Let me put it another way. After Star Wars I went into Empire "expecting" things to be better than they were. The Rebels had won. Yeah, there was the title "The Empire Strikes Back" telling us that there was going to be pushback, but to what extent, and how effectively, we didn't know. I certainly didn't know the structure of a multi-act saga when I was 5. Or the Hero's Journey. I don't know how many in the audience -- even in their 20s or 30s -- did. I don't know what people were expecting going into "Star Wars 2" (if you mentally automatically added "Electric Boogaloo, take a drink)... But I have a feeling it wasn't the Rebels being on the run, getting routed out of their new base, Han being the one to end up with Leia, Luke getting beaten by Vader and losing his hand, or Han ending up frozen and delivered to Jabba. My expectations were well and truly subverted. And I was reeling. I didn't know what to think. I can certainly tell you it was hell waiting three more years to find out what happened.
Then again with the Special Editions. I was expecting what all the press was saying -- re-done visual effects to compensate for embryonic technology at the time. I was not expecting all the new errors (all the X-Wings at the Battle of Yavin being Red 2 with R2-D2 in the back and Luke in the cockpit... or the lack of appropriate shadows from the altered light sources of the newly opened up Cloud City), and I was certainly not expecting all the poor choices/additions George made (shot-blocking ronto, distracting slapstick, narrative-breaking Jabba scene, fully-visible wampa, Luke screaming as he falls, the sarlacc's beak, etc.). I think the change I liked best was, of all things, the addition of the "interhull passthrough" on the Falcon when Lando rescues Luke. Fixed a thing that needed fixing and looked good.
(Those expectations kept getting subverted as George kept tinkering, even after the theatrical SE release. Hayden Christansen, Tem Morrison, and all that.)
Then the Prequels. Having grown up with a lot of the Lucas'-notes-derived lore, we knew the Clone Wars had happened over a decade or so, ending maybe fifteen years before the movies, that somewhere in there the Jedi were discredited and purged, and the Republic shifted to Empire. Leia and Luke were written in Star Wars as having had young-but-still-in-their-lifetimes memories of the later stages of the Clone Wars. Of course, this was also when Anakin and Vader were still separate people, and Luke was a few years older than Leia because they weren't twins... But still. What we ended up getting in the Prequels? Expectations so massively subverted it isn't even funny. And not in the good way of Empire (for me, anyway -- I know others differed and differ on both Empire and the Prequels).
So it's a good point to try to consciously go into a new installment or adaptation of a thing knowing it might not unroll for the audience in the way you had come up with in your head. That's not the same thing as "turning your brain off". A movie or TV show still needs to stand up internally, characters still need to behave believably. Empire, to keep the comparisons up, falls down on that score. They were in the Hoth system. When the Falcon finally shakes Imperial pursuit, they're in the Anoat system. And from there, they head to the Bespin system... All without hyperdrive. How?! That's bugged me since i was still in single digits.
That's not intended to give a pass to the newer films. If anything, I'd prefer Lucasfilm 1) learn from George's mistakes, both structural and stylistic, and 2) strive to always surpass the existing body of works. Not like constantly trying to out-wow the audience, but like... "Okay, here's where this plot point was kind of weak in the last film -- let's try to avoid that sort of thing in the next one". And as I have said repeatedly in this thread and others, I think most of the problems everyone has with the new crop of Star Wars movies -- fans and haters alike -- would be solved by uncoupling themselves from the trilogy model -- which was a bad call on George's part in the first place. I and others have argued how the OT suffered for it, the PT suffered for it, the ST is suffering for it, and the standalones are suffering for it. Let the story be told in as much run-time as it takes, broken over as many episodes as needed.
I don't care if it's only ever going to be my own mental self-gratification, but my re-write project is intended in part to see if I can make all the stuff we've gotten work, call out and fix the truly unworkable elements, and to show others an alternate way it might have been structured and delivered, and leave it to them to say which they think is better. Every movie so far -- including Rogue One and Solo -- fits in a numbered saga. But not as they've been delivered. This project also addresses George's other big early misstep -- starting at the actual beginning and going ever forward.
