My thoughts on Tales from the Loop, having seen a grand total of 3 episodes so far...
New streaming series from the showrunner who created the "Legend" TV series. That one had a pretty great first season and then meandered across gorgeously shot fields of story nothingness for two more.
Tales from the Loop is quite interesting. It's a bit Twilight Zoney, in that it uses a certain SF setting and concept to deliver a series of small self-contained personal narratives set in a fantasy small town. Pretend USA; actually filmed on the Canadian prairies. (Estevan, Saskatchewan, and Winnipeg, Manitoba) Yes, that's often real snow crunching underfoot there, and we Canadians can tell! It's not all spray-foam on a studio backlot.
Very slow-paced, with very subtle low-key performances from the cast. Suitably minimalist score by Philip Glass for the first episode - his first for TV. Kind of like Glass' "Metamorphosis One" Lite. Simple and elegant arthouse cinematography - shallow depth of field, naturalistic colour grading, heavy chiaroscuro. Loosely 1980s setting, with chunky rectilinear cars and analogue electronics.
The whole thing, interestingly enough, was inspired by the "Tales from the Loop" series of paintings by Swedish artist Simon Stålenhag. He created a sort of parallel universe Sweden - boreal forests littered with mysterious and broken machinery from some unspecified technological past. The show is a bit less dystopian, but has transplanted the vibe - people walking mostly incuriously past the everyday detritus of their strange world - to the show, and spun a series of narratives from them.
In fact, the show has arguably taken the idea of a visual vignette that resolutely fails to explore the world-shattering consequences of the grander visions of the show, to focus down on a handful of people living their ordinary lives in the shadow of this stuff.
A mixture of unknowns and big names in the credits - Andrew Stanton and Jodie Foster direct an episode each, Jeff Cronenweth is DP, Jonathan Pryce appears sort of Rod Sterling style.
Anyway. I'm quite enjoying it so far. It's nice to see a show that isn't about death and explosions and rapid-fire editing. It has fairly unobtrusive CGI, despite its concept and gorgeous imagery, and relies a lot on sound design for key tech moments more than visuals. I've only seen three eps so far, so we'll see if they can keep it up in a way that works consistently, but it's promising.
So much modern streaming content is acquisition committees throwing money against the wall to see what sticks. A fair bit of tedious garbage has emerged from the hopper, but it's great to see something unique and non-commercial like this pop out. Enjoy it while it lasts, I guess!