I was very fortunate to acquire one of kalkamel's DOI's in a trade and when it arrived I couldn't have been happier. Not only had he taken the time to pack it carefully, but he had aged the whole document to his usual perfect standard - not too heavily and not too yellow. The paper kalkamel has used is a standard heavy-guage cartridge instead of the actual documents vellum parchment but I still liked the way it looked - being aged so well.
I have seen the original document in Washington and the thing that struck me most, is that its very faded - not like the dark, rich document Gates steals in National Treasure.
When I first unrolled the DOI, I noticed that the writing (though faded perfectly) was black. This didn't come as a surprise because I had read of the printing limitations kalkamel had encountered earlier in this thread. The black writing no withstanding, I was truly impressed with the overall impact of the documents presence. It was only after I put on my glasses later that evening that I noticed the very fine dot-matrix printing in all the writing. This
did worry me but I had already decided that I would change all the writing to sepia so that it complimented the rest of his work properly.
Using Derwent Artists pencils instead of ink or paint (because I didn't want it leaching through the paper to the reverse), I overwrote the entire document from top to bottom, carefully tracing each word and letter. Once this very time consuming process was done, I went back over the writing with water soluble sepia pencil - to add in the darker blemishes to the writing and in the places where thick ink had pooled - again, with a light application to prevent leaching.
The result was to my eye a great transformation and I'm delighted with the result. The weathering is fantastic and the writing is now a great match to the color and the characteristics of the genuine Iron Gall Ink.
My thanks to this gifted artist for giving me the opportunity to own such a terrific - replica - piece of American history..
Highest regards
MARK