A lot of the criticisms I see leveled at TFA, TLJ, Rogue One, and Solo wouldn't even get a look-in if the overall story had been plotted out (at least in rough terms) and delivered more or less in sequence. All the unanswered questions about the thirty years between ROTJ and TFA that the audience needs to know to make sense of the new films (not counting the unanswered questions that help clarify things along the way, which are different), that have been being filled in piecemeal and scattershot from the latter film's release up to the present and still ongoing? If those plot points had been delivered to the audience prior to the ST, we'd all understand how things got to this point better and probably be far more accepting of things as they are. Rogue One and Solo "telling the origin stories no one asked for". Delivered in-sequence, they work great. And even as after-the-fact delves, I enjoy them (prefer the first version of Rogue One over the final cut, though). Who cares that we weren't asking for them, they were a nice treat. Someone gives you a nice surprise gift, you're going to shove it back in their face angrily because "you didn't ask for it"?
All of this requires the self-awareness to be mindful of the fact that, as humans, we have expectations, figure out what they are, and try to set them to one side going into any serialized offering. Also a mindfulness that missteps have been being made with the sequential presentation of Star Wars since 1975, so don't expect the information we have bridging any two installments to be the only information we ever get bridging those two installments. Yeah, it'd work better linear. That's what we in the Western World tend to be familiar with and prefer in our storytelling. But like it or not, we've got a non-linear pointillist storytelling exercise underway.
But none of that requires "turning your brain off" to enjoy it. There are a few turn-your-brain off moments in Star Wars going all the way back to the first film, but those moments truly are not whole films. Not even the excruciating "love story" that infiltrates fully half of AOTC. Not even the "good idea executed badly" of Canto Bight. Not even the "we get what they were going for but it needed to have been tweaked slightly to work better" of the chase and Holdo. I enjoyed far more of TLJ than I didn't enjoy. When I tally up the specific beats that fall flat (from my admittedly-subjective-but-I-try-to-be-as-objective-as-possible point of view), I end up with something shy of fifteen minutes out of about 145 of actual content that kicks me out of the experience. But, again because of the way the human brain works, those fifteen minutes, because of the discordance of the experience, is what we remember.
You are confusing "subverted expectations" with, plot, plot twists, and surprises. For something to be subverted there has to be a setup, an expectation that something else would happen.
If ESB was called "The Rebels Empowered" or something like that then your expectations that the Rebels would win would have been subverted right from the start on Hoth. But the title literally tells you what will happen in the movie. No subversion.
Similarly, there is nothing prior that suggest Leia and Luke would definitely end up together, that Luke would not get defeated or would not lose to Vader or lose his hand, and that Han would not end up getting frozen in Carbonite. In fact a lot of this is heavily foreshadowed by Luke and Yoda. Luke sees a vision of his friends in danger. Yoda insists Luke isn't ready.
As for the rest of your examples. You might have had personal expectations about the SE or the prequels, but they were disappointed...not subverted. Lucas changing little things around is also not a subversion, it's more artistic license or creative choice.
TLJ, specifically, is subversive because it takes many reasonable expectations setup in TFA and either does not deliver on them or turns the delivery on its head.
Someone should make a list of all the excuses used against everyone who hated the movie just to show how ridiculous they are, i.e. if you hate The Last Jedi, you're a:
Mysoginist
Sexist
Racist
Alt-right
Anti-diversity
Manbaby
Russian hacker
Russian bot
Ad infinitum, ad nauseum...
LAnd of the 222 pages and 5530 posts written here , well, 3/4 of those were obviously done by strangely literate and emotional bots , capable of critically thinking and good sentence structure, who can also identify fairly weak plotting and stupidly contrived jokes .
AIs have certainly come on along way in the last ten months.
In artistic terms, subverting expectations essentially means to take something conventional and then deliver something unexpected. You seem to think that expecting something for no reason except "I think so" and then something else happening is subversion. It is not, that is simply being incorrect.Not getting into the whole Russians-are-coming thing. Yeah, professional Russian trolls go after a number of things, including downvoting TLJ. But I'm not going to grasp at straws and lay it all on them. At the same time, the responses here are mostly predictably derisively dismissive. That's a nest of eels I have no desire to slog into...
