verdaera
Active Member
Hello 
This is my first build thread here! I am working on Evanora from Oz. I'll post up some links later to a few of the articles that had reference pictures that were taken of the costumes on exhibit in Hollywood.
The dress was meant to be inspired by Emerald City itself, sort of a 40's Art Deco kinda thing. It's a mixture of chiffon, habotai, and mesh netting, and looooots of feathers and beads.
Here's my sketch of the bodice along with an exhibit pic. The "T" shaped design on the top, the darker portion, I counted 3... stripes or levels for lack of a term, on the exhibit, but later realized they added the third one just for the exhibit (it's a different fabric even), probably for modesty because rigid dummies don't display corset shapes well.
I did make the bodice once and start beading before I got all my info, and didn't like either my fabric or beads, so I re-did it based on better info. In the movie, the fabric looks straight black. They upped the contrast in the movie to look like Technicolor, so it looks darker than it actually is. The real costume is a charcoal gray. The bodice, based on pics I have, looks to have a layer of a soft mesh over it, and two layers over the decorative shape along the top and center. It's hard to capture colors on camera, and I'm told it's a charcoal gray with a kind of purple cast to it. It took 3 dye baths to get a color I liked. Also? This is what happens when you run out of gloves and are too lazy to go to the store to get some.
Now, I took a few creative liberties with this. The real bodice was more of a corset shape so it was flatter and boostier in the front, which doesn't always look the most flattering on me, so I decided to shape it more like the poster (we all know how they like to, erm, "reshape" women in posters). The top portion has 3 seams on each side to get it to curve back, and I draped the double mesh layer over it to hide them. The beading has a checkerboard pattern of seed and bugle beads, and inside those are a meandering pattern of beads and sequins, with black Swarovski crystals in the blank spaces. Since the bodice isn't flat, I had to drape my checkerboard pattern with twill tape.
On the real thing the checkerboard pattern is a little more haphazard (maybe they bought pre-beaded fabric and that happened when they added darts?) but being sort of OCD and perfectionist, I made mine as straight as I could, and started stitching it so it is kinda "woven". I found this wonderful hoop stand at Michael's and I learned about a tambour hook (or kantan bead embroidery tool) from a friend. It's meant for thin, loosely woven fabrics so it'll be great for the skirt, but it's a little harder to get through the bodice fabric, so I'm applying the beads by backstitch and using the tool for the bugle beads.
I'll be beading this to within an inch of the bottom and the back closure until I can attach the skirt.
This is my first build thread here! I am working on Evanora from Oz. I'll post up some links later to a few of the articles that had reference pictures that were taken of the costumes on exhibit in Hollywood.
The dress was meant to be inspired by Emerald City itself, sort of a 40's Art Deco kinda thing. It's a mixture of chiffon, habotai, and mesh netting, and looooots of feathers and beads.
Here's my sketch of the bodice along with an exhibit pic. The "T" shaped design on the top, the darker portion, I counted 3... stripes or levels for lack of a term, on the exhibit, but later realized they added the third one just for the exhibit (it's a different fabric even), probably for modesty because rigid dummies don't display corset shapes well.
I did make the bodice once and start beading before I got all my info, and didn't like either my fabric or beads, so I re-did it based on better info. In the movie, the fabric looks straight black. They upped the contrast in the movie to look like Technicolor, so it looks darker than it actually is. The real costume is a charcoal gray. The bodice, based on pics I have, looks to have a layer of a soft mesh over it, and two layers over the decorative shape along the top and center. It's hard to capture colors on camera, and I'm told it's a charcoal gray with a kind of purple cast to it. It took 3 dye baths to get a color I liked. Also? This is what happens when you run out of gloves and are too lazy to go to the store to get some.
Now, I took a few creative liberties with this. The real bodice was more of a corset shape so it was flatter and boostier in the front, which doesn't always look the most flattering on me, so I decided to shape it more like the poster (we all know how they like to, erm, "reshape" women in posters). The top portion has 3 seams on each side to get it to curve back, and I draped the double mesh layer over it to hide them. The beading has a checkerboard pattern of seed and bugle beads, and inside those are a meandering pattern of beads and sequins, with black Swarovski crystals in the blank spaces. Since the bodice isn't flat, I had to drape my checkerboard pattern with twill tape.
On the real thing the checkerboard pattern is a little more haphazard (maybe they bought pre-beaded fabric and that happened when they added darts?) but being sort of OCD and perfectionist, I made mine as straight as I could, and started stitching it so it is kinda "woven". I found this wonderful hoop stand at Michael's and I learned about a tambour hook (or kantan bead embroidery tool) from a friend. It's meant for thin, loosely woven fabrics so it'll be great for the skirt, but it's a little harder to get through the bodice fabric, so I'm applying the beads by backstitch and using the tool for the bugle beads.
I'll be beading this to within an inch of the bottom and the back closure until I can attach the skirt.
