe 2 is my new dream lady.
Pictured: Not Lathe 1, I hope.
So I tested the lathe on a piece of scrap brass rod, and the results were much better. I shot this through my magnifying glass, since I forgot my phone lenses. The bright section in the center is done on Lathe 2, and the rest of it was done on Lathe 1. Big difference.
The YouTube tutorials I saw this morning called for very high speeds, as high as 2000 RPM. So I set the gears for 1800, and off to work I got. And made a fµçking Q-tip.
Whaaa...?
Not at all sure what happened here, so I've got to serve more time on YouTube and other tutorials on turning acrylic.
By now time was running out on my day, so I flipped the piece over and tried a much lower speed and got better results.
But I shoved the live center into the piece too hard, and it cracked as soon as it started turning. Man, brass and aluminum are easy, but acrylic is a cruel mistress.
Pfft. Amateurs.
But I kept going -- might as well see if I can get a good finish, right? So I started at 180 grit, which gave me a smooth surface, then worked my up through 320, 600 wet, 1000 wet, 1500 wet, and finally 2000 wet. The 2000 really gets it clear. Then I took it out to the bike repair area and used the buffing wheel (I didn't feel like breaking out my dremel), and it came out looking really nice. Just about completely clear.
.
This last photo is a closeup of today's piece. Left of the black stripe is untouched. Right of the black stripe is sanded and polished. So I've got that part working. All that's left is to get a properly turned piece without breaking anything.
Yes, including that.