I see you and I have differing interpretations of "subvert". That might go some way to explaining the disagreement. Maybe I was just a stupid kid, but what I got out of Star Wars was the Rebels won and Luke got the girl. My expectation going I to Empire was that there was only so much striking back we could expect from them. And I certainly didn't expect Our Heroes to lose. Those expectations were thwarted, dashed... overthrown -- which is what subvert literally means.
Similarly, when the SE was announced, I expected it to be a cleanup/upgrade of Star Wars (later, the other two films, too), not have George change actual content. With the Prequels, I was expecting the Obi-Wan-centric story a decade and a half of making-of delves into George's notes had primed us for. Those expectations were disappointed, yes -- I'm not seeing how that's somehow not the same as subverting. I had expectations. What I got was wildly different. Textbook.
Meanwhile, with the new films, I'm not feeling any of that. I take issue with the density of these stories, the lack of character and plot development that results... I acknowledge twists and revelations, but the main subversion came before the first teaser for TFA, when Lucasfilm announced the EU was now not to be treated as gospel. From there I knew anything goes -- and even then, the ST hews amusingly close to the old post-ROTJ EU... from a certain point of view. I am finding my expectations subverted far less here than with earlier films. I know that's not an objective metric, but the conflicting subjective experience at least serves to demonstrate expectation-subverting vis-a-vis TLJ isn't universal.
I think this whole thing boils down to the fact that the fans who disliked TLJ simply want Lucasfilm to stop blaming them for not liking their movie. Instead of acknowledging that they have valid criticisms they are attacked and called names. I don't know about you but most people don't take too kindly to that kind of thing. Instead of agreeing that perhaps their stories won't be made for everyone, they come up with wild accusations, which are unfounded mind you, and theories about why these fans are so upset. Maybe the blame shouldn't be placed on these fans, and maybe, just maybe, you made a **** movie. Ever consider that Lucasfilm?
It's clear that after 10 months of heated debate that we are no closer to agreement on the subject and everyone is firmly planted in their ideas about the movie. Had Lucasfilm acknowledged the angry fans in the first place and treated them like they mattered I'm sure a LOT of the issues the fan base has dealt with would have dissolved long ago.
I'm fine with people liking this movie and I'm fine with people loving it. What I'm NOT OK with is Lucasfilm (and in some cases fans) showing total intolerance for dissenting opinions in any way shape or form. It shows the insidious nature of the kind of control that these people really want over our thoughts and before you suggest that what I'm saying is overly exaggerated, just consider that we are currently discussing the notion that Russian hackers are trying to take down fan opinions of a fictional movie as a means to disrupt people's lives. That kind of thing smacks of the insane conspiracy theorists that plague our airwaves and needs to be called out for what it truly is.
I think this whole thing boils down to the fact that the fans who disliked TLJ simply want Lucasfilm to stop blaming them for not liking their movie. Instead of acknowledging that they have valid criticisms they are attacked and called names. I don't know about you but most people don't take too kindly to that kind of thing. Instead of agreeing that perhaps their stories won't be made for everyone, they come up with wild accusations, which are unfounded mind you, and theories about why these fans are so upset. Maybe the blame shouldn't be placed on these fans, and maybe, just maybe, you made a **** movie. Ever consider that Lucasfilm?
It's clear that after 10 months of heated debate that we are no closer to agreement on the subject and everyone is firmly planted in their ideas about the movie. Had Lucasfilm acknowledged the angry fans in the first place and treated them like they mattered I'm sure a LOT of the issues the fan base has dealt with would have dissolved long ago.
I'm fine with people liking this movie and I'm fine with people loving it. What I'm NOT OK with is Lucasfilm (and in some cases fans) showing total intolerance for dissenting opinions in any way shape or form. It shows the insidious nature of the kind of control that these people really want over our thoughts and before you suggest that what I'm saying is overly exaggerated, just consider that we are currently discussing the notion that Russian hackers are trying to take down fan opinions of a fictional movie as a means to disrupt people's lives. That kind of thing smacks of the insane conspiracy theorists that plague our airwaves and needs to be called out for what it truly is.
Has anyone been able to confirm whether this nut job is writing for theonion, because I'm honestly frightened to think that we are so delusional as a society that we could even take such a preposterous idea even remotely serious.